Glossary extracted starting with automatic seeds, with BOW for the domain roy and language EN
poet laureate | Apollo degreed that poets should receive laurels as a prize |
rhythm | the quality of the pacing and speed of a script’s plot action and scene sequences. |
cash game | A game where each hand is played for real money as opposed to tournament play |
bas-relief | Sculptural relief in which the projection from the surrounding surface is slight and no part of the modeled form is undercut. |
dissonance | The use of discordant sounds either to create an unpleasant effect or to create an interesting variation from what is rhythmically expected. |
internal rhyme | below. |
crisis | A turning point in the action of a story that has a powerful effect on the protagonist |
asphodel | Various Old World usually perennial herbs of the lily family with flowers in usually long erect racemes. |
chamber opera | an opera for intimate theatre |
ballad measure | Traditionally, ballad measure consists of a four-line stanza or a quatrain containing alternating four-stress and three-stress lines with an ABCB or ABAB rhyme scheme |
il est honteux | (French) It's shameful |
epilogue | A conclusion added to a literary work such as a novel, play, or long poem |
neapolitans | Natives or inhabitants of Naples, Italy. |
im film | (German) on the screen |
cyclorama | In a proscenium theatre, a large piece of curved scenery that wraps around the rear of the stage and is illuminated to resemble the sky or to serve as an abstract neutral background |
cheat a script | Fudging the margins and spacing of a screenplay on a page (usually with a software program) in an attempt to fool the reader into thinking the script is shorter than it really is. |
metaphor | A comparison between essentially unlike things without an explicitly comparative word such as like or as |
denotation | A literal dictionary meaning of a word |
inside straight | See inside straight draw |
im handumdrehen | (German) in a flash, in no time, in the twinkling of an eye, in the wink of an eye |
canon law | That by which the clergy and, to some extent, the laity are governed. Approved by Parliament, it has the force of law and covers matters of worship and practice. Mayfield, in his "The Church of England: its members and its business" has some 11 pages on this subject. Confusingly, the constituent parts of canon law are referred to as canons! . |
litotes | A form of meiosis using a negative statement |
myth | An ancient story with magic elements included. |
heroic couplet | which was rhymed iambic pentameter |
ode | Grand lyric poem in praise of something or some person |
charnel | A building or chamber in which bodies or bones are deposited. |
reversal | The point at which the action of the plot turns in an unexpected direction for the protagonist |
ignoratio elenchi | (Latin) the fallacy of refuting a proposition different from that set forth by one's opponent (hence, any irrelevant argument) |
paraskenia | In ancient Greek theater, the wings of the skene. |
in the round | A type of theater space in which the audience is, usually in a circular configuration, on all sides of the playing area. |
iambisch | (German) iambic, giambico (Italian), iambique (French), yámbico (Spanish) |
audio/visual script | A dual column screenplay with video description on the left and audio and dialogue on the right, used in advertising, corporate videos, documentaries and training films. |
motif | an image or action in a literary work that is shared by other works and that is sometimes thought to belong to a collective unconsciousness. |
drag light | To pull chips away from the pot to indicate that you don't have enough money to cover a bet |
suck out | A situation when a hand heavily favored to win loses to an inferior hand after all the cards are dealt |
censer | A covered incense burner, usually swung from a chain at funerals or other religious ceremonies. |
shih poetry | Shih is Chinese for "songs." There is no general word for "poetry" specifically in Chinese, but there are exact words for different genres of poetry |
inversion | Another term for anastrophe. |
coin flip | A situation where two players have, perhaps wisely, invested all their money in the pot and it's a roughly even chance which of them wins |
flush deck | A continuous deck of a ship laid from stem to stern without any break. |
implied author | The term reminds the interpreter to realise the difference between a real author and the narrator of a story |
bob | a one-foot line in certain stanzaic forms of medieval alliterative poetry, such as Sir Gawain and the Green Knight. |
implied audience | the "you" a writer or poet refers to or implies when creating a dramatic monologue |
palpably | Easily perceptible by the mind |
plucking a flexible tongue | Jew's harp, thumb piano, music box, etc. |
novella | A narrative in prose longer than a short story and shorter than a novel |
style | The author's words and the characteristic way that writer uses language to achieve certain effects |
alla marcia | "in the style of a march". |
metaphor | a figure of speech that states two unlike things are the same in a figurative way (without using “like” or “as”); example: She was the wind. |
miltonic sonnet | see Sonnet. |
stanza | A verse or set of lines of poetry, the pattern of which is repeated throughout the poem. |
palinode | an ode or song that retracts what the poet wrote in a previous poem; a recantation. |
ma non troppo | but not too much |
metaphysical poets | In his 1693 work, |
largo | broadly; i.e., slowly |
present action | action that takes place in the present moment as opposed to backstory. |
a niente | to nothing; an indication to make a diminuendo to pppp |
imponenza | (Italian f.) an imposing style, haughty |
k¯oken | Black-garbed and veiled actors' assistants who perform various functions onstage in kabuki theatre. |
turn out | actor is to face downstage, toward the audience |
disengaño | Spanish term meaning "disillusionment," that is, the act of removing all illusions about the world; theater and drama was a means of achieving disengaño. |
internal rhyme | In poetry, internal rhyme, or middle rhyme, is rhyme that occurs in a single line of verse. |
batrachomyomachia | The Battle of Frogs and Mice, a comic epic or parody on the Iliad.The word by itself means "a silly altercation." |
imitatio homophonia | (Latin) imitation at the unison, the first species of imitation |
church of england | We shall need to be selective here! The Church of England is the established church of the realm (in Scotland, the established church is the Church of Scotland, which is Presbyterian in ecclesiology). This has typically laid responsibilities on it and its ministers eg the incumbent |
immer gest. | (German) or immer gestopft (German), always stopped, alway muted |
iastian | one of the ancient Greek modes, identical to the Ionian mode |
idéal | (French m.) ideal (English, Spanish m.), ideale (Italian m.), Ideal (German n.) |
immortelle | (French f., literally 'ever-lasting') a flower of papery texture which retains its colour and shape when dried |
kabbalah | Kabbalah (‘tradition') is the mystical theosophical system developed in the eleventh and twelfth centuries, as represented by the Zohar, and later reinterpreted and recast by Isaac Luria (the Ari), in sixteenth century Safed. |
argument | A statement of a poem's major point--usually appearing in the introduction of the poem |
mood - setting tone | Authors set a Tone in literature by conveying emotions/feelings through words |
mystery play | The drama of the late medieval times, always with religious subjects based on the Bible |
sea shanty | Sea shanties (singular "shanty", also spelled "chantey"; derived from the French word "chanter", 'to sing') were shipboard working songs |
drawing thin | Not drawing completely dead, but chasing a draw in the face of poor odds |
horse | A player financially backed by someone else |
idiomatic writing | when applied to music, a term synonymous with 'idiomatic music' |
leggiero | lightly, delicately |
exodos | In Greek tragedy, the departure ode of the chorus at the end of the play. |
rhyme | words that end in the same sound but have a different beginning sound; examples: cat/hat, toy/joy |
weak player | A player who is easily bullied out of a hand post-flop by any sort of action (betting, raising), whether he has the best hand or not |
motivation | That which can be construed to have determined a person's (or character's) behavior |
enjambment | A line ending in which the syntax, rhythm and thought are continued and completed in the next line, for example ‘With candles and with lanterns/throwing giant scorpion shadows/on the sun-baked walls/they searched for him’ (Night of the Scorpion by Nissem Ezekiel). |
verse | a line or the form of poetry |
capriccioso | "capriciously" |
vielle cour | "Old Yard" |
confessional poetry | Vividly sensational self-revelatory verse, a literary movement led by American poets from Allen Ginsberg and Robert Lowell to Sylvia Plath, Anne Sexton, and John Berryman. |
il est vrai | (French) It's true |
parody | An imitation of the plot, character, tone, or style of a literary work; by way of an alienating effect the original suddenly seems ridiculous and satirised. |
meter | as opposed to prose. |
linguistics | Linguistics is the scientific study of human language |
sprung rhythm | a metrical system devised by Gerard Manley Hopkins that has 1-to-4-syllable feet, each starting with a stressed syllable (sometimes a foot by itself), where the spondee replaces the iamb as a dominant measure, and where rests and multiple non-stressed syllables can be discounted in scansion |
madonna | Madonna is a medieval Italian term for a noble or otherwise important woman |
decorum | The requirement that individual characters, the characters' actions, and the style of speech should be matched to each other and to the |
shootout | A poker tournament format where the last remaining player of a table goes on to play the remaining players of other tables |
scarabaeus | Any of a family (Scarabaeidae) of stout-bodied beetles with lamellate or flabellate antennae |
nonsense verse | lines that read like word-salad, where individually the terms may be recognizable but in their order and grammatical relations make no sense, or where common words accompany neologisms in expressions intended to mystify and amuse |
cacophony | Language that is discordant and difficult to pronounce, such as this line from John Updike's "Player Piano": "never my numb plunker fumbles." Cacophony ("bad sound") may be unintentional in the writer's sense of music, or it may be used consciously for deliberate dramatic effect |
tormentor lights | spotlights mounted on a vertical pipe batten on either side of the stage just behind the tormentors and used as side lighting |
scene | Subdivision in an act of a play, a sequence of uninterrupted action |
big bet game | A game played with a no limit or pot limit betting structure. |
dream vision | a (traditionally medieval) poet's relation of how he fell asleep and had an often allegorical dream |
colloquial | Refers to a type of informal diction that reflects casual, conversational language and often includes slang expressions |
fiorituri | Taken from "fior" which means "flower" in Italian, fioratura refers to the actual flowery, embellished vocal line within an aria. |
cgi | Computer Generated Image; a term denoting that computers will be used to generate the full imagery. |
con amor | "with love" – Tenderly. |
outcome | the resolution of a story in terms of the protagonist’s objective. |
song | A lyric poem with a number of repeating stanzas (called refrains), written to be set to music in either vocal performance or with accompaniment of musical instruments |
wyrd | Often translated as "fate," wyrd is an |
register | A printed image is an optical illusion |
larghetto | "somewhat slowly"; not as slow as largo. |
il doppio movimento | (Italian) the tempo to be doubled, twice as fast |
dolcissimo | "very sweetly" |
pine | As a verb, to yearn intensely and persistently especially for something unattainable. |
revolving stage | Large turntable on which scenery is placed so that as it moves, one set turns out of sight while a new one is brought into view. |
il est essentiel | (French) It's essential |
iconoclasm | Bilderstürmerei (German f.), iconoclasia (Spanish f.), iconoclastia (Spanish f., Italian f.), the destruction of works of art on the grounds that they are impious |
idee | (German f.) idea (English, Italian f., Spanish f.), idée (French f.) |
deuteragonist | A sidekick who accompanies the main |
tableau | moment in which a living picture is created on stage and held by actors without motion or speech |
purple prose | Purple prose is a term of literary criticism used to describe passages, or sometimes entire literary works, written in prose so overly extravagant, ornate, or flowery as to break the flow and draw attention to itself |
aural | a film element that can be heard (such as an off screen sound like a dog howling or a gun firing). |
tableau vivant | Tableau vivant (plural: tableaux vivants) is French for "living picture." The term describes a striking group of suitably costumed actors or artist's models, carefully posed and often theatrically lit |
sarcasm | Another term for verbal irony--the act of ostensibly saying one thing but meaning another |
trochee | In poetry: one stressed syllable is followed by an unstressed syllable. |
a 2 | see a due in this list |
bunraku | A Japanese puppet theatre, founded in the seventeenth century and still performed today. |
logline | A "25 words or less" description of a screenplay. |
gossamer | Something light, delicate, or insubstantial |
caryatid | A sculpted female figure serving as an architectural element such as a column or a pillar |
simile | a figure of speech comparing two unlike things using “like” or “as”; example: She was as fast as the wind. |
masculine rhyme | A masculine rhyme is a rhyme that matches only one syllable, usually at the end of respective lines |
choregus | In ancient Greece, a wealthy person who underwrote most of the expenses for the production of an individual playwright's works at a dramatic festival. |
measure | the period of a musical piece that encompasses a complete cycle of the time signature, e.g., in 4/4 time, a measure has four quarter-note beats |
impulsar | (Spanish) to impel |
motif | fairy tale, romance. |
illustratore | (Italian m.) illustrator |
envoy | Diplomatic rank is the system of professional and social rank used in the world of diplomacy and international relations |
eclogue | An eclogue is a poem in a classical style on a pastoral subject |
marzial | "martially." |
2nd person | "You" is used to tell the story; these tend to be like Choose Your Own Adventure stories or computer games and are usually in the present tense. |
fable | A story in which the characters are animals and not human beings |
iawm | abbreviation of 'International Alliance for Women in Music' |
intertextuality | Intertextuality is the shaping of texts' meanings by other texts |
proscenium | Arch or frame surrounding the stage opening, like a picture frame; developed during the Italian Renaissance. |
comic relief | A humorous scene, incident, character, or bit of dialogue occurring after some serious or tragic moment |
ideale | (Italian m.) ideal (English, Spanish m.), Ideal (German n.), idéal (French m.) |
poco | "a little", as in poco più allegro ("a little faster"), for example. |
alliteration | Repeating a consonant sound in close proximity to others, or beginning several words with the same vowel sound |
iambique | (French) iambic, giambico (Italian), iambisch (German), yámbico (Spanish) |
menages-humored | Domestically suited, domesticated. |
crisis | See conflict |
euphony - phonaesthetics | Phonaesthetics (from the Greek, "voice-sound"; and "aesthetics") is the claim or study of inherent pleasantness or beauty (euphony) or unpleasantness (cacophony) of the sound of certain words and sentences |
rack | 1 |
heroic couplet | A couplet of two lines of iambic pentameter with the same end rhymes and forming a logical whole. |
parisian | Of or relating to Paris, France. |
imperat. | abbreviation of 'imperative' (of a mood, expressing a command, for example, sing this!) |
litotes | In rhetoric, litotes are a figure of speech in which understatement is employed for rhetorical effect when an idea is expressed by a denial of its opposite, principally via double negatives |
il cantilena | see cantilena |
off | Short for offstage |
despotism | A system of government in which the ruler has unlimited power. |
im tempo i zurückkehren | (German) returning to Tempo I |
metre - meter | * Metrical foot - Foot (prosody) |
acatalectic | An acatalectic line of verse is one having the metrically complete number of syllables in the final foot |
epistrophe | Epistrophe (Greek: ἐπιστροφή, "return"), also known as epiphora (and occasionally as antistrophe), is a figure of speech and the counterpart of anaphora |
push | To bet all in. |
imperf. | abbreviation of 'imperfect' (of a tense, denoting action in progress but not completed, for example, they were singing) |
scrim | A theatrical fabric woven so finely that when lit from the front it appears opaque and when lit from behind it becomes transparent |
virelai | A virelai is a form of medieval French verse used often in poetry and music |
incipient | Beginning |
abstract | A record held by the INDIAN LAND REGISTRY, listing all land dealings ("transactions") on a particular Indian reserve, or in a particular region |
procatalepsis | Procatalepsis, also called prebuttal, is a figure of speech in which the speaker raises an objection to his own argument and then immediately answers it |
promulgate | To make known by open declaration. |
theatron | From the Greek for "seeing place"; the original Greek theatre. |
peking opera | Popular theater of China which developed in the nineteenth century. |
donjon-keep | Dungeon |
couplet | A pair of lines of verse, usually rhymed and of the same number of feet. |
box set | Interior setting using flats to form the back and side walls and often the ceiling of a room. |
stage center | More commonly known as Center Stage, it is the center of the performance space, used for placement of the actors and the set. |
style | The specific manner in which a play is shaped, as determined by its genre, its historical period, the sort of impact the director wishes to convey to the audience, and the skill of the artists involved |
downswing | A period during which a player loses (or lost more) than expected |
turn in | actor is to face upstage, away from the audience |
upstage | (noun) In a proscenium theatre, that part of the stage farthest from the audience; the rear of the stage, so called because it was in fact raised ("up") in the days of the raked stage |
dotage | A condition of decay marked by decline of mental poise and alertness, usually attributed to old age. |
close reading | Reading a piece of literature carefully, bit by bit, in order to analyze the significance of every individual word, image, and artistic ornament |
dimidiation | in which a nobleman's son might take two animals found on his father's and mother's coats of arms combine them into a composite creature to illustrate his genealogy. |
come sopra | like the previous (tempo) |
limerick | A five line poem |
iglesia presbiteriana | (Spanish f.) Presbyterian Church |
capo | head; i.e., the beginning (of a movement, normally) |
new comedy | The Greek comedy the developed circa 300 BCE, stressing romantic entanglements, wit, and unexpected twists of plot. |
primary source | Literary scholars distinguish between |
sub-genre | A sub-division of a literary genre |
neoclassicism | a movement which dominated during the eighteenth century and was notable for its adherence to the forms of classical drama |
più | "more"; see mosso for an example. |
improvisar | (Spanish) to improvise |
imitatio per diminutionem | (Latin) diminution, one of the rhythmic proportions of imitation |
semi-bluff | When a player bluffs on one round of betting with an inferior or drawing hand that might improve in a later round |
vers de société | sophisticated light verse of a kind appealing to the gentry |
iggawin | a Mauritanian griot |
title | Text that appears onscreen denoting a key element of the movie, a change of location or date, or person involved in the making of the movie. |
ballad stanza | quatrain rhyming abcb and alternating four-stress and three-stress lines. |
script | the printed text of a drama |
metaphor | An implied comparison |
hamartia | Hamartia (Ancient Greek: ἁμαρτία) is a term developed by Aristotle in his work Poetics |
burlesque | 1 |
folk song | popular, often anonymous sung lyrics that may be passed on by word-of-mouth originally before being compiled by scholars into literary collections. |
cliffhanger | A melodramatic narrative (especially in films, magazines, or serially published novels) in which each section "ends" at a suspenseful or dramatic moment, ensuring that the audience will watch the next film or read the next installment to find out what happens |
alienation effect | A distancing technique attributed to Bertold Brecht in which actors were directed not to 'become' their parts, so as to ensure spectators did not become too attached to characters and to remind them that it was a production |
pace | The speed at which it seems appropriate to read a poem |
grandioso | grandly |
furioso | "wildly" |
ben ha-melekh ve-ha-nazir | ("The Prince and the Ascetic"), the Hebrew version (made from Arabic) of an Indian folk-tale, which reached Europe through Persian and Greek under the title Barlaam and Josaphat. |
abase | To lower or be lowered in rank, prestige, or esteem |
broken chord | a chord in which the notes are not all played at once, but in some more or less consistent sequence |
fustian | Excessively embellished or affected writing or speech. |
semplice | simply |
inverted imperfect authentic cadence | one or both chords are inverted |
death of the novel | The death of the novel is the common name for the theoretical discussion of the declining importance of the novel as literary form |
epilogue | An extra part after the end of a book or play |
addling | Confusion |
analepsis | a flashback. |
blocking | above. |
grazioso | "gracefully." |
full-length play | See opposite: one-act play |
isocolon | See discussion under parallelism. |
avant-garde | Avant-garde (French pronunciation: [avɑ̃ɡaʁd]) means "advance guard" or "vanguard" |
tinctured | Affected |
improvvisando | (Italian) improvising |
mano destra | [played with the] right hand (abbreviation: MD or m.d.) |
echoism | see Onomatopoeia. |
principal photography | the phase of production in which all of the moving images are photographed and recorded according to the instructions of the screenplay in preparation for later editorial cutting and assembly. |
ching hsi | the Peking Opera or, more broadly, Chinese opera. |
ilarità | (Italian) hilarity, cheerfulness, mirth |
hireling | A member of an Elizabethan acting company who was paid a set salary and was not a shareholder. |
betting structure | The complete set of rules regarding forced bets, limits, raise caps, and such for a particular game |
internalize | To make vocabulary and concepts a part of one's learning |
essay | Non-fictional form of text: it shows the writer´s own opinion on a particular topic |
plebeian | One of the common people; a member of the Roman plebs |
quadruplet | a four-syllable foot. |
il est probable | (French) It's probable |
objective correlative | An objective correlative is a literary term referring to a symbolic article used to provide explicit, rather than implicit, access to such traditionally inexplicable concepts as emotion or colour. |
archives | Collections of old or unpublished records which can be used in historical and other RESEARCH |
non-plussed | Perplexed |
avant-garde | In military terms, the "advance-battalion" of an army that goes beyond the front lines to break new ground; in theatre terms, those theatre artists who abandon conventional models and create works that are in the forefront of new theatrical movements and styles. |
redeal | To deal a hand again, possibly after a misdeal. |
beresina | A river in Belarus, once part of the Soviet Union |
side game | A ring game running concurrently with a tournament made up of players who have either been eliminated or opted not to play the tournament. |
moto | motion; usually seen as con moto, meaning with motion or quickly |
waistcoat | Another name for a vest |
carol | a hymn or poem often sung, as at Christmas, by a group, with an individual taking the changing stanzas and the group taking the burden or refrain |
serioso | seriously |
given circumstances | the environmental facts, previous action, and polar attitudes of a dramatic story. |
übermarionette | "Superpuppet": term coined by Edward Gordon Craig in the early twentieth century to describe what he considered the ideal performer—one who would allow the director to control the performance totally. |
talit | The fringed prayer-shawl with stripes (black or blue) wrapped by Jewish men round their shoulders during times of prayer. |
proedria | In ancient Greek theaters, front-row seats reserved for political and religious dignitaries. |
thingspielen | In Nazi Germany, massive propagandistic theatrical spectacles staged outdoors. |
senza | without |
il est inutile | (French) It's useless |
choice of words | Careful selection of words in a literary piece of art by the narrator / author in order to achieve the intended meaning. |
bishop | There are lots of these, in all shapes and sizes. Diocesan bishops are the senior clergy |
corrales | Spanish term for theaters. |
flashback | Sometimes in prose and drama the chronological order is interrupted in order to deal with past events that took place before the beginning of the story. |
bellicoso | warlike, aggressive |
hand history | The textual representation of a hand (or hands) played in an Internet cardroom |
renaissance | The English Renaissance immediately followed the Middle Ages and is considered to last from about 1200 to about 1600 |
chagrin | A gnawing, corroding grief |
assonance | the repetition of internal vowel sounds in words close together (time line, free and easy) |
il faut | (French) there is needed, there are needed, it's necessary to |
sonnet | below. |
peripety | See turning-point. |
fuoco | fire; con fuoco means with fire |
stanza | In poetry, a stanza is a unit within a larger poem |
impair | (French) odd (numbers) |
poch. | very little |
release | A legal document given to unrepresented writers for signing by agents, producers or production companies, absolving said entities of legal liability. |
il est temps | (French) It's time |
terzain | a stanza of three lines. |
il a des ennuis | (French) he's got problems |
critical reading | Careful analysis of an essay's structure and logic in order to determine the validity of an argument |
circular structure | " in which the poem or story ends by coming back to the narrative's original starting spot, or by returning a similar situation to what was found at the beginning of the tale |
tenor | the second lowest of the standard four voice ranges (bass, tenor, alto, soprano) |
thespian | Actor; after Thespis, the first Greek actor. |
moderato | moderate; often combined with other terms, usually relating to tempo; for example, allegro moderato |
alliosis | While presenting a reader with only two alternatives may result in the logical fallacy known as false dichotomy or either/or fallacy, creating a parallel sentence using two alternatives in parallel structure can be an effective device rhetorically and artistically |
sublime | the main characteristic of great poetry, Longinus held, was sublimity or high, grand, ennobling seriousness. |
hyperbole | A boldly exaggerated statement that adds emphasis without in-tending to be literally true, as in the statement "He ate everything in the house." Hyperbole (also called overstatement) may be used for serious, comic, or ironic effect |
georgic | A poem about rural life modelled on Virgils Georgics which extolled the life of the farmer as the moral and political basis of Republican health. |
allegory | Representation of an abstract theme or themes through symbolic use of character, action, and other concrete elements of a play |
flat call | A call, in a situation where one might be expected to raise |
poet | Writer of poetry. |
mock epic | a poem amusingly subverting the conventions of the epic, more often to comment on a topic satirically than to make fun of the epic |
third man walking | A player who gets up from his seat in a cash game, after two other players are already away from the table, is referred to as the "third man walking" |
con slancio | with enthusiasm |
il est dommage | (French) It's too bad |
flashback | a transition from a scene to one that has taken place prior to it. |
deigning | Condescending reluctantly and with a strong sense of the affront to one's superiority that is involved. |
isochronous metre | all stressed syllables are separated in isochronous metre by equal duration of time no matter how many slacks or unstressed syllables occur between them. |
feudalism | the cult of chivalry and courtly love. |
characterization | The techniques an author uses to develop a character: description of physical appearance, thoughts and feelings, speech, and behavior |
aneurism | An aneurysm (or aneurism) is a bulge in a blood vessel caused by disease or weakening of the vessel wall |
alliteration | above. |
pesante | "heavy and ponderous." |
cantando | in a singing style |
mezzo forte | half loudly; i.e., moderately loudly |
kenning | A form of |
collusion | A form of cheating involving cooperation among two or more players |
ibishikiso | (Burundi) in Burundian drumming, the drum that echoes the motifs played on the inkiranya |
friction idiophones | rubbing the vibrating object |
arcaded | Designs arranged in the form of arches. |
romance | a play in which the emphasis is on love and/or adventure |
thebes | The capital of Egypt during part of the Eleventh Dynasty |
lambent | Flickering |
epic | An epic in its most specific sense is a |
cast page | A page that typically follows the Title Page of a play, listing the characters, with very brief descriptions of each. |
anagram | a word spelled out by rearranging the letters of another word |
tale | Tale may refer to: |
colloquialism | A word or phrase used everyday in plain and relaxed speech, but rarely found in formal writing |
mansardes | A mansard roof has two slopes on all sides with the lower slope steeper than the upper one |
ij | also %, one of a number of idem or repetition signs used in modern editions of medieval music showing where, when the underlay in the source is ambiguous, the singable version has been filled out with repeats of words or syllables drawn from the original text or with neutral syllables |
chip leader | The player currently holding the most chips in a tournament (or occasionally a live no limit game). |
staccato | an indication to play with a sharp attack, and briefly |
turn | Also called a volta, a turn is a sudden change in thought, direction, or emotion at the conclusion of the sonnet |
quintain | a five-line stanza, such as a limerick or Edmund Waller's "Go lovely rose." Also called a cinquain. |
ear poetry | see concrete poetry. |
connotation | Emotions and associations which the use of a specific word evokes within the reader / listener. |
image | A picture in the reader´s mind which is created by the author´s words |
unsolicited script | A method of script submission in which the writer sends the script, without prior contact, to the theater or production company |
double raise | The minimum raise in a no-limit or pot-limit game, raising by just the amount of the current bet. |
morality play | The morality play is a genre of Medieval and early Tudor theatrical entertainment |
impelagarsi con | (Italian) to get stuck with |
consonant blend | A combination of two or three consecutive consonants each representing a distinct sound (i.e., thr, br) |
ibídem | (Spanish) ibidem |
necromancy | sorcery: the belief in magical spells that harness occult forces or evil spirits to produce unnatural effects in the world; conjuring up the dead, especially for prophesying. |
euphony | Euphony ("good sound") refers to language that is smooth and musically pleasant to the ear |
irregular declaration | An action taken by a player in turn that is not a straightforward declaration of intent, but that is reasonably interpreted as an action by other players, such as pointing a thumb up to signify "raise" |
trumpery | A trivial or worthless article |
il est question de | (French) it is about, there is talk of |
repente | suddenly |
arcadia | A mountainous region of Greece which was represented as the blissful home of happy shepherds |
illustrated | (English) decorated with pictures or other features usually for the purpose of clarifying the context |
cards speak | See main article: cards speak. |
victorianism | Literary period named after the reign of Queen Victoria (1837 - 1901): victorian virtues are supposed to be hard work, respectability, earnestness and piety. |
sonnet | A lyric poem of fourteen lines, usually in iambic pentameter, with rhymes arranged according to certain definite patterns |
memoir | A memoir (from the French: mémoire from the Latin memoria, meaning "memory", or a reminiscence), is a literary genre, forming a subclass of autobiography – although the terms 'memoir' and 'autobiography' are almost interchangeable in modern parlance |
lyrical i | The "I-narrator" in a poem. |
marcia | a march; alla marcia means "in the manner of a march." |
iglesia menonita | (Spanish f.) Mennonite Church |
vellum | The skin of a young calf used as a writing surface--the medieval equivalent of "paper." A technical distinction is usually made between vellum and parchment; the latter is made from goatskin or sheepskin |
folktale | Folktales are stories passed along from one generation to the next by word-of-mouth rather than by a written text |
rondel | A short poem resembling the rondeau |
i legni | (Italian) woodwind instruments |
troupe | a theatrical company |
play | a script of unidentified genre by the author, catalog, or agent |
accentato | "with emphasis" |
eye rhymes | and inexact rhymes or imperfect rhymes |
metaphysical conceit - conceit | In English literature the term is generally associated with the 17th century metaphysical poets, an extension of contemporary usage |
live game | A game with a lot of action, usually including many unskilled players, especially maniacs |
surcingle | A belt, band, or girth passing around the body of a horse to bind a saddle or pack fast to the horse's back. |
trimeter | A line consisting of three metrical feet |
theatre of the absurd | See absurd. |
footpads | Thieves who rob pedestrians |
mock epic | satire |
analogue | usually a semantic or narrative feature in one work said to resemble something in another work, without necessarily implying that a cause-and-effect relationship exists (as would be the case with source and influence) |
legend | written information superimposed on an image or blank screen (e.g., “Long ago, in a galaxy far away…” |
impromtü | (German n.) impromptu |
illustré | (French m.) illustrated magazine |
focalization | Dutch literary theorist Mieke Bal coined the term focalization to describe a shift in perspective that takes place in literature when an author switches from one character's perspective to another |
stage convention | An understanding, established through custom or usage, that certain devices will be accepted or assigned specific meaning or significance arbitrarily—that is, without requiring that they be natural or realistic. |
imbattersi in | (Italian) or accordarsi con (Italian) to fall in with |
cycle plays | See Mystery plays. |
prologue | In Greek tragedy, a speech or brief scene preceding the entrance of the chorus and the main action of the play, usually spoken by a god or gods |
accoutred | dressed, clothed, outfitted. |
malays | People of the Malay Peninsula, eastern Sumatra, parts of Borneo, and some adjacent islands. |
polysyndeton | The use of a considerable number of conjunctions very closely together (opposite: asyndeton) |
romanticism | A nineteenth-century European movement away from neoclassic formalism and toward outsized passions, exotic and grotesque stories, florid writing, and all-encompassing worldviews |
passes for amontillado | A dry sherry noted for its delicate bouquet, resembling the wine of Montilla, Spain, from which it derives its name |
div. | divided; i.e., in a part in which several musicians normally play exactly the same notes they are instead to split the playing of the written simultaneous notes among themselves |
cyhydedd naw ban | A syllabic verse form in ancient Welsh poetry in which some lines are composed of nine syllables |
piacevole | pleasant |
clandestinely | Marked, held, or conducted secretly. |
character | a person in fiction, drama, or poetry |
tournure | A woman's shape or figure; Any device used by women to expand the skirt of a dress below the waist; French bustle used to replace petticoats. |
caesura | In meter, a caesura (alternative spellings are cæsura and cesura) is a complete stop in a line of poetry |
consonance | Repetition of consonantal sounds to make a pattern, usually in verse. |
impresor | (Spanish m.) printer |
meno | "less"; see meno mosso, for example, under mosso. |
motivation | a) the situation, reasoning, or driving compulsion behind a character’s intent; b) the character background or situational factors that actors analyze to “motivate” their performance of a role. |
arietta | a short aria |
motif | a recurring image, sound, line, action or other element that makes a symbolic, allegorical, metaphoric or thematic point in a movie. |
chopping the blinds | Ending a hand when all players have folded to the blinds with the blinds being returned to those who paid them |
imbarcare | (Italian) to embark |
mattock | A digging and grubbing tool with features of both an axe and a pick. |
improvisação coletiva | (Portuguese) group improvisation |
trim clamp | a metal clamp used to hold several lines to a counterweight system so that scenery can be held in trim |
expressionism | Movement which developed and flourished in Germany during the period immediately preceding and following World War I |
medieval romance | See discussion under |
ichor | A thin watery or blood-tinged discharge. |
technical demands | The extent to which a play requires specific lighting, sound, sets, etc |
reverie | The condition of being lost in thought; daydreaming. |
vignette | A picture where the image fades off gradually into the surrounding paper, a short descriptive literary sketch, a brief incident or scene. |
disinter | To take a body out of its grave or tomb. |
trips | When one of a player's hole cards in Texas hold 'em connects with two cards on the board to make three of a kind |
obstreperous | Marked by unruly or aggressive noisiness; Stubbornly resistant to control. |
devoto | religiously |
outs | See main article: out. |
yawl | A ship's small boat. |
points | Percentage participation in the profits of a film. |
double-reefed | To reef is to reduce the size of a sail by using ropes running through eyelets in the sail |
duplet | a two-syllable foot. |
trampoline | a framework of net, webbed or rubberized material used to cushion the fall of an actor from a height |
colla | with the (col before a masculine noun, colla before a feminine noun); (see next for example) |
beat | A heavy stress or accent in a line of poetry |
espirando | expiring; i.e., dying away |
stream-of-consciousness technique | The most intense use of a central consciousness in narration |
synaeresis | syncope, and acephalous lines |
thrust | A stage configuration in which the playing area protrudes into the audience; the actors have audience on three sides of them. |
sagacity | Shrewdness |
medieval estates satire | A medieval |
antistrophe | Epistrophe (Greek: ἐπιστροφή, "return"), also known as epiphora (and occasionally as antistrophe), is a figure of speech and the counterpart of anaphora |
concussion idiophone | striking together two objects capable of vibration |
sul tasto | in string playing, an indication to bow over the fingerboard. |
hellenistic theatre | Ancient Greek theatre during the fourth and third centuries B.C |
elegy | In literature, an elegy is a mournful, melancholic or plaintive poem, especially a funeral song or a lament for the dead. |
pure poetry | verse that aims to delight rather than to instruct the reader. |
tapers | As a noun, a taper is a slender candle. |
composite | a character that is based upon more than one person or personality in a writer’s life or imagination. |
explication | a line by line explanation of a poem or other literary work |
illustre | (French, Italian) distinguished, illustrious |
thesis play | serious treatment of social, moral, or philosophical ideas |
nobilmente | in a noble fashion |
upstage | The rear part of the stage. |
allegory | leit-motif and motif |
fantasy | Fantasy is a genre that uses magic and other supernatural phenomena as a primary element of plot, theme, and/or setting |
ideograph | also called a logograph or ideogram, this is a written symbol system in which a single marking or collection of markings represents not a phonetic sound but rather an entire word or idea |
il ne casse rien. | (French) He's, It's nothing special, nothing to get excited about |
smash cut | A quick or sudden cut from one scene to another. |
joruri | In Japanese puppet theater, chanted texts. |
rising action | See Plot. |
grazioso | gracefully |
tragic flaw - hamartia | Hamartia (Ancient Greek: ἁμαρτία) is a term developed by Aristotle in his work Poetics |
modesto | modest |
con moto | "with motion." |
excoriations | Abrasions of the skin |
veloute | A white sauce made of chicken, veal, or fish stock and cream and thickened with butter and flour. |
idem | (Latin) the same (particularly, the same author - used to avoid repetition of the name of an author already referred to - idem originally referred to male authors; the equivalent for female authors is eadem) |
gaiters | Cloth or leather leg coverings reaching from the instep to above the ankle or to mid-calf or knee. |
dénouement | Final point in the plot of a comedy when everything is solved, misunderstandings are sorted out and made clear to the reader of a story or the audience of a play |
chanticleer | Rooster or Cock. |
carros | Spanish pageant wagons. |
interlude | A scene or staged event in a play not specifically tied to the plot; in medieval England, a short moral play, usually comic, that could be presented at a court banquet amid other activities. |
imagism | below. |
off-off-broadway | A term designating certain theatre activity in New York City, usually nonprofessional (although with professional artists involved) and usually experimental and avant-garde in nature |
continuation bet | A bet made after the flop by the player who took the lead in betting before the flop (Texas hold 'em and Omaha hold 'em) |
speaker | The voice which speaks to the reader / listener in a piece of verse (not necessarily identical with the poet |
alla breve | two minim (half-note) beats to a bar, rather than four crotchet (quarter-note) beats |
neoclassic couplet | See discussion under heroic couplet. |
layout | The layout is responsible for the attractiveness of some printed material |
dealer's choice | A version of poker in which the deal passes each game and each dealer can choose, or invent, a new poker game each hand or orbit |
luñetas | In the Spanish golden age, semicircular benches located in the front of the pit. |
ghost characters | This term should not be confused with characters who happen to appear on stage as ghosts |
repetition | Repetition is the simple repeating of a word, within a sentence or a poetical line, with no particular placement of the words, in order to emphasize |
parallelism | Sometimes a writer uses parallel structures for his paragraphs or sentences in which identical words or almost identical words are used; not restricted to sentence beginnings, s |
thrust stage/open stage/apron stage | wraparound theater space where the stage extends out into the audience and the spectators view the action from three sides |
nouvelle heloise | A romantic novel by Jean-Jacques Rousseau written in 1761 |
liverpool poets | a 1960s group of popular writers from the west-England city of Liverpool, including Adrian Henri, Roger McGough, and Brian Patten. |
wet board | The texure of the community cards |
ensemble | Literally, the group of actors (and sometimes directors and designers) who put a play together; metaphorically, the rapport and shared sense of purpose that bind such a group into a unified artistic entity. |
verdant | Green in tint or color |
dream visions | especially Biblical passages regarding divine premonitions appearing in the form of dreams |
impropre à | (French) unfit for |
neoclassical | A new or modern style of writing based on Greek or Roman models. |
jing | In xiqu, the "painted-face" roles, often of gods, nobles, or villains. |
range of hands | The list of holdings that a player considers a opponent might have when trying to deduce their holding |
impazientandosi | (Italian) impatiently |
rake | A stage that is slanted so that as an actor moves away from the audience, he gets higher |
objectification | a figure of speech where the poet treats an abstract thing or object as if it were a place |
agile | swiftly |
literary text | A wide range of texts that tell a story to make a point, express a personal opinion, or provide an enjoyable experience |
il | (Italian, m |
aside | In drama, a few words or a short passage spoken by one character to the audience while the other a |
il est rare | (French) It's rare |
cooler | A case in which playing a strong hand (often the second best) that normally justifies the maximum bet is beaten by a still stronger hand |
classical drama | Technically, plays from classical Greece or Rome |
tag | A "tight aggressive" style of play in which a player plays a small number of strong starting hands, but when in pots plays aggressively. |
ballad stanza | A quatrain that alternates tetrameter with trimeter lines, and usually rhymes a b c. |
literal language | When words mean exactly what they say. |
jaggeree | Now spelled "jaggery", it is an unrefined brown sugar made from palm sap |
check out | To fold, in turn, even though there is no bet facing the player |
iglesia congregaciona | (Spanish f.) Congregational Church |
demur | Hesitation, (as in doing or accepting) usually based on doubt of the acceptability of something offered or proposed. |
irony | below. |
althing | The closest approximation the Icelandic Vikings had to a government/court system/police--a gathering of representatives from the local things to decide on policy, hear complaints, settle disputes, and proclaim incorrigible individuals as outlaws (see below) |
paraphrase | A prose restatement of the central ideas of a poem, in your own language. |
rubicund | Ruddy, having a healthy reddish color. |
beetling | Projecting, jutting out. |
imbarcazione | (Italian f.) boat |
archival research | RESEARCH that looks for facts in the records held by ARCHIVES |
gunwale | Upper edge or topmost planking of the side of a ship or boat |
legato | "smoothly"; in a connected manner |
case card | The last available card of a certain description (typically a rank) |
polish | In theory, to rewrite a few scenes in a script to improve them |
verse | There are three general meanings for verse (1) a line of metrical writing, (2) a stanza, or (3) any composition written in meter (i.e., poetry generally) |
micro-limit | Internet poker games with stakes so small that real cardrooms couldn't possibly profit from them, are said to be at the "micro-limit" level (e.g |
braggart warrior | stock character of the Roman theater (and subsequent ages); he was portrayed as a boastful soldier who, in reality, was a coward |
pendulous | Poised without visible support. |
maestoso | majestically, in a stately fashion |
verse | below, a vers is a song in Old Provencal almost indistinguishable from the chanson, but vers is the older term. |
aragoto | The flamboyant and exaggerated masculine style of acting employed in certain kabuki roles. |
ionic | a Classical Greek and Latin double foot consisting of two unstressed syllables and two stressed syllables, either ionic a majore / ' ' ~ ~ / or ionic a minore / ~ ~ ' ' /. |
lyric | Originally poetry meant to be sung, accompanied by lyre or lute |
cashing out | Exchanging chips for cash when leaving a game |
metaphor | A stated comparison of two things that have some quality in common not using the words like or as |
complication | the building of the conflict in plot as part of the rising action |
haiku | a poem with 3 lines, containing five, seven, and five syllables each, often concerning a theme in nature |
chorus | below. |
drop | Large piece of fabric, generally painted canvas, hung from a batten to the stage floor, usually to serve as backing. |
impuro | (Spanish) impure |
danegeld | the practice of paying extortive Vikings to go away without attacking. |
envoy | A poem, or the final stanza of a poem, that blesses or gives advice to someone departing. |
ethereal | Heavenly |
benefice | One of those words loved by the lawyers that are difficult to define. The Shorter Oxford Dictionary says "an ecclesiastical tenure", whatever that may mean. For our purposes it may do to say that it relates to all that an incumbent |
apostrophe | An address, either to someone who is absent and therefore cannot hear the speaker or to something nonhuman that cannot comprehend |
andante | "moderate tempo," just this side of slow. |
off-broadway | The New York professional theatre located outside the Broadway district; principally in Greenwich Village and around the upper East and West Sides |
ijexá | African-derived rhythm that sensuously underpins much of the music heard during Carnival in Brazil |
con affetto | with affect (that is, with emotion) |
big stack | A stack of chips that is relatively large for the stakes being played |
point of view | the position from which an image is supposed to be seen, requiring the placing of the camera in that relationship (e.g., “Benjamin’s POV through the swim goggles as he walks toward the pool” would require the camera operator to shoot through swim goggles as the camera is dollied [pushed on a camera dolly] toward a pool.) |
bluff | A bet made with a hand that is mathematically unlikely to be profitable either to make money or to disguise play patterns |
primary source | An original source, such as someone's diary or journal, a survey or interview, letters, autobiographies, and observations |
made hand | See main article: made hand |
land payments | A term used in the early part of the 19th century in eastern Canada, to refer to monies from the sale of SURRENDERED Indian lands that were paid to or banked for the bands concerned |
sapphic verse | see Ode. |
mora | Mora (plural moras or morae) is a unit of sound used in phonology that determines syllable weight (which in turn determines stress or timing) in some languages |
kraken | Probably no legendary sea monster was as horrifying as the Kraken |
haiku | A form of Japanese poetry which has three lines focused on a single element |
box set | A theatrical structure common to modern drama in which the stage consists of a single room setting in which the "fourth wall" is missing so the audience can view the events within the room |
parallelism | two or more expressions that share traits, whether metrical, lexical, figurative, or grammatical, and can take the form of a list. |
open limp | Being the first person in the pot preflop, but not raising. |
accentual verse | Accentual verse has a fixed number of stresses per line or stanza regardless of the number of syllables that are present |
designer | Theater professional whose job it is to envision any of the following elements in a play: costumes, sets, lights, sound or properties. |
vicissitudes | Natural changes or mutations visible in nature or in human affairs |
brio | "vigour"; usually in con brio (see next). |
quatrain | A four-line stanza. |
sonnet | a fixed verse poem that has 14 lines and often is about a feeling ot idea |
musical | A generic name for a play with a large number of songs, particularly when there is also dancing and/or a chorus. |
bocca chiusa | with closed mouth. |
golden line | The golden line is a type of Latin dactylic hexameter frequently mentioned in Latin classrooms in English speaking countries and in contemporary scholarship written in English. |
placid | Tranquil, gentle, quiet, or undisturbed. |
imperfection | in music of the Renaissance, the reduction of a trinary note value to binary |
flashback | A narrated scene that marks a break in the narrative in order to inform the reader or audience member about events that took place before the opening scene of a work |
grandiloquent | A lofty, extravagantly colorful, pompous, or bombastic style, manner, or quality especially in language. |
insurance | A "business" deal in which players agree to split or reduce a pot (roughly in proportion to the chances of each of them winning) with more cards to come rather than playing out the hand, or else a deal where one player makes a side bet against himself with a third party to hedge against a large loss. |
stage business | See business. |
epic theatre | As popularized by Bertolt Brecht, a style of theatre in which the play presents a series of semi-isolated episodes, intermixed with songs and other forms of direct address, all leading to a general moral conclusion or set of integrated moral questions |
hashigakari | In n¯o theater, the bridge on which actors make their entrance from the dressing area to the platform stage. |
appennines | Now spelled "Apennines", a mountain system, running the entire length of the Italian peninsula. |
mezzo piano | "half softly" – Directs the musician to play moderately soft |
dactyl | a metrical foot consisting of an accented syllable followed by two unaccented ones / ' ~ ~ / |
horatian ode | see Ode. |
shareholders | In Elizabethan acting troupes, members who received part of the profits as payment. |
epithet | From Latin epitheton, from Greek, from epitithenai meaning to add, an adjective or adjectival cluster that is associated with a particular person or thing and that usually seems to capture their prominent characteristics |
este | The House of Este was an Italian noble family, from the Welf (or Guelf) branch of which numerous German princely lines descended (including the English house of Windsor) |
improvisatrice | (French f.) a poetess, a female improviser |
idilico | (Spanish) idyllic |
suspense | The anxious anticipation of a reader or an audience as to the outcome of a story, especially concerning the character or characters with whom sympathetic attachments are formed |
videography | the recording of a performance by means of video camera and videotape. |
query | A method of submission in which a writer approaches a theater with a brief letter, accompanied by a synopsis and sample pages. |
rake | To position scenery on a slant or angle other than parallel or perpendicular to the curtain line; also, an upward slope of the stage floor away from the audience. |
beat poets | A San Francisco-based group of counter-culture poets such as Allen Ginsberg, Lawrence Ferlinghetti, and Kenneth Rexroth. |
william henson | William Samuel Henson was an engineer and inventor who was familiar with the aeronautical work of George Cayley |
certificate of title | A secondary legal document issued to show that a grant of public (Crown) land or mineral rights has been made to a private owner |
uncoated | Paper or board which has not had its surface modified by the application of clay or other pigments and adhesive materials to improve its finish in terms of printability, colour, smoothness or opacity |
pan | A camera direction indicating a stationary camera that pivots back and forth or up and down. |
take five | slang term used to indicate that you are going to take a break from working for five minutes |
three of a kind | See main article: three of a kind |
heads up poker | Playing against a single opponent |
abductor muscle | Any muscle used to pull a body part away from the midline of the body |
hysteron proteron | The hysteron proteron (from the Greek: ὕστερον πρότερον, hýsteron próteron, "latter before") is a rhetorical device in which the first key word of the idea refers to something that happens temporally later than the second key word |
imitation mass | masses based on a polyphonic source, as distinct from cantus firmus masses which are based on a monophonic source |
allegory | beast fable, and parable |
meter | cf |
decrepitude | Wear from old age. |
agitprop | short for "agitation-propaganda," a form of drama that incites the emotions ("agitation") and then teaches social and political lessons to encourage the audience to engage in a particular political action |
underground press | The phrase underground press is most often used to refer to the independently published and distributed underground papers associated with the counterculture of the late 1960s and early 1970s in the United States, Canada, United Kingdom, and other western nations |
ambiguity | a statement with two or more meanings that may seem to exclude one another in the context |
discomfited | Put into a state of perplexity and embarrassment |
abridgment/adaptation | a shortening/rearrangement of another work |
protected pot | A pot that seems impossible to bluff to win because too many players are active in it and the chances of another player either calling you to the end or raising beyond measure become an assurance. |
con fuoco | "with fire" – In a fiery manner. |
squeeze play | A bluff reraise in no limit hold'em with less-than-premium cards, after another player or players have already called the original raise |
chaise longue | A long chair used for reclining. |
contretemps | An inopportune or embarrassing occurrence or situation. |
spiritoso | spiritedly |
hyperbole | Hyperbole (from ancient Greek ὑπερβολή 'exaggeration') is the use of exaggeration as a rhetorical device or figure of speech |
imperiosità | (Italian) stateliness, pomposity |
cyrch a chwta | A Welsh verse form consisting of an octave stanza of six rhyming or alliterating seven-syllable lines plus a couplet |
ignorer tout de | (French) to know nothing about |
synecdoche | Synecdoche (from Greek synekdoche (συνεκδοχή), meaning "simultaneous understanding") is a figure of speech in which a term is used in one of the following ways: |
confidant | Minor character in whom the protagonist confides. |
showdown | When if more than one player remains after the last betting round, remaining players expose and compare their hands to determine the winner or winners |
filigreed | Ornamental work especially of fine wire of gold, silver, or copper applied chiefly to gold and silver surfaces. |
immer schnell | (German) still quick |
courtly love | brotherhood in arms, and feudalism |
contrast | the emphasized difference between story elements pointed up by a juxtaposition of those elements to one another. |
comedy of manners | A form of comedy consisting of five or three acts in which the attitudes and customs of a society are critiqued and satirized according to high standards of intellect and morality |
rit. | held back; i.e., slower (usually more so but more temporarily than a ritardando, and it may, unlike ritardando, apply to a single note) |
col legno | "with the wood"; indicates that the strings are to be struck with the wood of the bow; also battuta col legno: "beaten with the wood." |
masculine ending or rhyme | see rhyme. |
fouled our anchor | The anchor became entangled in the chain or rope that it was connected to. |
im volkston | (German m.) in the style of a German folk song, in a popular (German) style |
structured | A structured betting system is one where the spread of the bets may change from round to round. |
improvisação | (Portuguese) improvisation |
scherzoso | playfully |
passive | A style of play characterized by checking and calling |
delicatamente | "delicately" |
epic | A long narrative poem, told in a formal, elevated style, that focuses on a serious subject and chronicles heroic deeds and events important to a culture or nation |
illustrativo | (Italian) illustrative |
argument | The poems plot or sequence of ideas that forms its conceptual structure. |
epicurus | Epicurus was a philosopher from 300 B.C |
acatalectic | see Catalytic. |
chip race | An event in tournament poker where chips of a value lower than the minimum required are removed from play |
altissimo | very high |
universality | a quality that transcends the subjective experience of the individual to find the universal reality of human experience. |
ottava | octave; e.g. ottava bassa: an octave lower |
impetuoso | impetuously |
dénouement | The resolution of the plot of a literary work. |
subplot | A subplot is a secondary plot strand that is a supporting side story for any story or the main plot |
avoirdupois | A system of weights based on a pound containing 16 ounces or 7,000 grains |
formal elements | The main elements of analysing literature in a so-called formal analysis |
blaze | A Non-standard poker hand of five face cards that outranks a flush. |
novella | A short novel |
lighting | Equipment for providing light for the stage. |
rathole | To remove a portion of your chips from the table while the game is underway |
slow roll | To delay or avoid showing one's hand at showdown, forcing other players to expose their hands first |
pesante | heavy, ponderous |
italian sonnet | see sonnet. |
plot | (1) As distinct from story, a patterned arrangement of events and characters for a drama |
spondaic | The adjective spondaic describes a line of poetry in which the feet are composed of successive spondees |
one-eyed royals | See main article: one-eyed royals. |
impropriété | (French f.) incorrectness, error |
largamente | broadly; i.e., slowly (same as largo) |
melodrama | romance, medieval, and romance, renaissance. |
assonance | The rhyme-pattern produced inside the poetic line by repeating similar vowels, or clusters of consonants and vowels. |
fathom | As a unit of measurement, a fathom is six feet.15 fathoms = 90 feet40 fathoms = 240 feetIt also means, "to understand". |
lugubre | lugubrious, mournful |
poco a poco | "little by little." |
seraphim | An order of angels; The 6-winged angels standing in the presence of God. |
light and dark show | a play blending comedic and tragic elements |
downstage line | performance mode in which the actors stand in a semicircle on the forestage and deliver their lines; the style was popular in France in the seventeenth and eighteenth centuries. |
onomatopoeia | Words imitating sounds. |
syntax | In linguistics, syntax (from Ancient Greek σύνταξις "arrangement" from σύν syn, "together", and τάξις táxis, "an ordering") is the study of the principles and rules for constructing sentences in natural languages. |
arsis | In music and prosody, arsis and thesis refer to the stronger and weaker parts of a musical measure or poetic foot |
immer offen | (German) always open |
closed | See main article: closed. |
heroic couplet | Two lines in iambic pentameter that rhyme. |
imperfect | not perfect, less than perfect (particularly when speaking of intervals or chords) |
irony | stating something by saying another quite different thing, sometimes its opposite |
camera angle | the angle from which a shot is to be taken (e.g., a close-up angle is a shot that should be made from a close proximity to the subject, either through tighter lens focusing or by the camera being placed physically closer to the action). |
alliteration | The repetition of a consonant at the beginning of words close together in a literary piece of art |
imposta sul valore aggiunto | (Italian) or IVA, valued added tax, VAT |
peu à peu | little by little |
pindaric ode | see Sonnet. |
celtic revival | Irish poets such as George Russell (AE), James Joyce, John M |
apocalypse | From the Greek word apocalypsis ("unveiling"), an apocalypse originally referred to a mystical revelation of a spiritual truth, but has changed in twentieth-century use to refer specifically to mystical visions concerning the end of the world |
portmanteau word | Lewis Carroll's phrase for a neologism created by combining two existing words |
dead blind | A blind that is not "live", in that the player posting it does not have the option to raise if other players just call |
arena | Type of stage which is surrounded by the audience on all four sides; also called theater-in-the-round. |
symbolism | Frequent use of words, places, characters, or objects that mean something beyond what they are on a literal level |
torpid | Numb |
il est bon | (French) It's good |
miracle of the virgin | A vita or a miracle play that dramatizes some aspect of humanity activity, and ends with the miraculous intervention of the Blessed Virgin |
company | A group of theatre artists gathered together to create a play production or a series of such productions. |
classical | The term in Western culture is usually used in reference to the art, architecture, drama, philosophy, literature, and history surrounding the Greeks and Romans between 1000 BCE and 410 BCE |
pyrrhic | A pyrrhic is a metrical foot used in formal poetry |
austere | Stern and cold in appearance or manner. |
ode | A lyric poem form usually rhymed and in the form of an address |
imputación | (Spanish f.) charge |
diodorus siculus | Diodorus Siculus was a Greek historian |
fuocoso | fiery; i.e., passionately |
shoe | A slanted container used to hold the cards yet to be dealt, usually used by casinos or in professional poker tournaments. |
chorus | A group of actors in Greek drama who comment on the action of the play |
illumination | as it refers to medieval manuscripts, the decoration of a manuscript with gold leaf; the term is used loosely, but not strictly correctly, to refer to any illustrated manuscript |
quads | Four of a kind. |
corpulent | Having a large bulky body |
personification | A statement that an inanimate object has lifelike characteristics |
waki | The secondary character in n¯o. |
setting | time (date, time of day, season) and place - a piece of writing will generally have many settings and each setting will generally carry with it a mood or atmosphere. |
settlement | An unorganized, unincorporated townsite or village, usually one which has been surveyed into lots or claims |
dry ace | In Omaha hold 'em or Texas hold 'em, an ace in one's hand without another card of the same suit |
short story | See unity of effect as well |
verism | Verism is the artistic preference of contemporary everyday subject matter instead of the heroic or legendary in art and literature; a form of realism |
metaphor | A literary term designating a figure of speech that implies a comparison or identity of one thing with something else |
cashing | Winning a share of the prize money in a tournament. |
set piece | Piece of scenery which stands independently in a scene. |
coadjutors | Assistants; Those who work together with one another. |
frieze | A sculptured or richly ornamented band (as on a building or piece of furniture). |
sate | An old spelling of "sat", past tense of "sit" |
toggle bar | horizontal pieces of wood used in constructing a flat to make it rigid |
accompagnato | "accompanied" – The accompaniment must follow the singer who can speed up or slow down at will. |
scholiasts | Commentators, annotators |
idilio | (Spanish m.) idyll |
diction | The selection of words in a literary work |
family pot | A deal in which every (or almost every) seated player called the first opening bet. |
felt | The cloth covering of a poker table, whatever the actual material |
ima | Institute for the Musical Arts |
nepenthe | A potion used by the ancients to induce forgetfulness of pain or sorrow; Something capable of causing oblivion of grief or suffering. |
caricature | A portrait in literature intended to make fun of a person by exaggerating the negative sides of his /her character: one-sided over-emphasis of certain character traits |
ikonographie | (German f.) iconography |
theatre in the round | an arena style production in which the audience surrounds the acting stage, and the actors use the various aisles for exits and entrances |
texture | a characteristic visual or tactile quality produced by certain kinds of images (such as a story that has many scenes that take place in the rain or which incorporates images drenched in rain to produce a cold and “damp” feeling in the viewer). |
charismatic | One of the strands of theological belief (see also catholic, evangelical, liberal) |
rhyme | The repetition of sound, almost always to achieve an effect or to create a rhythm. end rhyme is the repetition of the end sounds of the words at the ends of lines of poetry; near rhyme or off rhyme or slant rhyme is not quite true or pure - "tree" rhyme with "hurry"; internal rhyme rhymes a word in the middle of a line of poetry with a word elsewhere in the line. |
knight | A military aristocrat in medieval Europe and England who swore service as a vassal to a liege lord in exchange for control over land |
pensionnaire | Hireling in a French acting troupe. |
asyndeton | lists of words, phrases, or expressions without conjunctions such as `and' and `or' to link them |
zadacha | Russian for "task"; (though commonly translated as "objective"); according to Konstantin Stanislavsky, the character's (fictional) tasks (or goals) that the actor must pursue during the play. |
elements | the smaller parts of a movie that must be written and noted during the breakdown and budgeting process (e.g., cast, set pieces, vehicles, music, etc.). |
moultrie | William Moultrie was an American general in the Revolution |
quatrain | Also sometimes used interchangeably with "stave," a quatrain is a |
freeroll | See main article: freeroll. |
environmental theatre | Plays produced not on a conventional stage but in an area where the actors and the audience are intermixed in the same "environment" and where there is no precise line distinguishing stage space from audience space. |
metre | The pattern of stressed and unstressed syllables in a poem. |
genre | A term used to designate a type of literature according to its subject matter and how the subject is treated. |
macaronic language | Macaronic refers to text spoken or written using a mixture of languages, sometimes including bilingual puns, particularly when the languages are used in the same context (as opposed to different segments of a text being in different languages) |
marinism | Marinism (Italian marinismo, or secentismo, "17th century") is the name now given to an ornate, witty style of poetry and verse drama written in imitation of Giambattista Marino (1569-1625), following in particular La Lira and L'Adone. |
elision | Technique used in poetry: vowels or syllables are left out in order to maintain the correct metre in a line. |
rhyme | when final vowel and consonant sounds in the last syllable of one word match those of another, usually at the end of lines |
come prima | like the first (time); i.e., as before, typically referring to an earlier tempo |
foil | A character which is used to contrast with another character. |
imitieren | (German) to imitate |
triolet | A triolet is a one stanza poem of eight lines |
pluto | The Roman god of the underworld. |
prologos | In classical Greek drama, the opening scene which sets the action and provides the necessary background information. |
purloiner | Thief, burglar. |
prose | Writing that isn't poetry. |
affidavit | A formal written statement of facts to which the person making the statement attaches a formal oath swearing that everything in it is true |
fiction | A story that is not true. |
kathakali | A traditional dance-drama of India. |
spread-limit | A form of limit poker where the bets and raises can be between a minimum and maximum value |
button | Most commonly a marker that indicates the dealer position at the table, but other specialized buttons exist |
stereotype | A character who is so ordinary or unoriginal that the character seems like an oversimplified representation of a type, gender, class, religious group, or occupation |
hypermetric | a verse with one or more syllables than the metre calls for, a line with metrically redundant syllables. |
mezzo | "half"; used in combinations like mezzo forte (mf), meaning "moderately loud." |
evidence | Evidence in its broadest sense includes everything that is used to determine or demonstrate the truth of an assertion |
prosimetrum | A prosimetrum (Latin) is a literary piece that is made up of alternating passages of prose and poetry. |
improvisato | improvised, or as if improvised |
immagine musicale | (Italian f.) musical imagery |
thesis | A dissertation or thesis is a document submitted in support of candidature for a degree or professional qualification presenting the author's research and findings |
rondel | roundel, roundelay, villanelle. |
couplet | Two consecutive lines of poetry which are paired in length or rhyme, for example ‘I was angry with my friend: I told my wrath, my wrath did end’ (A Poison Tree by William Blake). |
zaffre | Zaffre is a crude oxide of cobalt obtained by heating cobalt ore in a current of air |
found poem | a passage in a piece of prose shaped by a reader into quasi-metrical lines and republished as a poem. |
pun | A comic effect suggesting two meanings from one word or phrase. |
monograph | A monograph is a work of writing upon a single subject, usually by a single author |
in articulo mortis | The moment of death |
romanzo d' appendice | Romanzo d'appendìce (Italian for Feuilleton) was a popular genre in literature, which originated in England and France, in the second half of the 19th and the beginning of the 20th. |
octave | An octave is a verse form consisting of eight lines of iambic pentameter (in English) or of hendecasyllables (in Italian) |
džnouement | A French term meaning "unraveling" or "unknotting," used to describe the resolution of the plot following the climax |
unequivocal | Unquestionable |
ignoramus | (Latin) an ignorant person |
rush | A prolonged winning streak |
bleed | Consistently losing chips through bad play, possibly resulting from tilt |
missed blind | A required bet that is not posted when it is a player's turn to do so, perhaps occurring when a player absents himself from the table |
tenor | The drift of something spoken or written |
a priori | Found by deduction |
previous action | action that has taken place prior to the opening of the movie, which the audience must know in order to understand the storyline and motivations of the character. |
split screen | A screen with different scenes taking place in two or more sections; the scenes are usually interactive, as in the depiction of two sides of a phone conversation. |
groundlings | While the upper class paid two pennies to sit in the raised area with seats, and some nobles paid three pennies to sit in the Lords' rooms, the majority of viewers who watched Shakespeare's plays were called |
deconstructionism | postmodern critical approach that "constructs" new meanings of old texts by subverting (or "deconstructing") them; based on the premise that language is an imprecise instrument that has been manipulated by the traditional Eurocentric worldview |
kirschenwasser | A cherry brandy manufactured chiefly in the Black Forest in Germany. |
hebraism | Hebraism is the identification of a usage, trait, or characteristic of the Hebrew language |
piangevole | plaintive |
abeyance | Suspension, temporary inactivity. |
hyacinthine | Of the color of a hyacinth, either the gem or the flower |
position bet | A bet that is made more due to the strength of the bettor's position than the strength of the bettor's cards. |
impronte digitali | (Italian f |
volta | a turn is a sudden change in thought, direction, or emotion at the conclusion of the sonnet |
distich | A couplet. |
improntare | (Italian) to impress, to imprint, to mark, to prepare |
blackout | A common stage direction at the end of a scene or an act. |
emotional recall | Stanislavski's exercise to assist the actor in presenting realistic emotions |
run-on line | See discussion under enjambement |
ruvido | roughly |
open poetic form | A poem of variable length, one which can consist of as many lines as the poet wishes to write |
railbird | A non-participatory spectator of a poker game |
cut time | same as the meter 2/2: two half-note (minim) beats per measure |
nassau balloon | In 1837, Charles Green, Robert Holland, and Thomas Monck Mason really did take a balloon trip from London, England to Weilburg, Germany |
traditional k'unshan play | a highly stylized one-act play from the Ming Dynasty, 1368-1644 |
variance | The statistical measure of how far actual results differ from expectation |
downstage | That part of the stage closest to the audience |
parataxis | linking clauses just by sequencing them, often without conjunction(s) and only by means of associations that are implied, not stated. |
understatement | A technique of saying less than necessary in a piece of writing (playing down rather than exaggerating) in order to make something clear |
catalepsy | A condition of suspended animation and loss of voluntary motion in which the limbs remain in whatever position they are placed. |
a prima vista | Playing something at first sight of the sheet music |
preparation | (1) Previous arranging of circumstances, pointing of character, and placing of properties in a production so that the ensuing actions will seem reasonable |
silencio | silence. |
vellum | Vellum is generally defined as a material made from calfskin, sheepskin, or virtually any other skin obtained from a relatively small animal, e.g |
correspondences | An integral part of the medieval and Renaissance model of the universe known as the |
didaskolos | in the Greek theater, the "teacher" of the chorus; the forerunner of the modern choreographer and choral director. |
illustration | (English, French) exemplification, example, a visual representation (often designed to make something clear or attractive) |
quatrain | four lines of poetry that form a unit |
black musical | See black theatre. |
imperative | urgent, obligatory, commanding, peremptory |
personification | Presentation of inanimate objects as having human qualities, for example ‘And all that mighty heart is lying still!’ (Composed Upon Westminster Bridge by William Wordsworth). |
digression | The introduction of material into some literary work which is only partially or completely unrelated to its main subject (dt |
d.s. al fine | (or dal segno al fine) "from the sign to the end": means to return to a place in the music designated by the sign and continue to the end of the piece |
fable | parable |
semiotics | In theater history, an approach based on the argument that historians need to focus on audiences' responses to elements of a production in which function and signs and have a specific meaning for viewers. |
compression | When the narrating time |
villanelle | A versital genre of poetry consisting of nineteen lines--five tercets and a concluding quatrain |
oral transmission | The spreading or passing on of material by word of mouth |
four-straight | Four cards in rank sequence; either an open-ender or one-ender |
anti-hero | In fiction, an antihero (sometimes antiheroine as feminine) is generally considered to be a protagonist whose character is at least in some regards conspicuously contrary to that of the archetypal hero, and is in some instances its antithesis |
spenserian stanza | The Spenserian stanza is a fixed verse form invented by Edmund Spenser for his epic poem The Faerie Queene |
1st person | "I" tells the story and is a character in the story; this can be present tense or past tense. |
cywdd deuair hirion | In Welsh prosody, the term refers to a form of light verse consisting of a single couplet with seventeen syllables |
imperiosamente | (Italian) imperiously, pompously, haughtily, stately |
ballad opera | genre in which popular songs and ballads are inserted into the action to advance plot, character, or theme |
comedy western | a play blending humorous elements in an Old West context |
imperfect measure | an old term for the time of only two in a bar, also called 'binary measure' |
imperfect rhyme | another term for inexact rhyme or slant rhyme |
reader | A person who reads screenplays for a production company or stageplays for a theater company and writes a report about them, often being paid per report. |
abstruse | Difficult to understand. |
beast poetry | Beast poetry, in the context of European literature and Medieval studies, refers to a corpus of poems written in Latin from the 8th to the 11th century. |
ethnography | The approach to the study of any given social group through investigation of their routine, habits, institutions, food and dress. |
disputation | In the scholastic system of education of the Middle Ages, disputations (in Latin: disputationes, singular: disputatio) offered a formalized method of debate designed to uncover and establish "truths" in theology and in other sciences |
immer wuchtig | (German) always weighty |
sephardi | A Hebrew term, meaning "native of Spain" - Jews of Spanish and Portuguese extraction |
audition | The process whereby an actor seeks a role by presenting to a director or casting director a prepared reading or by "reading cold" from the text of the play being presented. |
chiaroscuro | In painting, emphasis of contrasts between light and shadow, associated with Giambattista Piranesi and others. |
im lebhaftesten zeitmaße | (German) in the quickest time possible |
bildungsroman | The Bildungsroman (German pronunciation: [ˈbɪldʊŋs.ʁoˌmaːn]; German: "formation novel") is a genre of the novel which focuses on the psychological and moral growth of the protagonist from youth to adulthood |
anomalous | deviating from the normal; aberrant or abnormal. |
censorship ordinance of 1559 | This law under Queen Elizabeth required the political censorship of public plays and all printed materials in matters of religion and the government |
epic poem | a long poem that tells a story, often of a great hero or a very significant event |
pantun | The pantun is a Malay poetic form |
imprimer | (French) to print, to imprint, to impart |
syntax | The way in which the words and phrases of a sentence are ordered that shows how they relate to each other |
hasmonean | The Maccabaean family which led the revolt against Antiochus Epiphanes (see Hanukah) are referred to in Hebrew sources as Hasmoneans, i.e |
parable | A simple story that centres around a general truth, an idea, a moral lesson |
chirurgical journal | "Chirurgeon" is an old word for surgeon |
elegy | below. |
carros | In the Spanish golden age, pageant wagons on which autos sacramentales were staged. |
organic form | Refers to works whose formal characteristics are not rigidly predetermined but follow the movement of thought or emotion being expressed |
antithesis | The balancing of contrasting ideas, principles, sentences, or words |
rit. | an abbreviation for ritardando;[1][2][3][4] also less frequently considered an abbreviation for ritenuto[5][6][7] |
vellum | which is made from the hide of young calves |
suspense | a state of excitement or apprehension created by the pacing and sequencing of scenes, through the raising of a protagonist’s emotional or physical stakes, or through the creation of jeopardy situations for a protagonist. |
brick & mortar | A brick & mortar or B&M casino is a "real" casino based in a building, as opposed to an online casino |
script cover | What protects the script on its travels between the writer and its many potential readers |
flashback | An event in a narrative presented out of sequence from an earlier time |
copyright | Proof of ownership of an artistic property that comes with registering your script through the United States Register of Copyrights. |
middle diction | See Diction. |
rhetoric | The art of persuasive argument through writing or speech--the art of eloquence and charismatic language |
tutti | "all together," usually used in an orchestral or choral score when the orchestra or all of the voices come in at the same time, also seen in baroque-era music where two instruments share the same copy of music, after one instrument breaks off to play a more advanced form, and they both play at the "tutti." See also: ripieno. |
yard | In Elizabethan public theaters, the pit, or standing area. |
script | A play's text as used in and prior to play production, usually in manuscript or typescript rather than in a published version. |
characterization | The means by which writers present and reveal character |
slapstick | Literally, a prop bat made up of two hinged sticks that slap sharply together when the bat is used to hit someone; a staple gag of the commedia dell'arte |
vibrato | A slight variation in the pitch of a note, used to give a richer sound |
im alten stil | all'antico (Italian) in the ancient style, in a former style, in an old style (usually a reference to the style associated with classical Greek or ancient Roman), dans le style ancien (French) |
impronta del piede | (Italian f.) foot-print |
catholic | Properly meaning "universal" or "worldwide", but often used as shorthand for Anglo-catholic. Hence "the catholic group in the General Synod". |
genre | a type of film for which audience have a set of particular expectations in regard to plot, style, tone, outcome, and theme. |
improvisando | (Italian) with improvisation |
rencontre | A violent meeting |
parenthetical | one or two words that qualify the tone of a dialogue line when it is not clear from the subtext or context of the line how it should be played; a parenthetical is placed in parentheses just above the dialogue line and indented. |
play | A specific piece of drama, usually enacted on a stage by diverse actors who often wear makeup or costumes to make them resemble the character they portray |
con | with; used in very many musical directions, for example con allegrezza (with liveliness), con amore (with tenderness); (see also col, colla, above) |
poesy | the art and craft of making poems, or the poems themselves. |
exposed card | A card whose face has been deliberately or accidentally revealed to players normally not entitled to that information during the play of the game |
athwart | Across |
subplot | A minor or subordinate secondary plot, often involving a deuteragonist's struggles, which takes place simultaneously with a larger plot, usually involving the protagonist |
batavia | Known today as Jakarta, the port capital of Indonesia. |
traveler | A curtain that, instead of flying out (see fly), moves horizontally and is usually opened by dividing from the center outward. |
eschatology | The branch of religious philosophy or theology focusing on the end of time, the afterlife, and the Last Judgment |
imprudencia | (Spanish f.) imprudence |
gioioso | gaily |
action | what happens in the story line of a play; a plot consists of events that create the play's action. |
tracks | slots in a stage floor created for guiding portable scenery, wagons, and properties |
lords' rooms | In English Renaissance theater, boxes frequented by wealthy patrons. |
ad lib | A line improvised by an actor during a performance, usually because the actor has forgotten his or her line or because something unscripted has occurred onstage |
one-hour episodic | A screenplay for a television show whose episodes fill a one-hour time slot, week to week. |
churchyards | Areas of land surrounding churches, and often, if well maintained, providing much appreciated amenity. They are used for the burial of parishioners. |
thespian | actor; after Thespis, the first Greek dramatist |
stanza | a unit of lines in a poem which usually share a metrical or thematic pattern |
ich-erzähler | (German m.) first-person narrator |
canticle | A hymn or religious song using words from any part of the Bible except the Psalms. |
vers de société | Vers de société, a term for social or familiar poetry, which was originally borrowed from the French, and has now come to rank as an English expression. |
antagonist | See discussion under character, below. |
altissimo | "very high" |
parashah | Literally ‘division': the weekly portion of the Torah |
voiced and unvoiced | consonants are voiced when the vocal cords move (/b/) and unvoiced when they remain still (/p/). |
illusoire | (French) illusory |
precocity | having mature qualities at an unusually early age. |
intermezzi | In the Italian Renaissance, entertainments performed between the acts of operas and full-length plays. |
ad personam | Copies numbered with Roman numerals or prefixed ‘AP' are in every respect identical to the other conventionally-numbered copies in the edition |
vacillating | Hesitating |
charles green | Charles Green (1785-1870), was Britain's most famous balloonist of the 19th century. |
idillico | (Italian) idyllic |
fluency | The ability to easily speak, read, or write a language; automatic word recognition, rapid decoding, and checking for meaning |
partisan | A firm adherent to a party, faction, cause, or person; especially one exhibiting blind, prejudiced, and unreasoning allegiance. |
poetry | Literary form of writing which is arranged in verse instead of prose |
chiasmus | A crosswise placing of elements in prose or verse |
cartilaginous | Composed of, relating to, or resembling cartilage. |
cosmogony | A theory of the origin of the universe. |
ode | A long, often elaborate stanzaic poem of varying line lengths and sometimes intricate rhyme schemes dealing with a serious subject matter and treating it reverently |
rue | The french word for "Street" |
mla | The |
pun | an expression that uses a homonym (two different words spelled identically) to deliver two or more meanings at the same time |
stock shot | A sequence of film previously shot and available for purchase and use from a film library. |
cable | A cable television network such as HBO, or cable television in general. |
figurative language | Language enriched by word meanings and figures of speech (i.e., similes, metaphors, personification, hyperbole) |
troubadour | A troubadour was a composer and performer of Occitan lyric poetry during the High Middle Ages (1100–1350) |
comprehensive | One of the glories of the Church of England is said by many to be its comprehensiveness. Others condemn it. It effectively means that its members – and even its clergy – can hold almost any belief or none, and still claim membership, and loyal membership at that. Thus an inability to accept the historicity of, for example, the Virgin birth or the bodily resurrection of the Lord Jesus Christ has proved to be no bar to the holding of office, nor has a disbelief in His deity. The problem comes when one tries to agree on the limits of that comprehensiveness. The debate continues! |
burden | the choric line or lines that signal the end or the beginning of a stanza in a carol or hymn. |
slang | elision |
epistrophe | in which the poet or rhetorician repeats the concluding phrase over and over for effects |
gemel | A final couplet that appears at the end of a sonnet |
paraphrase | to record someone elses words in the writers own words |
gold-tooling | A method of decorating a book using heated tools to impress gold or silver metal leaf into the cover or spine. |
ballad | bard, epic, folklore, oral-formulaic, etc. |
both ways | Both halves of a split pot, often declared by a player who thinks he or she will win both low and high. |
corral | In the Spanish golden age, a theater usually located in the courtyard of a series of adjoining buildings. |
mezzo piano | half softly; i.e., moderately softly |
trilogy | Three plays performed in sequence; the basic pattern of ancient Greek tragedies, of which one - Aeschylus' The Oresteia (Agamemnon, The Libation Bearers, and The Eumenides) - is still extant. |
interview | Special kind of dialogue, prepared in advance, following a special pattern, and broadcast or printed later. |
mime | A stylized art of acting without words |
benefit | Tradition begun in eighteenth-century theater whereby the profits from an evening's performance were given to a performer or group of performers. |
trey | A 3-spot card |
in medias res | See Plot. |
iglesia apostolica | (Spanish f.) Apostolic Church |
simultaneous setting | Medieval convention of presenting more than one locale onstage at the same time; also called multiple setting. |
match cut | A transition in which something in the scene that follows in some way directly matches a character or object in the previous scene. |
iglesia bautista fundamental | (Spanish f.) Fundamental Baptist Church |
hybrid | A literary type which shows similarities to other literary types. |
substitutionary narration | Presentation of a character´s consciousness, his thoughts, secret motives, feelings, or sensations |
freeze | To keep absolutely still and motionless. |
imbibed | Received into the mind and retained |
personification | a description of something that is not a person as though it were a person; example: The stream made a happy, singing sound through the forest. |
harangue | A ranting speech or writing |
duke's seat | the ideal seat in a court theater from which the ranking official could view the action (and especially the scenic perspective) from a perfect vantage point. |
melodrama | Historically, a distinct form of drama popular throughout the nineteenth century which emphasized action, suspense, and spectacular effects; generally melodrama used music to heighten the dramatic mood |
accede | To express approval or give consent; give in to a request or demand. |
cut | the transitional movement on screen from once scene or shot to the next. |
ideas completamente antediluvianas | (Spanish f.pl.) really old-fashioned ideas |
imperturbabile | (Italian) quietly, easily |
impennato | (Italian) requilled (jacks) |
combination company | In the nineteenth century, a complete touring production, including supporting players, scenery, and costumes. |
flashback | An interruption of a work's chronology to describe or present an incident that occurred prior to the main time frame of a work's action |
simultaneous dialogue | When two characters speak at the same time, written in two columns side by side. |
schism | A schism is a split or division in the church concerning religious belief or organizational structure--one in which a single church splits into two or more separate denominations--often hostile to each other |
petrarchan conceit | A |
da capo | from the head; i.e., from the beginning (see capo in this list) |
strambotto - ottava rima | Ottava rima is a rhyming stanza form of Italian origin |
act | To make a play (bet, call, raise, or fold) at the required time |
cloister | A place or state of seclusion |
free verse | Verse without a regular rhyme, metre or length of lines |
encomium | A poem praising a person, object or idea. |
mizen-mast | The aftermost mast of a ship. |
psychoanalytic theory | Psychoanalytic theory refers to the definition and dynamics of personality development which underlie and guide psychoanalytic and psychodynamic psychotherapy |
fauces | The narrow passage from the mouth to the pharynx, situated between the soft palate and the base of the tongue; -- called also the isthmus of the fauces |
iguales ante la ley | (Spanish) equal in the eyes of the law |
eroico | "heroically" |
metonymy | See Metaphor. |
cut card | A distinctive card, usually stiff solid-colored plastic, held against the bottom of the deck during the deal to prevent observation of the bottom card. |
set | The physical elements that are constructed or arranged to create a sense of place. |
flashback | A scene from the past that interrupts the action to explain motivation or reaction of a character to the immediate scene. |
renga | Renga (連歌 renga?, collaborative poetry) is a genre of Japanese collaborative poetry |
homily | A homily is a commentary that follows a reading of scripture |
rhetorical device | In rhetoric, a rhetorical device or resource of language is a technique that an author or speaker uses to convey to the listener or reader a meaning with the goal of persuading him or her towards considering a topic from a different perspective |
cavea | In Roman theater, the seating area. |
west end | The commercial theatre district of London, England. |
tracking a platform | building a track into the stage that helps to guide a platform to its proper place |
fastidious | Possessing or displaying careful, meticulous attention to detail; difficult to please; exacting. |
eulogy | A poem or discourse in praise of a dead person. |
tempo di valse | waltz tempo |
retrospection | Act of talking about events that took place at a point in the past. |
stichomythy | Dialogue consisting of one-line speeches designed for rapid delivery and snappy exchanges |
buy-in | The minimum required amount of chips that must be "bought" to become involved in a game (or tournament) |
hessian | A German mercenary serving in the British forces during the American Revolution. |
allusion | A reference in a literary work to a person, place, or thing in history or another work of literature. |
imperioso | "imperiously" |
intimo | intimately |
intermission | In England, "interval"; a pause in the action, marked by a fall of the curtain or a fade-out of the stage lights, during which the audience may leave their seats for a short time, usually ten or fifteen minutes |
parchment | vellum, and manuscript. |
brusquerie | Abruptness of manner. |
comedy of humors | comic genre that focuses on a single personality flaw of a character; it was based on the medieval belief that human behavior was influenced by bodily fluids (or "humors") and that an imbalance of these fluids led to erratic behavior. |
starting hand | See main article: starting hand. |
gendarme | A police officer |
bagtelle | Usually a short and light piano piece |
archetypal character | a recurring figure who transcends the particulars of time and place to take on a symbolic value with universal appeal; a primary example |
beast fable | A short, simple narrative with speaking animals as characters designed to teach a moral or social truth |
peripeteia | the reversal of fortune |
imitando la voce | (Italian) imitating the inflections of the voice |
imbarcazione di salvataggio | (Italian f.) lifeboat |
teetotum | A small spinning top usually inscribed with letters. |
early position | See position. |
live poker | A retronym for poker played with at a table with cards, as opposed to video poker or online poker. |
im auge behalten | (German) keep in sight, bear in mind (figurative) |
manuscript | parchment, and vellum, below. |
sonnet | a fourteen line lyric poem usually in iambic pentameter |
pernicious | Highly injurious or destructive; wicked. |
special reserve | Land set aside for Indian use by owners other than the CROWN |
anadiplosis | Anadiplosis (pronounced /ænədɨˈploʊsɨs/, AN-ə-di-PLOH-sis; from the Greek: á¼Î½Î±Î´Î¯ÏλÏÏιÏ, anadàplÅsis, "a doubling, folding up") is the repetition of the last word of a preceding clause |
perforations | Openings or holes. |
trap | Opening in the stage floor, normally covered, which can be used for special effects, such as having scenery or performers rise from below, or which permits the construction of a staircase that ostensibly leads to a lower floor or cellar. |
raked stage | Stage which slopes upward away from the audience toward the back of the stage. |
sylph | An immortal yet soulless (elemental) being that inhabits the air |
saint's life | Another term for the medieval genre called a vita |
lenaea | The winter dramatic festival in ancient Athens |
aubade | a medieval love poem welcoming or lamenting the arrival of the dawn |
freeze frame | The image on the screen stops, freezes and becomes a still shot. |
tarn | A bog or marsh |
con larghezza | with broadness; broadly |
imponente | (Italian) imposing in style, haughtily, emphatic |
il est regrettable | (French) It's regrettable |
deus ex machina | literally, "the god from the machine," a reference to the practice of lowering a god onto the stage in the ancient Greek and Roman theaters; as a literary term it refers to a character that is introduced late in the play to provide a contrived solution to an apparently insolvable problem |
volante | flying |
inhumed | buried, as in a grave. |
production manager | the main supervisor of the crew in charge of keeping a film project on time and on budget; the PM negotiates all financial and contractual affairs for the project during pre-production, principal photography, and sometimes post production. |
limp-reraise | A reraise from a player that previously limped in the same betting round |
short play | See one-act play |
imzhad | see imzad |
mad trist | A "story within a story", apparently created by Poe in "The Fall of the House of Usher" |
coal gas | A mixture of carbon monoxide and hydrogen, produced by burning coal |
lake poets | The Lake Poets are a group of English poets who all lived in the Lake District of England at the turn of the nineteenth century |
proscenium arch | The arch separating the audience area from the main stage area |
ritual | Specifically ordered, ceremonial religious, personal, or social event. |
tsure | In n¯o theater, a secondary role. |
enjambement | below. |
lost generation | The "Lost Generation" is a term used to refer to the generation that came of age during World War I |
paradox | A statement that is seemingly contradictory or opposed to common sense and yet is perhaps true |
parashah | Literally ‘division': the weekly portion of the Torah, also called Sidra (order [of reading]). |
hexameter | A line of six feet. |
improvisatori | Those that improvise, like actors or poets. |
imparare con la pratica | (Italian) to learn by doing |
connotation | Associations and implications that go beyond the literal meaning of a word, which derive from how the word has been commonly used and the associations people make with it |
chorus | (1) A group of singers who stand alongside or off stage from the principal performers in a dramatic or musical performance |
formal analysis | Modern method of interpreting literature: analysing character, action, setting and other formal elements |
level | Used in tournament play to refer to the size of the blinds that are periodically increased |
confirmation | Infant baptism leaves a problem. Unless one believes that the very act of baptism is a sign that the infant has, indeed, become regenerate regardless of the undoubted fact that the child will have had no understanding of what was being done to it or for it, one needs some formal opportunity for that child to endorse what was done at baptism. The service of confirmation provides this. It is the bishop who presides at the service, underlining that the candidate is being received as a member by and into the universal church; during the service he lays hands on the candidates and prays for the indwelling of the Holy Spirit within them. |
syllabification | The act, process, or method of forming or dividing words into syllables |
backraise | A reraise from a player that previously called in the same betting round |
alla | to the, in the manner of (al before masculine nouns, alla before feminine) |
vegetable parchment | A paper made by passing a completely unsized sheet of paper through a number of chemical processes which eventually form a very tough, stiff, smooth paper with an almost identical appearance to that of animal parchment. |
vegetable parchment | A paper made by passing a completely unsized sheet of paper through a number of chemical processes which eventually form a very tough, stiff, smooth paper with an almost identical appearance to that of animal parchment |
petulantly | Rudely or insolently |
antistrophe | one of the three principal divisions of a Greek play; it means "counterturn" (see strophe) |
counterfeit | See main article: counterfeit |
pitch | a brief verbal description of a screenplay idea or script (often based on a written logline) usually told by a writer, director, or producer to someone who is interested in buying, financing, or developing a story idea or script. |
ineffable | Indescribable |
portato | non-legato but not as short as staccato (same as portamento [2], in this list). |
comedy | Popularly, a funny play; classically, a play that ends happily; metaphorically, a play with some humor that celebrates the eternal ironies of human existence ("divine comedy"). |
bard | originally a Celtic name for a poet-singer. |
black-box theatre | A rectangular room with no fixed seating or stage area; this theatre design allows for a variety of configurations in staging plays. |
contemporary | At the same time when an author was writing |
il est obligatoire | (French) It's obligatory |
ode | a poem of high seriousness with irregular stanzaic forms. |
modernism | Literary period since the late 19th century when the writers freed themselves from established forms of literature and their restrictions and conventions |
a tempo | "in time", used on its own to indicate that the performer should return to the main tempo of the piece (after an accelerando or ritardando), also may be found in combination with other terms such as a tempo giusto (in strict time) or a tempo di menuetto (at the speed of a minuet). |
gonzo journalism | Gonzo journalism is a style of journalism that is written subjectively, often including the reporter as part of the story via a first-person narrative |
vulgate | The Vulgate is a late 4th-century Latin version of the Bible, and largely the result of the labors of St |
prothalamion | see Epithalamion. |
pick-up | When the house picks up cash from the dealer after a player buys chips. |
a prima vista | at first sight; i.e., playing or singing something at first sight of the music sheet |
paradoxical | A paradox is a statement that is seemingly contradictory or opposed to common sense and yet is perhaps true. |
biomechanics | An aspect of Vsevelod Meyerhold's theory of acting: the idea that an actor's body should be machinelike and that emotion can be represented externally. |
canzone | hendecasyllabic lines in stanza form |
idealization | a portrayal of something as ideal or perfect |
downstage | The part of the stage closest to the audience, so named because when stages were raked (slanted), an actor walking toward the audience was literally walking down |
alliteration | using the same consonant to start two or more stressed words or syll= ables in a phrase or verse line, or using a series of vowels to begin such words or syllables in sequence |
il me faut | (French) I need |
comic relief | Those short comic passages in tragedy (interludes or episodes) are intended to relieve tension for a moment, add a variety, counterpoint and heighten the tragic element by way of contrast. |
paraphrase | A brief restatement in one's own words of all or part of a literary or critical work, as opposed to quotation, in which one reproduces all or part of a literary or critical work word-for-word, exactly. |
secco | "(I) dry" |
comparison | See simile. |
avant-garde | an intelligentsia that develops new or experimental forms, especially in the arts. |
intimo | "intimately" |
head | The first paragraph in a news story - usually in bold print - in which the most important information of the whole article is given. |
kabbalah | Kabbalah (‘tradition') is the mystical theosophical system developed in the eleventh and twelfth centuries, as represented by the Zohar |
high concept | A brief statement of a movie's basic idea that is felt to have tremendous public appeal. |
pythiambic | a Classical Greek and Latin metrical form, dactylic hexameter and iambic trimeter couplets. |
viand | An item of food. |
fold | To discard one's hand and forfeit interest in the current pot |
demur | Hesitation (as in doing or accepting) usually based on doubt of the acceptability of something offered or proposed. |
rising action | In dramatic structure, the escalating conflict; events and actions that follow the inciting action. |
format | the specific layout, typeface, point size, and punctuation required by the film industry for professional screenplays. |
roquelaire | A knee-length cloak worn especially in the 18th and 19th centuries |
hypocritical | Being a hypocrite |
flop game | A community card game. |
au troisieme | French for "on the third," but the meaning is the fourth floor, because the count starts after the ground floor. |
zeal | Enthusiasm for a person, cause, or object. |
emphasis | Emphasis means the stress that is placed on special words or phrases by way of imagery, punctuation, structure, and other features of style |
metal dies | Engraved steel, brass or bronze stamps used in embossing a design or letter in leather. |
subplot | A secondary plot in a play, usually related to the main plot by play's end |
imitatio aequalis motus | (Latin) imitation by similar melodic motion |
irony | Condition that is the reverse of what we have expected; also, a verbal expression whose intended implication is the opposite of its literal sense |
scheme | figure of speech that varies the order and sound of words |
hauteur | arrogance, haughtiness |
dynamic character | Also called a round character, a dynamic character is one whose personality changes or evolves over the course of a narrative or appears to have the capacity for such change |
epic | A long narrative poem about heroic adventures of some kind, or about history. |
multimedia | Use of electronic media, such as slides, film, and videotape, in live theater. |
francs | French dollars. |
top pair | In community card poker games, top pair is a pair comprising a pocket card and the highest-ranking card on the board |
cinquain | a verse form of five lines with lines of 2, 4, 6, 8, and 2 syllables. |
fable | allegory, and symbolism, or click here for a PDF handout discussing the differences between these terms. |
stereotype | Preconceived idea of what a person or thing is like. |
a piacere | "at pleasure" |
plot pay-off | the consequence or outcome of a plot point or story element that is set-up earlier in a screenplay. |
resolution | the final phase of the falling action in plot when things are returned to normal |
illusion | (English, French f.) an erroneous mental representation |
come prima | like the first (tempo), as before |
interpolation | "Introduction of additional words in a text, as when an editor uses explanatory words |
local color | Inclusion in scenery of locations that audience members will recognize from their own community |
freddo | cold(ly); hence depressive, unemotional |
action | A real or fictional event or series of such events comprising the subject of a novel, story, narrative poem, or a play, especially in the sense of what the characters do in such a narrative |
scenery | The visual environment created onstage using a backdrop and props |
additive monster | above. |
cold call | To call an amount that represents a sum of bets or raises by more than one player |
facilis descensus averni | "The descent into Hell is easy", a quote from Virgil's "Aeneid", written around 20 BC |
sonatina | a little sonata |
cavalier | A follower of Charles I of England (ruled c |
coverage | The notes prepared by script readers at literary agency, film production company, theater company or script competition |
daughters of delos | The three daughters of king Anius of Delos, Oeno (wine), Spermo (wheat) and Elais (oliveoil) |
cash plays | An announcement, usually by a dealer, that a player requested to buy chips and can bet the cash he has on the table in lieu of chips until he receives his chips |
estinto | "as soft as possible," "lifeless" (literally "extinguished"). |
eye-rhyme | cf |
forward motion | A house rule of some casinos states that if a player in turn picks up chips from his stack and moves his hand toward the pot ("forward motion with chips in hand"), this constitutes a commitment to bet (or call), and the player may not withdraw his hand to check or fold |
pat | Already complete |
calculus | A central branch of mathematics dating back to the ancient greeks. |
cosmic irony | See Irony. |
escritoire | A writing table or desk. |
decorum | Propriety and good taste in conduct or appearance. |
hypercatalectic | see Catalectic. |
aghast | Terrified, struck with amazement, showing signs of terror or horror. |
octosyllabic | having eight syllables. |
jacobean era | Jacobean era refers to the period in English and Scottish history that coincides with the reign of King James VI (1567â€"1625) of Scotland, who also inherited the crown of England in 1603 |
solomon de caus | Little is known about the life of Salomon de Caus (1576-1626) |
ifmc | abbreviation of 'International Folk Music Council' |
guignol - grand guignol | Le Théâtre du Grand-Guignol (French pronunciation: [ɡʁɑ̃ ɡiɲɔl]: "The Theater of the Big Puppet") — known as the Grand Guignol — was in the Pigalle area of Paris (at 20 bis, rue Chaptal) |
comedy drama/comedy-drama | a play blending light and serious elements |
setting | Or "set," the fixed (stable) stage scenery. |
check-raise | Deceptive play whereby a player initially checks with the intention of raising should another player bet |
technical rehearsal | rehearsal for perfecting the technical elements of a show, such as the scene and property shifts, lighting, sound, and special effects |
narrative poetry | Narrative poetry is poetry that has a plot |
col pugno | "with the fist"; bang the piano with the fist. |
ilwc | abbreviation of 'International League of Women Composers' |
biographical criticism | An approach to literature which suggests that knowledge of the author's life experiences can aid in the understanding of his or her work |
tiring house | In English Renaissance theater, a three-story stage house behind the raised platform stage. |
canon | someone's list of authors or works considered to be "classic," that is, central to the identity of a given literary tradition or culture. |
roman stoicism | The philosophy espoused by Marcus Aurelius's Meditations, "Roman Stoicism" actually originates with earlier Greek thinkers, a specific school of philosophers that met at the stoa in Athens |
antibacchic | Classical Greek and Latin foot consisting of long, long, and short syllables / ' ' ~ / |
foreshadowing | a metaphoric or symbolic indication of something to come. |
beat | A parenthetically noted pause interrupting dialogue, denoted by (beat), for the purpose of indicating a significant shift in the direction of a scene, much in the way that a hinge connects a series of doors. |
choir | Gone are the days when every parish church had a choir of boys and men to lead the worship. Many still do, but many do not. The parish church choir of today will, almost certainly, include girls and women; many cathedral |
under the gun | The playing position to the direct left of the blinds in Texas hold 'em or Omaha hold 'em |
pocket pair | In community card poker or stud poker, when two of a player's private cards make a pair |
cacophony | when the poet intentionally mixes jarring or harsh sounds together in groups that make the phrasing either difficult to speak aloud or grating to the ear |
dramatic monologue | a serious solo piece in which a character (the speaker) addresses a distinct but silent audience imagined to be present in the poem in such a way as to reveal a dramatic situation and, often unintentionally, some aspect of his or her temperament or personality |
allegro | cheerful or brisk; but commonly interpreted as lively, fast |
mosso | "motion"; used in conjunction with "più" or "meno", respectively, for more movingly or less movingly (about tempo). |
stringendo | tightening, narrowing; i.e., with a pressing forward or acceleration of the tempo (that is, becoming stretto, see preceding entry) |
serial | A story which appears in print (or on TV) in parts at regular intervals. |
historical criticism | An approach to literature that uses history as a means of understanding a literary work more clearly |
praeternatural | Supernatural, or inexplicable by ordinary means. |
closed couplet | see couplet. |
sfz | made loud; i.e., a sudden strong accent |
exemplum | a narrative that teaches a moral. |
template | (pattern, gobo) a metal pattern that, when placed inside an ellipsoidal spotlight, throws a shadow pattern on the stage |
diction | One of the six important features of a drama, according to Aristotle, who meant by the term the intelligence and appropriateness of the play's speeches |
fz | see sforzando in this list |
catharsis | the emotional effect upon an audience resulting from a re-living or re-experiencing of a remembered emotion. |
mood | The way the reader feels when reading a story. |
groundlings | While the upper class paid two pennies to sit in the raised area with seats, and some nobles paid three pennies to sit in the Lords' rooms, the majority of viewers who watched Shakespeare's plays were called groundlings or understanders |
smorz. | dying away, extinguishing or dampening; usually interpreted as a drop in dynamics, and very often in tempo as well |
phantasm | Illusion, ghost, a product of fantasy, a mental representation of a real object. |
calling station | A player who frequently calls bets, but rarely raises them |
rapture | Ecstasy |
desvanes | "Attics": in the Spanish golden age, cramped, low-ceilinged boxes located on the fourth floor of a corral. |
dan | In xiqu, the female roles and the actors who play them. |
enfranchisement | The process by which an Indian person or family gives up its INDIAN STATUS, or is forced to give it up, is called enfranchisement |
acute | 1 |
scherzo | "a joke." |
gustoso | with gusto |
choriamb | Greek and Latin metrical foot consisting of long, short, short, and long syllables / ' ~ ~ ' /; also an iambic alexandrine line with a spondee or trochee instead of an iambus in the sixth foot |
rhythm | The pattern of sound in a poem |
crown | The King or Queen as Canada's Head of State |
subtext | the undercurrent of emotions and polar attitude shifts that lie beneath physical action and between the lines of dialogue. |
elegy | the epithalamion, the hymn, the ode, and the sonnet |
il est urgent | (French) It's urgent |
exact rhyme | perfect rhyme, rhyme, eye rhyme, and inexact rh |
stakes | The definition of the amount one buys in for and can bet |
idylle | (French f., German) a musical composition of peaceful, pastoral character, as, for example, the Siegfried Idyll by Richard Wagner (1813-83) |
pantomime | Originally, a Roman entertainment in which a narrative was sung by a chorus while the story was acted out by dancers |
portamento | 1 |
organic structure | a writing structure in which all of story elements relate to one another and to the whole in a complete and unified manner so as to make overall emotional or thematic sense to the reader or audience. |
out of continuity | out of chronological or linear order (used to describe the way in which movie scenes are shot during principal photography). |
simile | a comparison made with "as," "like," or "than." |
dim out | To fade the lights gradually to blackness. |
ignotum per ignotius | (Latin) an attempt to explain something about which little is known by reference to something about which even less is known |
advertising | To make an obvious play or expose cards in such a way as to deliberately convey an impression to your opponents about your style of play |
representative character | A flat character who embodies all of the other members of a group (such as teachers, students, cowboys, detectives, and so on) |
choree | a trochee. |
bill | The play or plays that together constitute what the audience is seeing at any one sitting |
platonic | In common usage, people often use the word "platonic" to mean "intellectual rather than physical." Thus, a Platonic love-affair is one in which the couple is attracted to each other for mental or psychological qualities rather than bodily attributes |
style | and speech of an ordinary soldier |
a pipe of | The Portuguese word for barrel is pipa |
free verse | free meter refers to a type of Welsh poetry in which the meters do not correspond to the "strict meters" established in the 1400s |
scansion | The study of verse for patterns of accented and unaccented syllables; also known as "metrics." |
numbered treaties | The eleven post -Confederation TREATIES covering northern Ontario, the Prairie provinces and parts of British Columbia and the Northwest Territories |
neufchatelish | Refers to Neufchâtel-en-Bray (town of Normandy - France) |
tension | See suspense |
eclectic | Theater artist who works in a variety of modes and does not identify with one particular artistic movement. |
type scene | A type scene is a literary convention employed by a narrator across a set of scenes, or related to scenes (place, action) already familiar to the audience |
three-quarter right | performer is in a position halfway between full back and right profile |
onomatopoeia | Words which actually convey the sound being made, for example ‘Bubbles gargled delicately’ (Death of a Naturalist by Seamus Heaney). |
trough | a long metal container in which lamps are set |
complication | "The interplay between character and event which builds up a tension and develops a problem out of the original situation given in the story." (Understanding Fiction). |
adagietto | "rather slow." |
connectors | Two or more cards of consecutive or close to consecutive rank. |
pedale | pedal |
peripety | See turning-point |
top | pick up the energy, the pace, and the volume of a scene: one actor tops the other thereby building tension and emotional impact |
character | An imaginary person that inhabits a literary work |
im anzug sein | (German) be imminent (figurative) |
cycle | In general use, a literary cycle is any group of closely related works |
dissonante | dissonant |
cutoff | The seat immediately to the right of the dealer button |
punctuation | Punctuation helps to establish the pace for reading the poem |
im begriffsein zu | (German) be about to |
expansion | The narrating time is longer than the acting time (opposite: compression. |
syntax | The arrangement of sentences; sentence construction: coordination, subordination |
pre-flop | The time when players already have their pocket cards but no flop has been dealt yet |
allegory | beast fable |
exposition - dramatic structure | Dramatic structure is the structure of a dramatic work such as a play or film |
robinsonade | Robinsonade is a literary genre that takes its name from the 1719 novel Robinson Crusoe by Daniel Defoe |
universal symbol | Another term for an archetype. |
ictus | the stress. |
codicology | The study of the externalities of a manuscript (or printed book), for example the number of leaves (folded to make 4 writing surfaces) in each quire |
cliché | An expression or idea that has been used so often that everybody takes it for granted; near prejudice |
paraklausithyron | Paraclausithyron (Ancient Greek: ωδηπαρακλαυσίθυρον) is a motif in Greek and especially Augustan love elegy, as well as in troubadour poetry. |
aegipans | Centaurs with the bodies of goats instead of horses |
metaphysical poetry | The poetry of poets like John Donne and others in 17th century England |
dissonante | "dissonant" |
virtuoso | (noun or adjective) performing with exceptional ability, technique, or artistry |
half bet rule | In some casinos, the rule that placing chips equal to or greater than half the normal bet amount beyond the amount required to call constitutes a commitment to raise the normal amount |
feroce | ferociously |
denotation | The minimal, strict definition of a word as found in a dictionary, disregarding any historical or emotional connotation |
pun | A play upon words mostly used for humorous reasons |
impugnar | (Spanish) to contest,to refute |
ode | a lyric poem that praises a person or something important |
rondel | roundel, villanelle. |
phonemic awareness | The ability to hear, identify, and manipulate individual sounds (phonemes) in spoken words |
accentual verse | lines whose rhythm arises from its stressed syllables rather than from the number of its syllables, or from the length of time devoted to their sounding |
ballade | The ballade (pronounced /bəˈlɑːd/; not to be confused with the ballad) is a verse form typically consisting of three eight-line stanzas, each with a consistent metre and a particular rhyme scheme |
asphytic | having asphyxia, a lack of oxygen or excess of carbon dioxide in the body that is usually caused by interruption of breathing and that causes unconsciousness. |
value bet | A bet made by a player who wants it to be called (as opposed to a bluff or protection bet) |
forecastle | That part of the upper deck forward of the fore mast |
adagissimo | very slow |
chai | In the Hebrew language, the word chai means "living", being the singular of the word for "life", chayyim |
ballad stanza | In poetry, a Ballad stanza is the four-line stanza, known as a quatrain, most often found in the folk ballad |
hemistich | see Line. |
intercut | A script instruction denoting that the action moves back and forth between two or more scenes. |
imbued | Infused |
immaginare con anticipo | (Italian) to prefigure |
ottava rima | Ottava rima is a rhyming stanza form of Italian origin |
tintinnabulation | The ringing or sounding of bells |
well-made play | Pièce bien faite in French; in the nineteenth century, a superbly plotted play, particularly by such gifted French playwrights as Eugène Scribe (1791-1861) and Victorien Sardou (1831-1908); today, generally used pejoratively, as to describe a play that has a workable plot but shallow characterization and trivial ideas. |
molto | "very" |
antares | Antares (Alpha Scorpii) is the brightest star in the constellation Scorpius and one of the brightest stars in the nighttime sky. |
assonance | Repetition of similar sounds (esp |
piece-bien-fait | The French term for the dramatic genre called the "well-made play." See discussion under well-made play. |
empfindung | "Feeling" (Ger.) |
pair | Two cards of the same rank |
structure | The organisation of a poem |
una corda | "one string" – a directive in piano music for the musician to depress the soft pedal, reducing the volume of the sound |
pun | below. |
hemistich | Half of an Alexandrine line, i.e |
terza rima | Terza rima is a rhyming verse stanza form that consists of an interlocking three-line rhyme scheme |
int. | Indoors. |
gallows humor | Gallows humor is a type of humor that arises from stressful, traumatic, or life-threatening situations; often in circumstances such that death is perceived as impending and unavoidable |
exposition | The first stage of a fictional or dramatic plot, in which necessary background information is provided. |
mirroring or parallels | A character or incident mirrors another character or incident when the two follow similar plots, act in similar ways or contain similar elements or traits |
flambeau | A flaming torch. |
antagonist | but who highlight these characters or interact with them in such a way as to provide insight into the narrative action |
burlesque | Burlesque is a humorous theatrical entertainment involving parody and sometimes grotesque exaggeration. |
md | see mano destra and main droite |
mendicants | Baggars, homeless people. |
verse paragraph | a group of verse lines that make up a discourse unit, the first verse of which is sometimes indented, like a paragraph in prose. |
science-fiction play | a play extrapolating man's use of science between the currently possible and the ultimately possible |
graphic organizer | Visual representations of information used for constructing meaning in reading, writing, and speaking |
syncope | the elision of an unstressed syllable so as to keep to a strict accentual-syllabic metre |
virelay | An old French term for a short poem consisting of (A) short lines using two rhymes and (B) two opening lines that recur intermittently |
throw away | underplay a moment in a scene; de-emphasize a line reading or a piece of business |
theatre of the absurd | reveals man's inability to understand and control the world about him |
cattymount | Now spelled "catamount", short for cat-a-mountain, any of various wild cats, like a cougar or a lynx. |
angle | A particular camera placement. |
iamb | meter, rhythm, and trochee |
ode | Ode (from the Ancient Greek ὠδή) is a type of lyrical verse |
business | Obvious and detailed physical movement of actors to reveal character, aid action, or establish mood; e.g., pouring drinks at a bar, opening a gun case. |
repetition | A poet may repeat words or ideas to emphasise thoughts and feelings, for example ‘Five of us; dark He, fair He, dark She, fair She’ (The Five Students by Thomas Hardy). |
post oak bluff | See main article: post oak bluff |
university wits | In the English Renaissance, university graduates and professional dramatists who wrote plays based on Roman models but incorporating some medieval elements. |
skene | In ancient Greek theater, the scene house behind the orchestra. |
porphyrogene | Poe may have created the form of the word for his poem |
magico | "magically" |
literal meaning | The exact meaning of the words used in literature is intended |
bedewed | To wet with or as if with dew. |
epitaph | An epitaph (from Greek ἐπιτάφιον epitaphion "a funeral oration" from ἐπί epi "at, over" and τάφος taphos "tomb") is a short text honouring a deceased person, strictly speaking that is inscribed on their tombstone or plaque, but also used figuratively |
scan | Scan may refer to: |
breeches roles | Male roles played by females, particularly popular in Restoration and eighteenth-century English theater. |
saracenic | A member of a nomadic people of the deserts between Syria and Arabia |
medieval romance | See discussion under romance, medieval. |
attitude | An attitude is a hypothetical construct that represents an individual's degree of like or dislike for an item |
feudalism | The medieval model of government predating the birth of the modern nation-state |
iconoclast | Bilderstürmer (German m.), iconoclasta (Spanish m./f., Italian m.), iconoclaste (French m./f.), individual subscribing to the philosophy of iconoclasm |
chiuso | closed; i.e., muted by hand (for a horn, or similar instrument; but see alsobocca chiusa, which uses the feminine form, in this list) |
compañias de partes | In the Spanish golden age, acting troupes organized according to the sharing system. |
pertinacity | Adhering resolutely to an opinion, purpose, or design |
afterpiece | a short entertainment, usually a song or dance, performed at the conclusion of a play. |
swedenborg | Emmanual Swedenborg was Swedish mystic and philosopher |
accentato | accented; with emphasis |
buck | Marker to indicate which player is dealer (or last to act) |
extrametrical verse - acatalexis | An acatalectic line of verse is one having the metrically complete number of syllables in the final foot |
visual imagery | Imagery that invokes colors, shapes, or things that can be seen |
figurative language | language which expresses more than a literal meaning (e.g., metaphor, simile) |
prestissimo | "extremely quickly." |
foot | meter, and scansion |
imagery | Imagery is used in literature to refer to descriptive language that evokes sensory experience. |
im tiefsten winter | (German) in the depths of winter |
galvanic | Relating to, or producing a direct current of electricity. |
gypsy | To enter the pot cheaply by just calling the blind rather than raising |
touring play | A play with minimal technical demands that is meant to be easily packed up and moved from one performance space to another. |
well of democritus | According to legend, the well of Democritus was bottomless |
simile | "similarly"—i.e |
history | A historical play, for example Shakespeare´s Richard III, Julius Caesar and so on. |
leitmotif | The "red thread" of a literary piece; a motif that permeates the whole story and lends it unity |
side pot | A separate pot created to deal with the situation of one player going "all in" |
seraphs | An order of angels; The 6-winged angels standing in the presence of God. |
imitative counterpoint | a polyphonic musical texture in which the various melodic lines use approximately the same themes |
textual criticism | Textual criticism (or lower criticism) is a branch of literary criticism that is concerned with the identification and removal of transcription errors in the texts of manuscripts |
eclat | Ostentatious display |
nonliteral exercise | a practice of acting virtuosity and technique |
acumen | Keenness and depth of perception |
proscenium | A type of stage in which the actors play opposite the audience, from which they are separated |
approved writer | A writer whom a television network trusts to deliver a good script once hired. |
subplot | A subsidiary or subordinate or parallel plot in a play or story that coexists with the main plot |
actor | a gifted individual who has studied the craft of acting in order to portray roles in performances of dramatic literaure. |
mansion | Medieval scenic unit, often presented as an individual house or locale. |
choral odes | In classical Greek drama, songs chanted by the chorus between the episodes. |
marcatissimo | very accentuatedly |
il est impossible | (French) It's impossible |
post production | the phase of production that follows principal photography, in which raw footage is cut and assembled into a finished movie with added soundtrack and visual effects. |
setting | The place and time when a story occurs |
vomitoria | In Roman theater, covered exits for the performers. |
largo | "slowly." |
bacchanalian | The Bacchanalia were wild and mystic festivals of the Roman god Bacchus |
sets | The physical objects and props necessary as scenery in a play (if they are left on-stage rather than in a character's possession). |
social setting | The term means the social class / minority group / ethnic group to which the characters belong |
litotes | a deliberate understatement. |
title page | A page of the script that contains the title and the author's contact information. |
eye-rhyme | assonance, consonance, and exact rhyme. |
rotating repertory | The scheduling of a series of plays in nightly rotation |
roman imperial period | After long centuries of representative democracy, within only a few generations, power in Roman government first collapsed into unofficial triumvirates and ultimately into dictatorships |
tranquillo | calmly, peacefully |
touring show | a play performed by a company at numerous locations |
colour separation | The process of separating an image (usually by laser scanning) into its constituent colours of CMYK - cyan, magenta, yellow and black (which is sometimes referred to as ‘key') |
dodona | At Dodona in Epirus, northwestern Greece, was a prehistoric oracle devoted to the Greek god, Zeus and the Mother Goddess identified as Dione |
triple rhyme | A rhyme which comprises three syllables, very often found in limericks. |
ims | abbreviation of 'International Musicological Society' |
studding-sail | Light sails set outside the square sails, on booms rigged out for that purpose |
il faut que | (French) It is necessary that |
heater | See rush. |
eidolon | An eidolon is the astral double of a living being; a phantom-double of the human form; a shade or perispirit; the kamarupa after death, before its disintegration |
illative | inferential, relating to or having the nature of illation or inference |
foot | a combination of syllables which represent one measure of meter in a verse line |
poulter's measure | couplets in which a twelve-syllable line rhymes with a fourteen-syllable line |
syncope | Loss of consciousness resulting from insufficient blood flow to the brain. |
troupe | A group of actors who perform together, often on tour |
shite | In n¯o theater, the leading actor. |
anachronism | someone or something belonging to another time period than the one in which it is described as being. |
voice | the personality or style of the writer or narrator that seems to come to life in the words |
transcendentalism | Philosophy that advocates that there is an ideal spiritual state that 'transcends' the physical and empirical and is only realized through a knowledgeable intuitive awareness that is conditional upon the individual |
feminine ending or rhyme | see Rhyme. |
tricolon | The repetition of a parallel grammatical construction three times for rhetorical effect |
slice-of-life story | See short story. |
newfoundland | Any of a breed of very large heavy highly intelligent black, black and white, or bronze dogs developed in Newfoundland. |
siparium | In Roman theater, a backdrop curtain at the rear of the stage. |
four-flush | Four cards of the same suit |
revue sketch | a short dramatic/comedic situation presented as a separate unit in a program; sometimes called a blackout |
close up | A very close camera angle on a character or object. |
n.c. | No chord, written in the chord row of music notation to show there is no chord being played, and no implied harmony. |
in sooth | In truth; In reality |
dramatic irony | See |
message | The author's thoughts about a topic in informational text |
fandango | Most important of the modern Spanish dances, for couples |
rolled-up trips | In seven-card stud, three of a kind dealt in the first three cards. |
anacrusis | The insertion of one or more unstressed syllables at the beginning of a line where the poetical metre would normally demand a stressed syllable. |
mobile | flexible, changeable |
gelatinous | Resembling gelatin or jelly. |
fish | A weak player in poker or chess |
satire | Literature which mocks human weaknesses, social circumstances, and so on by using irony and sarcasm |
parenthetical | Also known as a "wryly" because of the propensity of amateur screenwriters to try to accent a character's speech -- as in BOB (wryly) -- an inflection to a speech noted by a writer |
beast epic | A genre beginning with Aesops fables (6th century BC) and common in the middle ages |
cavalier poets | A group of |
duplicate | To counterfeit, especially when the counterfeiting card matches one already present in one's hand. |
apocope | In phonology, apocope (pronounced /əˈpɒkəpiː/, from the Greek apokoptein "cutting off", from apo- "away from" and koptein "to cut") is the loss of one or more sounds from the end of a word, and especially the loss of an unstressed vowel. |
steam | A state of anger, mental confusion, or frustration in which a player adopts a less than optimal strategy, usually resulting in poor play and poor performance |
imagist | see 'imagism' |
impensis | (Latin) at the expense |
iamb | A unit or |
poetaster | "A vile petty poet" (Samuel Johnson, 1755). |
strategy card | A wallet sized card that is commonly used to help with poker strategies in online and casino games. |
girting | Surrounding, encircling |
cyning | A king, another term for an Anglo-Saxon |
liriodendron tulipiferum | Family: Magnoliaceae (magnolia family)Common Names: tulip poplar, tulip tree, yellow poplar.This large, stately deciduous tree is fairly common in the eastern United States |
clairvoyance | The power or faculty of discerning objects not present to the senses; for example the ability to see ghosts or spirits, to read minds, or predict the future. |
theme | is the overall meaning we derive from the poem, story, play, essay |
andante | at a walking pace; i.e., at a moderate tempo |
naturalism | Special form of realism |
cabaret | variety show, associated with the German theater, in which political skits and songs are performed in a restaurant and/or barroom. |
didactic theater | propagandist theater whose primary aim is to instruct or teach |
tragic irony - irony | Tragic irony is a special category of dramatic irony |
il più forte possibile | (Italian) as loud as possible |
balm in gilead | Gilead, a region of Palestine, known for its balm, a healing ointment."Is there balm in Gilead?" is like saying, "Are there palm trees in Florida?" |
slice-of-life story | See short story |
appoggiatura | "leaning" – A grace note that "leans" on the following note, taking up some of its value in the measure. |
central question | the question that arises in the audience’s mind as they are introduced to a protagonist within a set of given circumstances that propel the character into some kind of action (e.g., “Sill he/she find someone to love?, Will he/she survive the plane crash?” “Will he/she escape from the concentration camp?”) |
rakeback pro | Rakeback pro is the definition given to a poker player who may not be a winning player, however, uses rakeback to supplement his losses and turn them into winnings. |
impressionisme | (French m.) impressionism |
larboard | The old name for the left hand side of a ship |
theme | Central thought of a play; the idea or ideas with which the play deals and which it expounds. |
cesura or caesura | often called "railroad tracks"; indicates complete break in sound. |
beguiling | Leading by deception |
breve | A mark in the shape of a bowl-like half circle that indicates a light stress or an unaccented syllable. |
connotation | The meaning we give a word. |
comodo | "comfortable" – At moderate speed. |
impayable | (French) 'priceless', impossible to equal |
imper. | abbreviation of 'imperative' (of a mood, expressing a command, for example, sing this!) |
form | The "shape" or organizational mode of a particular poem |
il est certain | (French) It's certain |
aeolus | The Greek god of the winds. |
existentialism | A twentieth-century philosophy arguing that ethical human beings are in a sense cursed with absolute free will in a purposeless universe |
feminism | In theater history, an approach based on the belief that woman's place in theater has not been sufficiently explored. |
idi | see ideh |
impétueusement | (French) impetuously |
boat | Another name for Full house |
pocket cards | See "hole cards". |
end rhyme | Rhyme in which the last word at the end of each verse is the word that rhymes |
didactic verse | poems that exist so as to teach the readers something, often a moral. |
allegretto | a little lively, moderately fast |
monastic | Relating to monasteries or to monks or nuns |
pyrrhonism | The doctrines of a school of ancient extreme skeptics who suspended judgment on every proposition. |
imitando | (Italian) imitating |
buskins | Originally called kothorni in Greek, the word buskins is a Renaissance term for the elegantly laced boots worn by actors in ancient Greek tragedy |
imprimis | (Latin) in the first place (introducing the first is a sequence of items) |
miracle play | The drama of the late medieval times, always with religious subjects. |
historiated initial | In the artwork of medieval manuscripts, a historiated initial is an enlarged, introductory letter in a written word that contains within the body of the letter a pictoral scene or figure related to the text it introduces |
epiphany | In fiction, when a character suddenly experiences a deep realization about himself or herself; a truth which is grasped in an ordinary rather than a melodramatic moment. |
courtly love | brotherhood in arm |
vivace | "lively," "up-tempo." |
tropes | In the Early Middle Ages, lyrics added to musical passages in religious services; these interpolations were often structured like playlets and evolved into liturgical drama. |
suggested setting | A setting on stage in which a few set pieces or lighting or other technical elements take the place of elaborate set construction. |
existentialism | Set of philosophical ideas whose principal modern advocate was Jean-Paul Sartre |
living newspapers | The Federal Theater Project's dramatizations of newsworthy events in the 1930s. |
rhetorical question | A question that is asked for effect where no answer is expected |
literature | Literature (from Latin litterae (plural); letter) is the art of written works |
extrinsic approach | Method of interpretation of literature which takes its findings from secondary material, i.e |
euphemism | Technique in which more pleasant, more beautiful, more positive words are used than the probably more fitting descriptions, which would be unpleasant or embarrassing |
amabile | amiable, pleasant |
footlights | In a proscenium theatre, a row of lights across the front of the stage, used to light the actors' faces from below and to add light and color to the setting |
pot | See main article: pot. |
aperture | An opening or hole |
locked pages | A software term for finalized screenplay pages that are handed out to the department heads and talent in preparation for production. |
apron | the part of the stage closest to the audience and in front of the proscenium |
sforzando or sfz | A sudden strong accent. |
imprimerie | (French f.) printing (art), printing works |
impetuoso | (Italian) impetuous, vehement, boisterous, impetuously, vehemently, boisterously |
pastoral | Idealized dramatization of rural life, often including mythological creatures, popular during the Italian Renaissance. |
imzad | or imzhad, a one-stringed Tuareg fiddle, played by women |
il me reviendra. | (French) It'll come back to me. |
il faut rebrousser chemin. | (French) We have to turn back. |
couplet | A two-line stanza, not necessarily at the end of a poem. |
foreshadowing | Where future events in a story, or perhaps the outcome, are suggested by the author before they happen |
connotation | those words, things, or ideas with which a word often keeps company but which it does not actually denote |
voice | Voice or voicing is a term used in phonetics and phonology to characterize speech sounds, with sounds described as either voiceless (unvoiced) or voiced |
pararhyme | Pararhyme, also known as partial or imperfect rhyme is a term devised by the poet Edmund Blunden to describe a near rhyme in which the consonants in two words are the same, but the vowels are different |
impazientemente | (Italian) impatiently, hurriedly |
tell | A tell in poker is a detectable change in a player's behavior or demeanor that gives clues to that player's assessment of his hand |
improvisado | (Spanish) improvised |
screenplay contest | A submission opportunity for screenwriters in which a group of readers (judges) select one or more winners from the entered scripts |
anti-utopia | Fictional text dealing with a negative place, society, or world |
slugline | Another name for the SCENE HEADING |
charismatic | One of the strands of theological belief (see also catholic, evangelical, liberal) within the church today. Its emphasis lies on the working of the Holy Spirit in healing, prophecy and miracles in the church today, and on the direct revelation of God's will to the individual believer. |
falling meter | Meter which uses strong stress followed by one or more weak stresses and so creates a falling sense to the poem |
denouement | The final scene or scenes in a play devoted to tying up the loose ends after the climax (although the word originally meant "the untying"). |
idée | (French f.) idea (English, Italian f., Spanish f.), Idee (German f.) |
symbol | When a word, phrase or image represents a complex set of ideas, the meaning of which is determined by the surrounding context, for example, the gifts the jester gives to the Queen in The Cap and Bells by W B Yeats. |
alliterative verse | alliterative prose |
eclipsis | but differs in that an eclipsis has a word or words missing that may not be implied by a previous clause |
idem sonans | (Latin) identity of pronounciation, that can lead to the miswriting of one word for another having the same sound (for example, in English, bough (of a tree) = bow (of a boat)) |
animato | animated, lively |
stertorous | characterized by a harsh snoring or gasping sound |
numbered scenes | Numbers that appear to the right and left of the scene heading to aid the Assistant Director in breaking down the scenes for scheduling and production. |
verse | There are three general meanings for verse (1) a line of metrical writing, (2) a stanza, or (3) any composition written in |
calando | "lowering"; getting slower and softer - rit |
community card | See main article: community card poker. |
doyen | In the Comédie Franáaise, the head of the company and the actor with the longest service. |
tadmor | An ancient desert city mentioned in the Bible as being fortified by Solomon. |
soft break | Exchanging a large bill or chip into both chips and cash, when a player buys in |
imitatio inaequalis motus | (Latin) imitation by dissimilar or inverted melodic motion |
brillante | "brilliantly," "with sparkle." |
plot | The structure of the story |
transition | A script notation denoting an editing transition within the telling of a story |
idyll | either a pastoral poem about shepherds or an epyllion, a brief epic that depicts a heroic episode |
inanition | Loss of vitality that results from lack of food and water |
hyperobtrusive | Especially obvious |
apocope | the omission of the last syllable of a word |
poco a poco | little by little |
monomaniac | A person with monomania, the excessive concentration on a single object or idea. |
coppice | A thicket, grove, or growth of small trees. |
beheading game | A |
icons | graphic symbols or representations indicating, for example, pitch or rhythm, and used in lieu of or along with traditional symbols for these elements |
ververt et chartreuse | Two poems by Jean Baptiste Gresset (1709-1777), best known for "Ververt" or "Vert-Vert" |
autotelic | Autotelic is defined by one "having a purpose in and not apart from itself" |
irony | Cicero referred to irony as "saying one thing and meaning another." Irony comes in many forms |
persona | the speaker of a poem, a dramatic character distinguished from the poet, such as Robert Browning's "Fra Lippo Lippi." |
liturgical drama | Any religious drama, usually sung or chanted, that relates to the Bible and is presented in Latin inside a church sanctuary |
stage set | Props and scenery set up and arranged for a particular scene. |
marziale | in the march style |
transition | a direction in a screenplay that informs the filmmakers as to the quality of the cut from one scene to the next (such as “DISSOLVE TO:”); it appears flush right between the end of one scene and the beginning of the next. |
polyptoton | repetition of the same word in different forms, achieved by varying the case, adding affixes, etc. |
logical fallacy - fallacy | In logic and rhetoric, a fallacy is incorrect reasoning in argumentation resulting in a misconception |
epigram | A terse, sage, or witty and often paradoxical saying |
thriller | a play hugely dependent on plot surprises and twists |
romanticism | Nineteenth-century literary and dramatic movement which developed as a reaction to the strictures of neoclassicism |
volta | In literature, the volta, also referred to as the turn, is the shift or point of dramatic change in a poem |
il faut voir. | (French) We'll (have to wait and) see. |
allegory | A symbolic narrative in which the surface details imply a secondary meaning |
pæan | A joyous song or hymn of praise, tribute, thanksgiving, or triumph. |
sketch | A very short humorous scene intended for the entertainment of the audience |
onkos | In Hellenistic Greece, the high headdress of a mask. |
anthology | Term used for a collection of short stories, other pieces of prose or poems chosen from various books and authors. |
impressionism | Impressionism was a 19th-century art movement that began as a loose association of Paris-based artists whose independent exhibitions brought them to prominence in the 1870s and 1880s |
sepulchre | A place of burial, usually a tomb. |
barbaro | "barbarous" |
proscenium arch | a frame around the stage which separates the actors and the set from the audience |
lyric | above and stanza, below. |
larghetto | somewhat slowly; not as slow as largo |
iglesia evangélica | (Spanish f.) Evangelical Church |
belphegor of machiavelli | Niccolo Machiavelli (1469-1527) wrote Belphegor, a satire on marriage in which a demon comes to earth to prove that women damn men to hell. |
h.o.r.s.e. | See main article: H.O.R.S.E.. |
cantabile | "singingly." |
mien | Air or bearing especially as expressive of attitude or personality; demeanor. |
convention | a common way of doing something, such as a poetic form, or a common topic like the "carpe diem" or "ubi sunt" themes, or making lists (see catalogue verse), or a regularly-used figure of speech. |
rebuy | An amount of chips purchased after the buy-in |
chorodidaskalos | In ancient Greek theater, the person who trained and rehearsed the chorus. |
bacchic | Greek and Latin metrical foot consisting of short, long, and long syllables / ~ ' ' /. |
poem | defined by Samuel Johnson in his great dictionary (1755) as "The work of a poet; a metrical composition." |
short buy | In no-limit poker, to buy into a game for considerably less money than the stated maximum buyin, or less than other players at the table have in play. |
moderato | "moderate," often combined with other terms, for example, "allegro moderato". |
pen | acronym for the association, Poets, Playwrights, Editors, Essayists and Novelists (1921-). |
epode | Epode, in verse, is the third part of an ode, which followed the strophe and the antistrophe, and completed the movement. |
soli | alone; i.e., executed by a single instrument or voice |
picaresque novel | Novel of the adventures of men who are lovable but bad characters; usually episodic in structure, the events happening in different places. |
convention | A characteristic of a literary genre (often unrealistic) that is understood and accepted by audiences because it has come, through usage and time, to be recognized as a familiar technique |
opacity | The property of vellum or paper that determines the "show-through" of printing (or writing) from the back of the sheet |
get away | To fold a good hand against a supposedly superior hand |
amoroso | loving |
episkenion | In Hellenistic Greece, the second story of the skene or scene house. |
alliteration | the repetition of the first letter in several words used to give writing a poetic sound; example: The cat was slinking along in its slim, sleek manner. |
gradas | In the Spanish golden age, benches placed along the side walls of the patio or pit area in a corral. |
aside | a brief comment by an actor, heard by the audience, but not the other characters on stage |
tercet | A tercet is composed of three lines of poetry, forming a stanza or a complete poem |
three-quarter left | performer turns to a position halfway between left profile and full back |
assonance | Assonance is the refrain of vowel sounds to create internal rhyming within phrases or sentences, and together with alliteration and consonance serves as one of the building blocks of verse |
climax | the turning point of plot in fiction or drama |
royal flush | A straight flush of the top five cards of any suit |
junk | A hand with little expected value. |
mime | In ancient Greece and Rome, a form of theatrical entertainment which consisted of short dramatic sketches characterized by jesting and buffoonery. |
self-irony | Form of irony in which the writer makes fun of himself and proves that he has a good sense of humour. |
top kicker | In community card poker games, top kicker is the best possible kicker to some given hand |
fop | See Fool. |
license of occupation | A permit to use CROWN LAND, granted by the COLONIAL governments of Nova Scotia and New Brunswick before Confederation |
parabasis | In Greek Old Comedy, a scene in which the chorus directly addressed the audience members and made fun of them. |
welsh rabbit | Melted and often seasoned cheese poured over toast or crackers. |
il est nécessaire | (French) It's necessary |
total theatre | A performance that includes all or most of the theatrical elements – music, dance, song, spectacle, special effects. |
edition | The printing of a book with changes from time to time. |
big bet | The larger of two bet amounts in a fixed limit game |
colonial | Referring to the colonies such as the colonies of British North America before Canada was created by Confederation (Upper and Lower Canada, New Brunswick, Nova Scotia, Prince Edward Island, Newfoundland, etc.) |
mesto | mournful, sad |
epistrophe | successive phrases, lines, or clauses that repeat the same word or words at their ends. |
split two pair | In community card poker, a two pair hand, with each pair made of one of your hole cards, and one community card. |
paradelle | A paradelle is a modern poetic form which was invented by United States Poet Laureate Billy Collins as a parody of the villanelle. |
fresco | "freshly" |
byronic hero | The Byronic hero is an idealised but flawed character exemplified in the life and writings of Lord Byron, characterised by his ex-lover Lady Caroline Lamb (who said it before becoming Byron's lover) as being "mad, bad, and dangerous to know" |
triolet | an eight-line stanza having just two rhymes and repeating the first line as the fourth and seventh lines, and the second line as the eighth |
semitone | The smallest pitch difference between notes (in most Western music), (e.g., F–F#). |
psalms | Psalms (from the Greek: Psalmoi, ψαλμοί; Hebrew: Tehillim, תהילים) is a book of the Hebrew Bible, containing 150 pieces |
valorization | In literary criticism, the privileging of one key aspect of a literary text or one particular process as the focus of literary analysis |
minnesang | Minnesang was the tradition of lyric and song writing in Germany which flourished in the 12th century and continued into the 14th century |
doloroso | sorrowfully, plaintively |
hexameter | A line consisting of six metrical feet |
bard | epic |
understatement | Understatement is a form of speech which contains an expression of less strength than what would be expected |
amplification | rhetorical figures of speech that repeat and vary the expression of a thought. |
loges | In French neoclassical theater, boxes. |
act | (verb) To perform in a play |
clothing imagery | Dt |
cambiare | "change" – Any change, such as to a new instrument. |
emendation - improve | Improve means to make something better. |
immer langsam | (German) slowly throughout |
renaissance | There are two common uses of the word. |
phronesis | Phronēsis (Greek: φρόνησις) in Aristotle's Nicomachean Ethics is the virtue of practical thought, usually translated "practical wisdom", sometimes as "prudence". |
ashtophet | Most likely refers to "Ashtoreth, the Phoenician and Egyptian goddess of love and fertility and "Tophet", a version of hell associated in the Old Testament with the Egyptian worship of Moloch. |
teneramente | tenderly |
countdown | The act of counting the cards that remain in the stub after all cards have been dealt, done by a dealer to ensure that a complete deck is being used. |
compound word | A combination of two or more words that function as a single unit of meaning, such as barefoot |
dialogue | the façade of heard language that reveals the subtextual struggles going on between characters. |
header | An element of a Production Script occupying the same line as the page number, which is on the right and .5" from the top |
ellipsis | below. |
set | Three of a kind, esp |
suited | Having the same suit |
quasi | "as if," "almost." |
complete hand | See made hand. |
litotes | From the Greek litos meaning small, the rhetorical use of understatement (diminishing) to imply the opposite |
post dead | To post a bet amount equal to the small and the big blind combined (the amount of the large blind playing as a live blind, and the amount of the small blind as dead money) |
magico | magically |
figurative language | using metaphors and other words to mean more than their literal meaning |
alienation | An aspect of Bertolt Brecht's theory of epic theater: the concept that audiences' emotional involvement should be minimized so that they will instead be involved intellectually with the political or social message. |
metaphysical poets | The metaphysical poets were a loose group of British lyric poets of the 17th century, who shared an interest in metaphysical concerns and a common way of investigating them, and whose work was characterised by inventiveness of metaphor (these involved comparisons being known as metaphysical conceits) |
immobiliste | (French m./f.) (a person) who opposes progress or reform, an obscurantist |
basso continuo | a bass part played continuously throughout a piece to give harmonic structure |
tribrach | Greek and Latin metrical foot consisting of short, short, and short syllables / ~ ~ ~ /. |
page count | the number of eighths of a page of script content that takes place in one setting, used to calculate the amount of time it will take to shoot a script. |
enclosing method | Another term for framing method. |
burns stanza | The Burns stanza is a verse form named after the Scottish poet Robert Burns |
ultima thule | The farthest and northernmost part of the habitable ancient world |
come sopra | as above; i.e., like the previous tempo (usually) |
dogma | Something held as an established opinion |
expedient | Suitable for achieving a particular purpose in a given circumstance. |
didactic literature | All kinds of literature which are intended for teaching the reader a (moral) lesson; by reading a story the reader is supposed to learn something for his life. |
volante | "flying" |
sotto voce | soft tones, literally "under voice" used as a direction instructing the singer or instrumentalist to proceed in a more understated or more subtle fashion. |
iglesia adventista | (Spanish f.) Adventist Church |
ennui | Boredom, a feeling of weariness and dissatisfaction. |
literal | A literal passage, story, or text is one intended only (or primarily) as a factual account of a real historical event rather than a metaphorical expression, an allegorical expression of a larger symbolic truth, or a hypothetical example |
proscenium | An arch that frames a box set and holds the curtain, thus creating a sort of invisible boundary through which the audience views the on-stage action of a play. |
conflagration | A large disastrous fire. |
scenery | The physical constructions that provide the specific acting environment for a play and that often indicate, by representation, the locale where a scene is set; the physical setting for a scene or play. |
im stile einer ... | (German) in the style of ... |
hypocorism | A hypocorism (from Greek ὑποκορίζεσθαι hypokorizesthai, "to use child-talk") is a shorter form of a word or given name, for example, when used in more intimate situations as a nickname or term of endearment. |
runner-runner | A hand made by hitting two consecutive cards on the turn and river |
heroic couplet | See Couplet. |
clichž | An idea or expression that has become tired and trite from overuse, its freshness and clarity having worn off |
novel | In its broadest sense, a novel is any extended fictional prose narrative focusing on a few primary characters but often involving scores of secondary characters |
register of copyrights | The US government office that registers intellectual property (e.g |
episode | An episode is a part of a dramatic work such as a serial television or radio program |
early modern english | Modern English covers the time-frame from about 1450 or so up to the present day |
decorum | Neoclassical rule, developed in the Italian Renaissance, that dramatic characters must behave in set ways based on their social class and background. |
etymology | The origin or history of words |
aesthetic movement | a literary belief that art is its own justification and purpose, advocated in England by Walter Pater and practised by Edgar Allan Poe, Algernon Charles Swinburne, Oscar Wilde, and others. |
idoru kashu | (Japanese ) pop stars |
represent | To represent a hand is to play as if you hold it (whether you actually hold it or are bluffing). |
waka | A Japanese genre of poetry closely related to the tanka, consisting of alternate five- and seven-syllable lines |
overstatement | see Hyperbole. |
utopia | Form of literature whose setting is an imaginary world, political state or ideal society |
postmodern | A wide-ranging term describing certain post-World War II artistic works, characterized by nonlinearity, self-referentiality if not self-parody, and multiple/simultaneous sensory impressions. |
expansion | The narrating time |
sick verse | mordant, black-humoured or horrific works such as Edgar Allan Poe's "The Raven," Robert Browning's "`Childe Roland to the Dark Tower Came'," and Robert Service's "The Cremation of Sam McGee." This term was popularized by George Macbeth's anthology Penguin Book of Sick Verse (1963). |
exact rhyme | see above. |
hudibrastic poetry | iambic tetrameter couplets like those in Samuel Butler's Hudibras. |
objective correlative | T |
assai | very |
accompagnato | accompanied; i.e., with the accompaniment following the soloist, who may speed up or slow down at will |
antitype | A figure, event, or symbol in the New Testament thought to be prefigured by a different figure, event, or symbol in the Old Testament |
estimator | an accountant or production manager who estimates the cost of making a movie from a screenplay. |
epithalamion | From the Greek word for a bridal chamber, a lyric poem to be sung on the wedding night. |
im unklaren sein | (German) to be in the dark |
revival | The remounting of a play production after its initial closing, usually by the same theatre company and/or employing many or most of the same artists |
poker face | A blank expression that does not reveal anything about the cards being held |
realism | A movement in literature to represent life as it really is |
pathos | Pathos (Greek: πάθος, for "suffering" or "experience;" adjectival form: 'pathetic' from παθητικός) represents an appeal to the audience's emotions |
ign. | abbrevation for ignotus (Latin: unknown) |
improviser | (French) to improvise |
iesus hominum salvator | (Latin) Jesus, Saviour of mankind, abbreviated to I.H.S. |
paradox | In literature, the paradox is an anomalous juxtaposition of incongruous ideas for the sake of striking exposition or unexpected insight |
piano | marked p, a directive to play or sing softly |
mussulmans | Muslims |
metaphor | Metaphor is the concept of understanding one thing in terms of another |
ikko | a highly decorated goblet shaped Japanese drum |
proskenion | A raised stage constructed before the skene in classical Greek drama |
stretto | tight, narrow; i.e., faster or hastening ahead; also, a passage in a fugue in which the contrapuntal texture is denser, with close overlapping entries of the subject in different voices; by extension, similar closely imitative passages in other compositions |
onnagata | In Japanese kabuki, women's roles played by male actors. |
humorism | Humorism, or humoralism, is a discredited theory of the makeup and workings of the human body adopted by Greek and Roman physicians and philosophers |
tan | In Peking opera, a female role. |
ambiguity | The possibility of more than one meaning, for example the ending of The Five Students by Thomas Hardy. |
fieramente | proudly |
chronicle | An account of historical events in chronological order usually written by contemporaries |
devoto | "religiously" |
aposiopesis | an interruption of an expresion without a subsequent restarting |
grandioso | "grandly" |
timing | selecting the right moment to say a line or do an action for maximum effectiveness |
walk | A walk is the situation where all players fold to the big blind. |
sospirando | sighing |
street theater | Generic term for groups that perform in the open and attempt to relate to the needs of a specific community or neighborhood; also, their presentations. |
helusion | Paradise |
illusionner | (French) to delude |
prodigious | Enormous, unusually large, causing amazement or wonder. |
segno | sign, usually Dal Segno (see above) "from the sign", indicating a return to the point marked by |
nourjahad | A reference to "The History of Nourjahad", written in 1767 by Frances Sheridan. |
colla parte | with the soloist |
symbol | An object or action in a literary work that means more than itself, that stands for something beyond itself. |
style | A writer´s characteristic use of language which includes choice of words, rhythm of the language, imagery, tone, sentence structure |
mythic element | a story element that seems taken from myth (such as the comeuppance of a bad character in a classic cautionary tale or the theme of sacrifice in tragic love stories). |
refrain | A phrase that recurs in a poem, usually at the end of a verse. |
ideal | (English, German n., Spanish m |
erudition | Learning; extensive knowledge acquired chiefly from books. |
heptameter | A poetic line of seven iambic feet used widely in England during the sixteenth century before it was replaced by the pentameter |
anti-climax | A very sudden reduction of interest or importance in a literary work, meant to have a stylistic effect on the reader or spectator. |
pace | the intensity, rhythm or speed (or lack thereof) of a story’s plot action. |
im zeitmaß | (German) in time, a tempo |
bravura | boldness; as in con bravura, boldly |
heptameter | Heptameter is one or more lines of verse containing seven metrical feet (usually fourteen or twenty-one syllables). |
castile | Crown of Castile, the historical Kingdom formed in 1230 from the union of the Kingdom of Castile and Kingdom of León. |
oxymoron | A condensed form of paradox in which two contradictory words are used together, as in "sweet sorrow" or "original copy." See also Paradox. |
property | Any intellectual property in any form (including a play or screenplay) that might form the basis of a movie |
action card | In Texas hold 'em or other community card games, a card appearing on the board that causes significant betting action because it helps two or more players |
dolce | "sweetly" |
verse paragraph | Verse paragraphs are stanzas with no regular number of lines or groups of lines that make up units of sense |
imene tuki | a form of unaccompanied vocal music known for a uniquely Polynesian drop in pitch at the end of the phrases, as well as staccato rhythmic outbursts of nonsensical syllables (tuki) |
burlesque | a work caricaturing another serious work |
bombast | hyperbolic or wildly exaggerating speech, so-called after a kind of cotton stuffing. |
anticlimax | crisis |
quire | A collection of individual leaves sewn together, usually containing between four and twelve leaves per quire |
chronological order | Presenting the action according to the temporal order of events as they are likely to have happened. |
impasto | (Italian m.) the application of thick layers of opaque pigment |
pamphlet | Originally a treatise on a topical political or social subject which its author found interesting |
rhyme | alliteration, or combinations of these elements |
outside speaker | The "speaker" of a poem or story presented in third-person point of view, i.e., the imaginary voice that speaks of other characters in the third person (as he / she / they) without ever revealing the speaker's own identity or relationship to the narrative. |
turn | a short play with an odd twist or a starring focus |
av | Av is the eleventh month of the ecclesiastical year and the fifth month of the civil year in the Hebrew calendar |
lento | "slowly" |
immer | (German) ever, always, continuously, still (continuing) |
fine | "the end," often in phrases like al fine ("to the end"). |
soave | "smoothly." |
passionato | "passionately" |
passionato | passionately |
black humour | The method of making fun about unpleasant situations, dangerous people and the like |
diorama | a scenic representation in which sculptured figures and miniatures are displayed against a painted background; the effect suggests a realistic panorama. |
imbarcarsi | (Italian) to go on board |
upstage | The part of the stage farthest from the audience, so named because when stages were raked (slanted), an actor walking away from the audience was literally walking up |
homily | propaganda, Victorian. |
monometer | In poetry, a monometer is a line of verse with just one metrical foot, exemplified by this portion of Robert Herrick's "Upon His Departure Hence": |
propitious | Benevolent, being of good omen. |
lusingando | coaxingly |
il fait jour | (French) it is (day)light |
idyll | A composition in verse or prose presenting an idealized story of happy innocence |
synecdoche | See metaphor. |
rara avis in terris | Latin for "A rare bird upon the earth". |
il est évident. | (French) It's clear |
idiom/idiomatic expression | A phrase whose meaning cannot be understood from the literal meaning of the words in it |
presto | "very quickly." |
fortepiano | 1 |
pastoral literature | Pieces of literature in which the natural world of country life is portrayed to be idyllic and ideal. |
brocade | A rich silk fabric with raised patterns in gold and silver. |
arietta | a short aria |
alienate | To sell, give away, or otherwise dispose of land, or other property, permanently |
inference | Inference is the act of drawing a conclusion by deductive reasoning from given facts |
improvisato | 'improvised', found in the titles of Dmitri Kabalevsky's Op.21 No |
rit. | slowing down; decelerating; opposite of accelerando (see in this list) |
shite | The principal character (the "doer") in n¯o. |
end-stopped rhymes | above. |
alan smithee | A fictional name taken by a writer or director who doesn't want their real name credited on a film. |
modesto | "modest" |
illustrare | (Italian) to make clear, to illustrate |
battle | Battle shares with Bocking the distinction of having its incumbent entitled Dean. This arises from the special status these churches had, but which has been removed. |
pantaloons | Close-fitting trousers usually having straps passing under the instep and worn especially in the 19th century. |
molossus | and poetry written in bacchic feet is said to be written in bachic meter |
common tenure | Over many years, the terms of service of clergy have been discussed in the light both of what some have regarded as the anomalous freehold that has attached to clerical appointments and of current general employment laws (which by and large have not applied to the clergy. The result is enshrined in the Ecclesiastical Offices (Terms of Service) measure 2009 and will be known as "common tenure". Regulations under this measure are currently being drafted. |
broadway | The major commercial theatre district in New York, bordered by Broadway, 8th Avenue, 42nd Street, and 52nd Street. |
il est naturel | (French) It's natural |
haikai | Another term for haikai renga or renku |
light | A hand that is not likely to be best |
lamentando | lamenting, mournfully |
igloo | (Eskimo) a small dome-shaped hut built of compressed snow |
improvisierte vorstellung | (German f.) ad lib performance, improvisation |
con brio | with spirit, with vigour |
im durchschitt | (German) on average |
plot | The structure and relationship of actions and events in a work of fiction |
obtuse | 1 |
cranmer | A towering figure in the history of the Church of England. He lived (1489-1556) at the time of the Reformation and was Archbishop |
thunderstricken | Astonished |
throw distance | the distance from the lighting instrument to th eperson or thing it is lighting |
negative freeroll | See main article: negative freeroll. |
resolution | the outcome of a screenplay in terms of its plot set-up and development. |
pound's ideogrammic method | The Ideogrammic Method was a technique expounded by Ezra Pound which allowed poetry to deal with abstract content through concrete images |
pole-and-chariot system | Giacomo Torelli's mechanized means of changing sets made up of flat wings. |
hell mouth | In medieval art the hell mouth was a stylized painting in which the entry to hell resembles a gaping demon's mouth |
impetuosità | (Italian f.) impetuosity |
fineness | The fineness of a precious metal refers to the ratio of the primary metal to any additives or impurities |
auleum | In Roman theater, a front curtain which was raised and lowered on telescoping poles. |
choric figure | Any character in any type of narrative literature that serves the same purpose as a chorus in drama by remaining detached from the main action and commenting upon or explaining this action to the audience |
imago clipeata | (Latin, literally 'framed portrait') the images of heroes on Roman shields |
arts of the toilet | Originally, "toilet" was the act of dressing and grooming oneself |
impers. | abbreviation of 'impersonal' (of a verb, used especially with it as a subject (for example, it is snowing); of a pronoun, synonymous with 'indefinite') |
un poco | a little |
slang | elision, and grammatical errors designed to convey a relaxed tone. |
alarum | An old spelling of "alarm" |
diction | one of the six Aristotelian elements of the drama; it deals with the language of a play and the manner in which characters speak; as an acting term it refers to the clarity with which an actor speaks. |
imperioso | (Italian) imperious, pompous, lofty, haughty |
imitatio periodica | (Latin) incidental or formal periodic imitation |
imponierend | (German) imposing in style, haughtily |
tubercles | small, abnormal discrete lumps in the substance of an organ or in the skin; especially the specific lesions of tuberculosis. |
mock epic | satire, and spoof. |
anapest | A metrical foot of two weak stresses followed by a strong stress |
house | The audience portion of the theatre building. |
halachah | The Torah |
mark | A person at a poker table that is the focus of attention |
chivalric romance | Another term for |
dimmer | In lighting, the electrical device (technically known as a potentiometer) that regulates the current passing through the bulb filaments and, thereby, the amount of light emitted from the lighting instruments. |
evidence | Facts that prove a statement or a CLAIM |
roundel | roundelay, villanelle. |
image musicale | (French f.) musical imagery |
one-chip rule | A call of a previous bet using a chip of higher denomination than necessary is considered a call unless it is verbally announced as a raise. |
lugubre | "lugubrious" |
molto | very |
ich kann nicht anders | (German) I can do no other (a reference to Martin Luther's speech to the Diet of Worms, 1521) |
crisis | the turning point of plot (closely related to climax which seems to complete its action) |
interlude | A play within a play |
anticlimax | crisis, and denouement; do not confuse with |
agon | "Action," in Greek; the root word for "agony." Agon refers to the major struggles and interactions of Greek tragedies. |
foot | The metrical unit of verse comprising a number of stressed and unstressed syllables |
fabliau | a bawdy medieval verse narrative, originally French but adapted by Geoffrey Chaucer's in "The Miller's Tale," "The Reeve's Tale," "The Merchant's Tale," and others of The Canterbury Tales. |
bottom end | The lowest of several possible straights, especially in a community card game |
half-hour monologue | a solo performance of approximately a half-hour's duration |
epic | A long narrative poem with an exalted style and heroic theme. |
upswing | A period during which a player wins more (or loses less) than expected |
narration | The way of telling a story. |
subito | suddenly |
idyllisch | (German) idyllic |
cathedral | The mother church of a diocese |
reading | A "performance" of a play in which the actors are script-in-hand |
graveyard school | 18th-century poets such as Thomas Gray, Robert Blair, and Edward Young who penned gloomy poems on death. |
il apparaître que | (French) it appears that |
ribands | Ribbons used as decorations. |
scriptorium | An area set aside in a monastery for monks to work as scribes and copy books. |
misdeal | A deal which is ruined for some reason and must be redealt. |
rhymed prose | Rhymed prose is a literary form and literary genre, written in unmetrical rhymes |
sound effects | Sounds such as thunder, telephone ringing or water created artificially. |
home game | A game played at a private venue (usually the home of one of the players), as opposed to a casino or public cardroom. |
enfatico | emphatically |
chiasmus | A rhetorical figure with two syntactically parallel constructions, one of which has the word order reversed |
bottom dealing | Trick or cheating deal where a card or cards are dealt from the bottom of the deck rather than the top |
drop | A flat piece of scenery hung from the fly gallery, which can "drop" into place by a flying system. |
imprenta | (Spanish f.) press |
symbolism | The use of a person, place, item, etc…that represents an abstract idea |
thematic thread | a metaphoric element, literary or cinematic device used within a film to weave an underlying message or theme throughout the story. |
verbal irony | Irony comes about through a reversal of the literal meaning of words |
tainted outs | Cards that improve a hand so that it is better than the other current hands, but simultaneously improve other hands even more |
syllable | Each pronounced part of a word is a syllable |
setting | Where the story takes place. |
cultural symbol | below. |
arena stage | A stage surrounded by the audience; also known as "theatre-in-the-round." Arena is a latin term meaning "sand," and it originally referred to the dirt circle in the midst of an amphitheatre. |
waylaid | Ambushed |
immedesimarsi con | (Italian) to empathise with |
last to act | A player is last to act if all players between the player and the button have folded. |
hikimaku | The traditional striped curtain of the kabuki theatre. |
metonymy | above |
rising action | A set of conflicts and crises that constitute the part of a play's or story's plot leading up to the climax |
denotation | the literal, dictionary definition of a word |
movie | a dramatic performance that is recorded as a moving image, whether on film or videotape. |
tempo | "time" – The speed of a piece of music. |
interpretation | an analysis of a work to determine its meaning |
exordium | In Western classical rhetoric, the exordium was the introductory portion of an oration |
limericks | and sonnets, which have set numbers of syllables, lines, and traditional subject-matter |
image | an expression that describes a literal sensation, whether of hearing, seeing, touching, tasting, and feeling. |
marketing director | the project manager in charge of determining how best to promote and distribute a movie to the public. |
tweak | A minor change made in a scene or portion of a screenplay or a stageplay. |
chorus | a group (usually 12Ð15) of singer-dancers in Greek drama participating in or commenting on the action of the play; in other ages (e.g |
figure of speech | see imagery |
leggiero | "lightly", "delicately" |
click raise | Making the minimum raise |
affrettando | "hurrying," pressing onwards. |
chamber play | a theatrical work for intimate staging |
idakka | see edakka |
archaism | using obsolete or archaic words when current alternatives are available. |
acrostic | A poem in which the first or last letters of each line vertically form a word, phrase, or sentence |
figurative language | Using images such as comparisons (similes), metaphors or symbols that must require a lot of "translation work" on the reader´s part in order to be understood. |
magnifico | magnificent |
artistic director | A theater company's chief artistic officer and usually the last stop before a play is selected for production. |
loose sentence | A loose sentence is a type of sentence in which the main idea (independent clause) comes first, followed by dependent grammatical units such as phrases and clauses |
amidah | "[Prayer recited] standing", the central element in every statutory service, consisting of a series of blessings. |
genii | A magic spirit believed to take human form and serve the person who calls it |
rubbing the vibrating object | glass armonica, musical saw, etc. |
norman | A native or inhabitant of Normandy |
experimental novel | Experimental literature refers to written works - often novels or magazines - that place great emphasis on innovations regarding technique and style. |
blocking bet | An abnormally small bet made by a player out of position intended to block a larger bet by an opponent. |
nemo me impune lacessit | "No one provokes me with impunity" |
metaphors | similes, and personification. |
sul ponticello | on the bridge; i.e., in string playing, an indication to bow (or sometimes to pluck) very near to the bridge, producing a characteristic glassy sound, which emphasizes the higher harmonics at the expense of the fundamental; the opposite of sul tasto |
paroxysms | Convulsions or fits |
sides | A single actor's own lines and cues |
personification | The endowment of inanimate objects or abstract concepts with animate or living qualities |
feeder | In a casino setting, a second or third table playing the same game as a "main" table, and from which players move to the main game as players there leave |
im auftrag | (German) on behalf of |
caesura | A pause within a line of verse dictated by speech rhythm rather than meter. |
expostulation | reasoning earnestly with a person for purposes of talking them out of something. |
action poetry | verse written for performance by several voices. |
situation comedy | Also known as a "sitcom," a normally 30-minute (in the United States) comedic television show revolving around funny situations the main characters repeatedly fall into. |
felicity | Happiness |
chapter | Just like a drama consists of acts and scenes, a novel may be subdivided into chapters to deal with things / events which belong together |
thyromata | In Hellenistic Greece, large openings into the second story of the skene. |
prolepsise | Prolepsis may refer to: |
impuesto | (Spanish) imposed |
primal scene | In psychoanalysis, the primal scene is the initial witnessing by a child of a sex act, usually between the parents, that traumatizes the psychosexual development of that child |
road allowance | Land retained by the Crown for use as a road when it grants a piece of public land to a private owner |
periphrasis | using a wordy phrase to describe something for which one term exists. |
satire | A play or other literary work that ridicules social follies, beliefs, religions, or human vices, almost always in a lighthearted vein |
chu-nori | ("riding the sky") flying effects in the Kabuki theater. |
pentameter | five feet of verse line |
bathos | Bathos comes from the Greek for deep (as in bathyscape, bathymetric) and in the arts refers to an abrupt descent from the exalted to the banal, either in style or content. |
verbal irony | See Irony. |
il più piano possibile | (Italian) as soft as possible |
alienation effect | A technique, developed by German playwright Bertolt Brecht (1898-1956), by which the actor deliberately presents rather than represents his or her character and "illustrates" the character without trying to embody the role fully, as naturalistic acting technique demands |
thespian | Synonym for "actor"; the term is derived from Thespis, who is said to have been the first actor in ancient Greek theater. |
impasse | (French) a situation from which there is no escape, an insoluble difficulty |
agitato | agitated |
bankable | A person who can get a project financed solely by having their name is attached. |
drao | a Greek word meaning "to act" or "to do;" drama derives from this term. |
litterateur | A professional writer. |
pièce bien faite | See well-made play. |
kabuki | One of the national theatres of Japan |
satyr play | A burlesque play submitted by Athenian playwrights along with their tragic trilogies |
persepolis | The ancient capital of the Persian empire |
voce | voice |
norman | An inhabitant of Normandy, a region along the northern coast of France |
bouts-rimés | Bouts-Rimés, literally (from the French) "rhymed-ends", is the name given to a kind of poetic game defined by Addison, in the Spectator, as |
grinder | A player who earns a living by making small profits over a long period of consistent, conservative play |
improvisadamente | (Spanish) suddenly |
contract | A formal legal agreement that binds those who participate in it to certain things |
metrical foot | See discussion uner meter or click here for a handout in PDF format. |
alla breve | two minim (half-note) beats to a bar, rather than four crotchet (quarter-note) beats. |
campanella | Tommaso Campanella (1568-1639), a Dominican theologian, philosopher and poet. |
canonical | Books which are considered part of the Bible are referred to as ‘canonical' in Hebrew or Greek as distinct from other similar ancient writings styled ‘apocryphcal', e.g |
old english | Also known as Anglo-Saxon, Old English is the ancestor of Middle English and Modern English |
sanhedrin | The court which, in temple times, administered criminal law and certain other matters |
kicker | See main article: kicker. |
monostich | A monostich is a poem which consists of a single line. |
trepanning | A form of surgery in which a hole is drilled or scraped into the skull, while leaving the membrane around the brain intact |
onomatopoeia | An onomatopoeia or onomatopœia (Greek ὀνοματοποιία; ὄνομα for "name" and ποιέω for "I make", adjectival form: "onomatopoeic" or "onomatopoetic") is a word that imitates or suggests the source of the sound that it describes |
appassionato | passionately |
morceau | Morsel |
gallery | The elevated seating areas at the back and sides of a theater. |
elegy | A poem or song which is a lament, usually for someone who has died. |
rainbow | Three or four cards of different suits, especially said of a flop. |
hillocks | Small hills. |
innuendo | An innuendo is a baseless invention of thoughts or ideas |
palaeography | The study of the evolution, development, and styles of handwriting |
improvisation | A scene performed with little or no rehearsal. |
psychological realism | The sense that characters in fictional narratives have realistic "interiority" or complex emotional and intellectual depth, including perhaps subconscious urges and fears they are not aware of |
scene | A dramatic sequence that takes place within a single locale (or setting) on stage |
entremeses | In the Spanish golden age, interludes during the intermissions of comedias; these could be comic sketches, songs, and dances. |
bizarre comedy | a play strikingly out of the ordinary treating trivial material superficially or amusingly or showing serious and profound material in a light, familiar, or satirical manner |
set | Scenery, taken as a whole, for a scene or an entire production. |
romanticism | the late 18th-century, early 19th-century period of Wordsworth, Coleridge, Keats, Shelley, and Byron. |
insistendo | insistently, deliberate |
chip dumping | A strategy whereby one player deliberately loses chips to another player |
calando | falling away, or lowering; i.e., getting slower and quieter; ritardando along with diminuendo |
quaff | to drink deeply |
impetuosamente | (Italian) impetuously |
purple passage | lines that stand out from a longer poem because of their vivid diction or figures of speech, and perhaps because of the agitated flush that rises in the face of someone trying to recite it. |
internal audience | An imaginary listener(s) or audience to whom a character speaks in a poem or story |
masculine ending | Masculine ending is term used in prosody, the study of verse form |
denotation | The dictionary definition of a word. |
polysyndeton | Using many conjunctions to achieve an overwhelming effect in a sentence |
hymn | A religious song consisting of one or more repeating rhythmical stanzas |
ceremony | an action performed formally and meant to sanction a political, social, or religious concept; it usually lacks the deeper significance of a ritual |
supererogation | The act of performing more than is required by duty, obligation, or need. |
ijachi | (Nigeria) an Igede iron spear identified with warrior musical groups |
conundrums | Intricate and difficult problems |
setting | The time and place of a play or screenplay. |
figure of speech | one of many kinds of word-play, focusing either on sound and word-order (schemes) or on semantics (tropes) |
burletta | Eighteenth-century English dramatic form resembling comic opera and defined by the lord chamberlain as a play with no more than three acts, each of which had to include at least five songs. |
director | the theatrical artist most responsible for coordinating the work of the actors, designers, and technicians as they interpret the work of the playwright. |
petrarchan sonnet | see Sonnet. |
anacrucis | one or two unstressed syllables at the beginning of a line that are unnecessary to the metre. |
comment | Non-fictional text form: a writer or speaker treats a topic and tries to convince his / her reader or listener by giving away his / her own opinion. |
metamorphosis | A change of a character by development; it may also mean a change of form. |
palliative | Reducing the violence of a disease; easing symptoms without curing the underlying disease. |
analogy | in Rhetoric |
illustrato | (Italian) illustrated, supplemented with notes |
phrenologist | A person who studies the conformation of the skull based on the belief that it is indicative of mental faculties and character. |
apron | Stage space in front of the curtain line or proscenium; also called the forestage. |
visual | having to do with that which can be seen (vs |
free verse | rhythmical but non-metrical, non-rhyming lines |
setting | The physical and social context in which the action of a story occurs |
iambic | an unstressed/stressed combination of syllables in a metrical foot |
nut hand | The nut hand is the best possible hand in a given situation |
nihility | Nonexistence; nothingness |
a piacere | at pleasure; i.e., the performer need not follow the rhythm strictly |
allargando | "broadening," "getting a little slower." |
emblem | An emblem is a pictorial image, abstract or representational, that epitomizes a concept — e.g., a moral truth, or an allegory — or that represents a person, such as a king or saint. |
script writing software | Computer software designed specifically to format and aid in the writing of screenplays and teleplays. |
impazienza | (Italian f.) impatience |
metrical substitution | A way of varying poetic meter by taking a single foot of the normal meter and replacing it with a foot of different meter |
prefix | A word part added to the beginning of a root or base word to create a new meaning (i.e., regain, incomplete) |
rubaiyat | An Arabic term meaning a quatrain, or four-line stanza |
tz'u | A Chinese genre of poetry invented during the T'ang period |
irony | The contrast between what is said and what is meant or the contrast between what appears to be and what actually is |
onnagata | "Women-type" roles in kabuki, which, like all the roles, are played by men. |
strepitoso | noisy |
cast | the actors who portray the characters in a performance of dramatic literature. |
swammerdamm | Johann Jacob Swammerdamm, wrote "Historia Insectorum generalis" (1669), which was later translated into English as "The Book of Nature" or, "The History of Insects" (1758). |
texture | How well coordinated the community cards are to one another |
literary ballad - ballad | Literary or lyrical ballads grew out of an increasing interest in the ballad form among social elites and intellectuals, particularly in the Romantic movement from the later 18th century |
diegesis | Plato's concept of narration, as opposed to mimesis (imitation or representation). |
artesian wells | Wells in which the water is under pressure and flows to the surface naturally |
fly gallery | The operating area for flying scenery, where fly ropes are tied off (on a pinrail) or where ropes in a counterweight system are clamped in a fixed position. |
quatrain | or four-line stanza |
im übrigen | (German) besides, apart from |
blocking | the movement and positioning of actors on the stage. |
kitty | A pool of money built by collecting small amounts from certain pots, often used to buy refreshments, cards, and so on |
spenserian stanza | A nine-line stanza rhyming in an |
pherecratean | a Classical Greek and Latin metrical pattern consisting of an iamb or a trochee, a dactyl, and a trochee or a spondee. |
joker | A 53rd card used mostly in draw games |
thule | Thule, pronounced "thoo-lee", was the northernmost part of the ancient world, usually an island, and often Iceland |
kill button | In a kill game a button that shows which player has the kill action |
paralipsis | a figure of thought where less information is supplied than appears to be called for by the circumstances. |
energico | energetic, strong |
presto | very quickly |
iglesia ortodoxa rusa | (Spanish f.) Russian Orthodox Church |
cycle plays | In medieval England, a series of mystery plays that, performed in sequence, relate the story of religion, from the Creation of the universe to Adam and Eve to the Crucifixion to Doomsday |
bunraku | Japanese puppet theater |
heriot | the loan of fine armor and weaponry |
post | To make the required small or big blind bet in Texas hold 'em or other games played with blinds rather than antes |
alliteration | In language, alliteration refers to the repetition of a particular sound in the first syllables of a series of words and/or phrases |
im unterbewußtsein | (German) subconsciously |
unit setting | Single setting, developed by Edward Gordon Craig, that can be made to represent various locales by moving basic elements and adding properties. |
burlesque | An imitation of a literary style, or of human action, that aims to ridicule by incongruity of style and subject |
castellated | Having battlements and high walls like a castle. |
round character | a fully developed character with the complexities of real person |
fold equity | The portion of the pot one expects to win, on average, by a bet that induces your opponents to fold, rather than seeing the showdown |
master scene script | A script formatted without scene numbering (the usual format for a spec screenplay). |
hyperbole | the trope of exaggeration or overstatement |
rising rhyme | Another term for masculine rhyme in which the final foot ends in a stressed syllable |
rattle idiophone | shaking the vibrating object |
empathy | Audience members' identification with dramatic characters and their consequent shared feelings with the plights and fortunes of those characters |
miniseries | A long-form movie of three hours or more shown on successive nights or weeks on U.S |
left | On stage, the actors' left, assuming they are facing the audience |
imperfect consonances | or 'imperfect concords', intervals such as the major and minor thirds and sixths, whose ratios are less simple than those of the fifth and fourth |
rosh hashanah | "Head of the year" |
meaning | In linguistics, meaning is what is expressed by the writer or speaker, and what is conveyed to the reader or listener |
rabbit hunt | After a hand is complete, to reveal cards that would have been dealt later in the hand had it continued |
repente | "suddenly." |
miscellanies - anthology | An anthology is a collection of literary works chosen by the compiler |
tempo giusto | in strict time |
geza | The stage right, semi-enclosed musicians' box in kabuki theatre |
freezeout | The most common form of tournament |
haiku | A Japanese verse form dating from the thirteenth century which consists of seventeen syllables divided into lines or groups of five, seven, and five |
radio play | a script for the mind's eye via radio (and sometimes stage) |
full ring | A full ring game is a cash game with more than six players involved, typically nine to eleven |
wings | In a proscenium theatre, the vertical pieces of scenery to the left and right of the stage, usually parallel with the footlights. |
rhyme scheme | often used in verse drama and for poetry. |
imprimere | (Latin) print |
reciprocal action | dramatic action that entails a subtextual struggle for control or mastery between two or more characters in a scene. |
development | The process of preparing a script for production. |
stress | a syllable uttered in a higher pitch than others |
non-fiction novel | The non-fiction novel or faction is a literary genre which, broadly speaking, depicts real events narrated with techniques of fiction |
proceleus maticus | a Classical Greek and Latin foot having four short syllables. |
stanza | "a verse of a song". |
courier 12 pitch | The main font in use in the U.S |
smooth call | See "flat call". |
trivium | In medieval universities, the trivium comprised the three subjects that were taught first: grammar, logic, and rhetoric |
aposentos | In the Spanish golden age, the boxes in a corral. |
draughts | British name for the game of checkers. |
alliteration | Repetition of the same or similar sounds (usually consonants) at the beginning of words |
crew | the staff members of a film production |
lyric | A poem expressing personal emotion, or the words of a song. |
fresco | freshly |
magnifico | "magnificent" |
iglesia hispana | (Spanish f.) Spanish Church (often used to distinguish the Catholic Church in Spain particularly during the period when Spain was rule by the Visigoths which ended by the defeat of the Visgoths at the Battle of Medina Sidonia in 711 CE) |
caesura | A pause in a line of a poem |
progymnasmata | Progymnasmata (Greek "fore-exercises", Latin praeexercitamina) are rhetorical exercises gradually leading the student to familiarity with the elements of rhetoric, in preparation for their own practice speeches (gymnasmata, "exercises") and ultimately their own orations. |
palinode | A palinode or palinody is an ode in which the writer retracts a view or sentiment expressed in an earlier poem |
epizenxis | repetition of a word several times without connectives. |
n¯o | Also spelled noh |
blocking | Arrangement of actors' movements onstage with respect to each other and the stage space. |
billet | A chunky piece of wood (as for firewood) |
isolation | See main article: isolation. |
narrative poem | a poem that tells a story |
burlesque | Literally, a parody or mockery, from an Italian amusement form |
alliterative verse | A traditional form of Anglo-Saxon and Old Norse poetry in which each line has at least four stressed syllables, and those stresses fall on syllables in which three or four words alliterate (repeat the same consonant sound) |
rhetorical question | the poet asks a question without expecting to learn anything from the response, or to pose any difficulty for the reader, the answer being something that the poet already implies and the reader infers. |
dale's classification of rhymes | An Introduction To Rhyme (ISBN 1-85725-124-5) is a book by Peter Dale which was published by Agenda/Bellew in 1998 |
attacca | (at the end of a movement): a direction to begin (attack) the next movement immediately, without a gap or pause. |
mid point scene | a plot point that seems to divide the second act of a story in half, usually serving to emphasize or articulate the larger theme or message of the story. |
candelabrum | A candlestick with multiple branches allowing it to hold a number of candles |
open | To bet first |
whimsical comedy | a humorous play with oddly abnormal elements |
character name | the name of the character speaking, appearing just above the dialogue line, in all caps and centered within the dialogue margins. |
ignorantia juris non excusat | (Latin, literally 'ignorance of the law is no excuse') if committing an offence a guilty party cannot use as a defence the fact that they did so without knowledge that they were breaking the law |
improviso | (Portuguese) improvise |
simile | A stated comparison of two things that have some quality in common using the words like or as |
elegy | A poem of mourning for someone who is dead: a meditative poem. |
end-stopped | a verse line ending at a grammatical boundary or break, such as a dash, a closing parenthesis, or punctuation such as a colon, a semi-colon, or a period |
symbolist drama | seek its truth in symbols, myths, and dreams |
periphrasis | Something in literature which could be expressed in simple words is written in a complicated or awkward way. |
argument | In logic, an argument is a set of one or more meaningful declarative sentences (or "propositions") known as the premises along with another meaningful declarative sentence (or "proposition") known as the conclusion |
impunidad | (Spanish f.) impunity |
coperti | on a drum, muted with a cloth. |
hip pocket | A casual relationship with an established agent in lieu of a signed, formal agreement of representation. |
imputar | (Spanish) to attribute, to charge (the accused) |
d.s. | Dal Segno (see above) |
asyndeton | The artistic elimination of conjunctions in a sentence to create a particular effect |
morass | Marsh, swamp |
theatron | In ancient Greek theater, the seating area, carved into a hillside. |
flourishing | below. |
improvise | improvvisare (Italian), improvisieren (German), improviser (French), to compose or perform (music, verse, etc.) extempore |
anaphora | Very often used device in speeches or ballads |
convocations | Before the advent of the General Synod, the clergy were provided with the means of influencing church policy through the Convocations of Canterbury and York. The members of these bodies were the bishops (all the diocesan bishops together with representative suffragans elected by their colleagues) and clergy elected by their colleagues in the deaneries. The convocations still exist but meet only rarely. Technically, the General Synod consists of the two convocations with the House of Laity. |
epiphany | Christian thinkers used this term to signify a manifestation of God's presence in the world |
gidayu | The traditional style of chanting in kabuki and bunraku theatre |
misterioso | mysteriously |
litterateur - intellectual | An intellectual is a person who uses intelligence (thought and reason) and critical or analytical reasoning in either a professional or a personal capacity. |
dialect | A type of informational diction |
adagissimo | "very slow." |
sanguine | Confident and optimistic.It also means "bloodred" or consisting of or relating to blood |
comitatus | (Latin: "companionship" or "band"): The term describes the tribal structure of the Anglo-Saxons and other Germanic tribes in which groups of men would swear fealty to a hlaford (lord) in exchange for food, mead, and heriot, the loan of fine armor and weaponry |
subplot | a secondary plot line that enhances a main plot and intersects with it at a crucial point in the climax. |
back story | Experiences of a main character taking place prior to the main action, which contribute to character motivations and reactions. |
imporre con la forza | (Italian) to force feed |
stand pat | In draw poker, playing the original hand using no draws, either as a bluff or in the belief it is the best hand. |
double-entendre | Word or phrase in comedy that has a double meaning, the second meaning often being sexual. |
imprimante | (French f.) printer |
improvisación | (Spanish f.) improvisation, impromptu |
beat | the smallest motivational unit of a playscript; it may be only a phrase or sentence in which a character manifests a particular need that must be fulfilled (see also unit). |
idiophon | (German n.) idiophone |
pattern poetry | verse that creates the shape of its subject typographically on the page (and thus also called "shape poetry") |
parian | Of or relating to the island of Paros noted for its marble used extensively for sculpture in ancient times. |
impune | (Spanish) unpunished |
one-act play | A play that takes place in a single location and unfolds as one continuous action |
first folio | A set of Shakespeare's plays published in 1623 |
poetry | A variable literary |
impuls | (German m.) impulse |
straight flush | See main article: straight flush. |
il est indispensable | (French) It's essential |
imitatio canonica | (Latin) canonic imitation |
english sonnet | Another term for a Shakespearean sonnet |
fly | (verb) To raise a piece of scenery (or an actor) out of sight by a system of ropes and/or wires |
identificarti con | (Italian) to identify yourself with |
ensemble playing | Acting which stresses the total artistic unity of a performance rather than the individual performances of specific actors. |
im ungewissen lassen | (German) to leave in the dark |
offstage | Behind the stage; place where the audience cannot see any of the characters or actions. |
flush | A hand comprising five cards of the same suit |
causal prediction | an audience’s unconscious forecasting of what will happen in a standard plot based on certain known causes and effects (e.g., boy meets girl, boy loses girl, causal prediction=boy gets girl). |
ma non troppo | "but not too much." |
un poco | "a little." |
meter | above |
shot | What the camera sees |
adagio | at ease; i.e., slow |
borneo | Borneo (including the Kalimantan provinces of Indonesia, Sabah and Sarawak of Malaysia, and Brunei) is the third largest island in the world |
a tempo | in time; i.e., the performer should return to the main tempo of the piece (after an accelerando or ritardando, etc.); also may be found in combination with other terms such as a tempo giusto (in strict time) or a tempo di menuetto (at the speed of a minuet) |
admonition | cautionary advice about something imminent, especially imminent danger. |
live bet | A bet posted by a player under conditions that give him the option to raise even if no other player raises first; typically because it was posted as a blind or straddle, or to enter a new game. |
sheng | In xiqu, the male roles and the actors who play them. |
reversal | Sudden switch or turnaround of circumstances or knowledge which leads to a result contrary to expectations |
pathya vat | The Pathya Vat is a Cambodian verse form, consisting of four lines, where lines two and three rhyme |
legitimate theater | The term "legitimate theater" dates back to the Licensing Act of 1737, which restricted "serious" theatre performances to the two patent theatres licensed to perform "spoken drama" after the English Restoration in 1662 |
aestheticism | A literary movement in the nineteenth century of those who believed in art for arts sake in opposition to the utilitarian doctrine that everything must be morally or practically useful |
syllogism | A syllogism (Greek: συλλογισμός – syllogismos – "conclusion," "inference") or logical appeal is a kind of logical argument in which one proposition (the conclusion) is inferred from two others (the premises) of a certain form, i.e |
impulsion | (French f.) impulse |
macaronic verse | poems that consist of expressions in more than one language |
choirmaster | These days one must think also of choirmistress. Where a choir exists, its leader is clearly a key figure in the life and worship of the church. Ideally the choirmaster will have a deep personal Christian faith, a good musical training and a sympathy with a wide range of musical taste. He will need to know the hymn book used in his church from cover to cover, so that, working with the incumbent, he can bring out a rich variety of hymns relevant to the Sunday themes and make sure none are overused. |
lethargic | sluggish, indifferent |
farce | a funny play in which plot and broad action dominate |
soliloquy | Speech in which a character who is alone onstage utters inner thoughts. |
string bet | A call with one motion and a later raise with another, or a reach for more chips without stating the intended amount |
muse | The Muses (Ancient Greek αἱ μοῦσαι, hai moũsai: perhaps from the o-grade of the Proto-Indo-European root *men- "think") in Greek mythology, poetry, and literature are the goddesses who inspire the creation of literature and the arts |
contact | The term used for the time in history when North American native people first met with non-natives from other parts of the world |
play | Sometimes known as a stageplay, it's a production which is meant to be performed on stage in front of a live audience. |
fouled hand | A hand that is ruled unplayable because of an irregularity, such as being found with too many or too few cards, having been mixed with cards of other players or the muck, having fallen off the table, etc |
mg | see main gauche |
free meter | Not to be confused with free verse, free meter refers to a type of Welsh poetry in which the meters do not correspond to the "strict meters" established in the 1400s |
meter | dipody, and syzygy. |
folk tale | Stories passed by word of mouth from generation to generation |
ms | see mano sinistra |
epilogue | A final section of a work which serves to conclude the whole. |
behemoth | Something of monstrous size or power |
symbolism | In drama, a movement of the late nineteenth and early twentieth century which sought to replace realistic representation of life with the expression of inner truth |
impossible n'est pas français. | (French) There is no such word as "can't." |
living newspaper | Living Newspaper is a term for a theatrical form presenting factual information on current events to a popular audience |
pitch | To verbally describe a property to a potential buyer in the hope it will be bought. |
colloquialism | Opposed to poetic language, colloquial style means the use of the language of everyday life both in speech and writing. |
treadmill | moving belts on a stage floor on which scenery or actors may give the illusion of moving in full view of the audience |
pot odds | See main article: pot odds. |
ellipsis | indication of an omission of words in a quote |
tremendo | "frightening" |
oxidation | The chemical reaction in which a material combines with oxygen to form an oxide |
passion play | a stage presentation of the life and crucifixion of Christ |
periaktoi | In ancient Greek theater, a three-sided scenic piece which could be revolved to show the audience three different scenes. |
illusionniste | (French m./f.) conjuror, illusionist |
diction | A choice of words to express an idea accurately |
river | The river or "river card" is the final card dealt in a poker hand, to be followed by a final round of betting and, if necessary, a showdown |
auditory imagery | Descriptive language that evokes noise, music, or other sounds |
trims | the heights of flying scenery and masking |
brick | A "blank", though more often used in the derogatory sense of a card that is undesirable rather than merely inconsequential, such as a card of high rank or one that makes a pair in a low-hand game |
contract system | System under which performers are hired for a specific period of time and paid a set salary. |
published play format | The format typically found in an Acting Edition, meant to save space, in which the character names are on the left and stage directions occur on the same lines as dialogue. |
protagonist | the main character in a story or drama |
sfx | Abbreviation for Sound Effects. |
pasquinaded | Publicly made fun of, lampooned |
ducat | Literally, a coin issued by a duchy |
atellan farce | Form of Roman theater: improvised comedic pieces dealing with exaggerated family situations or satirizing historical or mythological figures. |
immer vorwärts | (German) always forward (as in 'pressing forward') |
restoration | In England, the period following the restoration of the monarchy in 1660 |
perspective | Illusion of depth in painting; introduced into scene design during the Italian Renaissance. |
de beranger | "His heart is a lute strung tight; As soon as one touches it, it resounds."from "Le Refus" (1831) by Pierre-Jean de Beranger, a French poet and song writer. |
ching | a character role in Chinese opera, usually distingished by a painted face. |
im alter von | (German) at the age of |
greenroom | A room near the stage where actors may sit comfortably before and after the show or during scenes in which they do not appear |
affrettando | hurrying, pressing onwards |
tie-off | to fasten a set of lines to a pin rail or other stationary object |
epilogue | Speech addressed to the audience after the conclusion of a play and spoken by one of the actors. |
shorthanded | A poker game that is played with around six players or fewer, as opposed to a full ring game, which is usually nine or ten players |
il est | (French) it is |
imprimé | (French) printed dress-fabric (usually of linen or cotton), printed form |
effulgence | Brilliance, radiant splendor. |
bias | A general tendency or leaning in one direction; a partiality toward one view over another |
imprimatura | (Italian) coloured wash laid over a panel or canvas, either before or after the preliminary drawing is made |
poetic license | The freedom of a poet or other literary writer to depart from the norms of common discourse, literal reality, or historical truth in order to create a special effect in or for the reader |
scythe | A farming implement composed of a long curving blade fastened at an angle to a long handle.The Grim Reaper, the personification of death, is usually pictured as a cloaked skeleton holding a scythe. |
scordatura | an alternate tuning used for the open strings of a string instrument. |
deciso | "decisively" |
choka | Japanese form with alternating lines of five and seven syllables, ending with a couplet of seven-syllable lines. |
shakespearean sonnet | See discussion under sonnet. |
irony | When the opposite of what you expect happens, or when you say the opposite of what you mean, usually for humorous effect (as opposed to sarcasm). |
musical | A play in which songs and music are an integral part of the dramatic structure. |
colonialism | below. |
script reader | (See above as Reader.) |
innamorato | In commedia dell'arte, the stock male lover. |
mediation | Settling a CLAIM or political dispute by NEGOTIATION, which is managed by a neutral outsider, the mediator |
theatre of cruelty | A notion of theatre developed by the French theorist Antonin Artaud (1896-1948) |
underdog | An underdog or dog is a player with a smaller chance to win than another specified player |
ballad opera | Eighteenth-century English form which burlesqued opera: there was no recitative, songs were set to popular tunes, and characters were drawn from the lower classes |
il est improbable | (French) It's improbable |
percussion idiophones | striking the vibrating object with a mallet, hammer, stick or other non-vibrating object |
diction | The choice of words on the author´s part. |
dramatic monologue | A poem in which a poetic speaker addresses either the reader or an internal listener at length |
raise | See main article: raise. |
verse | A verse is formally a single line in a metrical composition, e.g |
vivacissimo | "very lively" |
irony | Words implying meaning opposite to their normal meaning. |
shakespearean sonnet - sonnet | * Sicilian octave |
sybils | Women regarded as oracles or prophets by the ancient Greeks and Romans. |
downstage | Front of the stage toward the audience. |
scherzando | "playfully." |
pit | Floor of the house in a traditional proscenium-arch theater |
colla voce | with the voice |
impulsividad | (Spanish f.) impulsiveness |
rapido | fast |
col pugno | with the fist; i.e., bang the piano with the fist |
pricking | A series of vertically aligned holes down each side of the parchment |
petrarchan sonnet | The oldest form of the sonnet is the Italian or Petrarchan Sonnet (named for its greatest practitionerPetrarch) |
consideration | Money or valuables given by one person to another under the terms of a CONTRACT |
dramatic monologue | a poem representing itself as a speech made by one person to a silent listener, usually not the reader |
eponymous author | The eponymous author of a literary work, often a work that is meant to be prophetic or homiletic, is not really the author |
downstage | The front part of a stage |
fetid | Having a heavy offensive smell. |
ardor | Extreme energy or vigor |
alexandrine | A line of iambic hexameter (i.e |
decorum | Neoclassic belief that characters were required to behave according to expectations based on their social status, sex, age, etc.; sometimes referred to as beinseance ("good sense"). |
antihero | A protagonist who has the opposite of most of the traditional attributes of a hero |
synaeresis | When two vowels appear side-by-side within a single word, and the poet blurs them together into a single syllable to make his meter fit |
chorus | In Greek tragedies (especially those of Aeschylus and Sophocles), a group of people who serve mainly as commentators on the characters and events |
velocissimo | as quickly as possible; usually applied to a cadenza-like passage or run |
table stakes | See main article: table stakes. |
static character | A static character is a simplified character who does not change or alter his or her personality over the course of a narrative |
il était temps! | (French) About time! In the nick of time! |
in altissimo | in the highest; i.e., play or sing an octave higher |
easement | A right to use land for a particular and limited purpose |
machiavelli | Niccolò Machiavelli (1469–1527) was a Florentine statesman and political philosopher. |
homoeopathists | Those who practice Homeopathy |
anachronism | Placing an event, person, item, or verbal expression in the wrong historical period |
aristeia | An aristeia or aristia (Ancient Greek: ἀριστεία, IPA: [aristéːa], "excellence"; English: /à¦rɨËstiË.É/) is a scene in the dramatic conventions of such works as the Iliad in which a hero in battle has his finest moments (aristos = best) |
pay off | To call a bet when you are most likely drawing dead because the pot odds justify the call. |
encore | "once more" (direction to play section again) (Fre.) |
tragedian | an actor who plays tragic roles |
close reading | Reading a piece of literature carefully, bit by bit, in order to analyze the significance of every individual word, image, and artistic ornament. |
capriccioso | capriciously, unpredictable, volatile |
broadside | A broadside is the side of a ship; the battery of cannon on one side of a warship; or their simultaneous (or near simultaneous) fire in naval warfare. |
il fine | (Italian) the end |
juggernaut | Juggernaut is a term used in the English language to describe a literal or metaphorical force regarded as unstoppable. |
proskenion | In Hellenistic Greece, the bottom level of the skene, or stage house. |
iambic pentameter | See discussion under meter. |
fieramente | "proudly" |
acciaccatura | "crushing" – A very fast grace note that is "crushed" against the note that follows and takes up no value in the measure. |
mano sinistra | [played with the] left hand (abbreviation: MS). |
doloroso | "painfully" |
entrails | Internal parts, usually the organs of a human body. |
button | A TV writing term referring to a witty line that "tops off" a scene. |
ignotus | (Latin) (a person) unknown (used in catalogues of works of art where the authorship of a work is unknown) |
amatory | Of, relating to, or expressing sexual love. |
textuality | Textuality is a concept in linguistics and literary theory that refers to the attributes that distinguish the text (a technical term indicating any communicative content under analysis) as an object of study in those fields |
denotation | The literal sense of a word or its strict dictionary definition, as opposed to connotation which refers to the attitudes, emotions and values which may be usually evoked by the word, or which may be evoked by it in a specific context. |
ii-v-i | in jazz, one of the most common progressions, which is more properly ii-V7-i (for example, in the key of C, Dmin7-»C7-»Fmaj7) |
sandbag | See Slow play (poker). |
curtal sonnet | see Sonnet. |
concrete poetry | the form of a poem may reflect the theme, topic, or idea of the words in the actual shape of the text on a piece of paper |
canon | Set of literary works believed to be universally accepted as important and historically significant |
im stil der janitscharen-musik | (German) alla turca (Italian), à la turque (French), nach türkischer Art (German), in the Turkish style |
unities | The unities of time, place, and action as principles of dramatic composition have been hotly debated since Aristotles Poetics |
impetus | (Latin) the force with which a body moves, motive power, moving force, a stimulus, an incentive |
border | A piece of flat scenery, often black velour but sometimes a flat, which is placed horizontally above the set, usually to mask the lighting instruments |
im schnitt darstellen | (German) to profile |
con | "with," in very many musical directions, for example con allegrezza ("with liveliness"), con amore ("with tenderness"). |
envoy | Also spelled, envoi, the word envoy refers to a postscript added to the end of a prose writing or a short verse stanza (often using different meter and rhyme) attached to the conclusion of a poem |
juice | Money collected by the house |
bad quarto | In the jargon of Shakespearean scholars, a "bad quarto" is a copy of the play that a disloyal actor would recreate from memory and then submit for publication in a rival publishing house without the consent of the author |
impropre | (French) incorrect |
risoluto | "Resolutely" – played in a bold manner. |
language interpretation | Language interpretation is the facilitating of oral or sign-language communication, either simultaneously or consecutively, between users of different languages |
sermon | A religious address to an audience, usually made in church. |
gothic fiction | Gothic fiction (sometimes referred to as Gothic horror) is a genre of literature that combines elements of both horror and romance |
partimen | The partimen, partiment, partia, or joc partit is a genre of Occitan lyric poetry composed between two troubadours, a subgenre of the tenso or cobla exchange in which one poet presents a dilemma in the form of a question and the two debate the answer, each taking up a different side |
trope | Trope has two meanings: (1) a rhetorical device or figure of speech involving shifts in the meaning of words--click on the tropes link for examples, (2) a short dialogue inserted into the church mass during the early Middle Ages as a sort of mini-drama. |
vouchsafed | To grant or furnish often in a gracious or condescending manner |
wont | As a noun, a wont is a habitual way of doing something |
mollified | Appeased |
at rise description | A stage direction at the beginning of an act or a scene that describes what is on stage literally "at rise" of the curtain, or more commonly in contemporary theater, as the lights come up. |
xiqu | Chinese for "tuneful theatre"; the general term for all varieties of traditional Chinese theatre, often called "Chinese Opera." |
hyperquizzitistical | It appears that Poe made this word up. |
libero | free, freely |
gap hand | In Texas hold 'em, a gap hand is a starting hand with at least one rank separating the two cards |
folklore | oral-formulaic |
transferred epithet - hypallage | Hypallage (pronounced /haɪˈpælədʒiː/, from the Greek: ὑπαλλαγή, hypallagḗ, "interchange, exchange") is a literary device that is the reversal of the syntactic relation of two words (as in "her beauty's face"). |
bug | A limited wild card |
impulso | (Italian m., Spanish m.) impulse |
gesticulation | A motion of the body or limbs in speaking, or in representing action or passion, and enforcing arguments and sentiments. |
rhetorical question | A question which expects no answer because the answer is implicitly given in the question itself. |
forestage | See Apron. |
psychological gesture | According to the twentieth-century Russian acting theorist Mikhail Chekhov, a characteristic movement or activity which would sum up a character's motives and preoccupations. |
naiad | In Greek mythology, the Naiads were a type of nymph who presided over fountains, wells, springs, streams, and brooks. |
catch up | To successfully complete a draw, thus defeating a player who previously had a better hand |
expository essay | an essay which shares, explains, suggests, or explores information, emotion, and ideas |
apostrophe | Via Latin from the Greek apostrephein, meaning to turn away, a digression |
satiric comedy | Any drama or comic poem involving humor as a means of satire. |
ilahije | Muslim religious melodies, one of the ingredients of sevdalinka |
trebled | As a verb, treble means to grow to three times the size, amount, or number. |
variorum | A variorum is a work that collates all known variants of a text |
cap | A limit on the number of raises allowed in a betting round |
igil | two-stringed fiddle from Tuva with a carved wooden horses' head attached to the top of the neck |
couplet | two lines of poetry that form a unit with rhythm or rhyme |
gaze aerienne | Airy gauze |
analogue | The term analogue is used in literary history in two related senses: |
impulsivo | (Spanish) impulsive |
take a call | to acknowledge the applause of the audience at the end of a performance by bowing or showing some other form of appreciation |
dionysian | Passionate revelry, uninhibited pleasure-seeking; the opposite of Apollonian, according to Friedrich Nietzsche, who considered drama a merger of these two primary impulses in the Greek character. |
bump | A troublesome element in a script that negatively deflects the reader's attention away from the story. |
kill hand | A hand with different betting rules in a kill game |
linguistics | The intensive and indeed scientific study of language and how it works |
metonymy | Using a vaguely suggestive, physical object to embody a more general idea |
mosqueteros | Literally, "mosquitos": in the Spanish golden age, the noisy groundlings in the corrales. |
allegory | a play in which people, things, and happenings have another meaning |
action | The moving pictures we see on screen |
double-ace flush | Under unconventional rules, a flush with one or more wild cards in which they play as aces, even if an ace is already present. |
improvvisazione | (Italian f.) improvisation |
open the house | A direction to admit the audience |
vers | Not to be confused with verse, below, a vers is a song in Old Provencal almost indistinguishable from the chanson, but vers is the older term. |
sit and go | A poker tournament with no scheduled starting time that starts whenever the necessary players have put up their money |
sestet | a six-line stanza, or the final six lines of a 14-line Italian or Petrarchan sonnet. |
litigation | Going to court; for example, settling a CLAIM by submitting it to a court for a hearing and a final decision |
brio | vigour; usually in con brio |
oulipo | Oulipo (French pronunciation: [ulipo], short for French: Ouvroir de littérature potentielle; roughly translated: "workshop of potential literature") is a loose gathering of (mainly) French-speaking writers and mathematicians which seeks to create works using constrained writing techniques |
bill | the list and order of acts in a vaudeville show; also, the order of acts in a theatrical presentation. |
fine | the end, often in phrases like al fine (to the end) |
dizain | a stanza or poem of ten lines. |
jeremiad | A jeremiad is a long literary work, usually in prose, but sometimes in poetry, in which the author bitterly laments the state of society and its morals in a serious tone of sustained invective, and always contains a prophecy of society's imminent downfall. |
decorated initial | In medieval manuscripts, this term refers to an introductory letter of a text division, embellished with some type of abstract design, i.e., a design not necessarily containing a picture (which would make it an inhabited initial) and not necessarily containing a scene from the story (which would make it an historiated initial) |
tab | a vertical drape just inside the proscenium that masks performers in the wings; also a term meaning to pull a drape aside |
in memoriam stanza | quatrain with the rhyme scheme abba (sometimes termed an envelope), written in iambic tetrameter, and named after Alfred lord Tennyson's poem of the same name. |
implied intervals | intervals not expressed in a figured bass, but which are understood to be a component part of any chord |
"fourth wall" | the invisible wall open to the audience in a box set (see also box set) |
compelling movement | plot action imbued with the kind of forceful energy that pushes the plot forward, forcing the story line to move toward a climax and resolution. |
apprentice | In Elizabethan England, a young performer in an acting company who was taught the art of acting through actual experience and who received room and board from a key member of the troupe. |
religioso | religiously |
ibidem | (Latin, identical in French, English) ebenda (German), ibídem (Spanish), in the same place, in the same book (to avoid repeating a reference) |
adverse possession | A person who lives on someone else's land for some time, who does not abandon it, and who is never removed by the owner is "in adverse possession" of the land |
kabuki | The most eclectic and theatrical of the major forms of Japanese theater |
agitato | "agitated." |
autobiography | An autobiography (from the Greek, αὐτός-autos self + βίος-bios life + γράφειν-graphein to write) is a book about the life of a person, written by that person. |
iambus | (Latin) a metrical foot consisting of a short and a long syllable, with the accent on the long, giambo (Italian m.), Jambus (German m.), iambe (French m.), yambo (Spanish m.) |
moiety | One of two equal parts |
im ersten zeitmass | (German) tempo primo, at the original speed |
broken chord | a chord in which the notes are not all played at once, but in some more or less consistent sequence |
espressivo | "expressively" |
omaggio | "celebration" |
closet drama | a play not intended for performance; such plays are usually read within a circle of acquaintances |
onset | The initial consonant (i.e., the onset of bag is b and the onset of swim is sw) |
explication de texte | Explication de Texte is a French formalist method of literary analysis that allows for limited reader response, similar to close reading in the English-speaking literary tradition |
slice of life | Slice of life is a theatrical term that refers to a naturalistic representation of real life, sometimes used as an adjective, as in "a play with 'slice of life' dialogue." The term originated in 1890–95 as a translation from the French phrase tranche de vie, credited to the French playwright Jean Jullien (1854–1919). |
narrante | narratingly |
white version | a play originally written for white actors portraying Negroes, here given in a version for white actors portraying whites |
impluvium | (Latin) the square water-cistern in the centre of the atrium of a Roman house |
oxymoron | an expression impossible in fact but not necessarily self-contradictory, such as John Milton's description of Hell as "darkness visible" in Book I of Paradise Lost. |
comic relief | A humorous scene or incident that alleviates tension in an otherwise serious work |
acrostic | below. |
illustré | (French) illustrated |
personification | Personification is an ontological metaphor in which a thing or abstraction is represented as a person. |
pausa | rest |
leonine verse | Verse using internal rhyme in which the middle and end of each line rhyme |
drawing live | Not drawing dead; that is, drawing to a hand that will win if successful. |
going south | To sneak a portion of your chips from the table while the game is underway |
conventional symbol | See Symbol. |
purloined | To take something wrongfully and often by a breach of trust |
arpeggio | literally, like a harp |
marcia | a march; alla marcia means in the manner of a march |
m-ratio | A measure of the health of a chip stack as a function of the cost to play each round |
tragedy | classic tragedy follows the plight of a noble person who is flawed by a defect and whose actions cause him to break some moral law and suffer downfall and destruction |
stringendo | with a pressing forward or acceleration of the tempo. |
il est facile | (French) It's easy |
impost | a projecting moulding supporting an arch |
lexis | In linguistics, a lexis (from the Greek: λέξις "word") is the total word-stock or lexicon having items of lexical rather than grammatical, meaning |
il est peu probable | (French) It's not likely |
novel | A novel is a book of long narrative in literary prose |
asseveration | A strong and earnest statement or affirmation. |
reverdie | a medieval song celebrating the coming of spring, such as "Sumer is icumen in" and "Lenten ys Come with Loue to Toune," modernized in poems such as the opening of T |
negotiation | The settling of legal CLAIMS or political disputes by discussions between the parties concerned |
internal rhyme | Rhyme which occurs within a line of a poem. |
hexameter | A line consisting of six metrical |
climax | The turning point of the action in the plot of a play or story |
novel | Long piece of fictional prose with a large number of characters, plots, settings |
in the money | To finish high enough in a poker tournament to win prize money |
beat generation | The Beat Generation is a group of American post-WWII writers who came to prominence in the 1950s, as well as the cultural phenomena that they both documented and inspired |
caoutchouc | Rubber, something made of or resembling rubber. |
buffoons | Clowns, ludicrous figures. |
pathetic fallacy | The pathetic fallacy or anthropomorphic fallacy is the treatment of inanimate objects as if they had human feelings, thought, or sensations |
character | Any representation of an individual being presented in a dramatic or narrative work through extended dramatic or verbal representation |
broadside ballads | poems printed on one side of a single sheet during the Renaissance period. |
arco | "played with the bow," as opposed to pizzicato "plucked," in music for bowed instruments. |
revisionism | In theater history, an approach based on the belief that history is usually told from the viewpoint of a social, political, or cultural elite; that it is therefore usually distorted; and that in consequence it needs to be rewritten. |
più | more; see mosso for an example |
dissonance | cacaphony, or harsh-sounding language. |
fortissimo | as loudly as possible (see note at pianissimo, in this list) |
comedy of manners | comic genre that satirizes the behaviors, fashions, and mores of a given social class or set |
regionalism | In literature, regionalism or local color fictionality refers to fiction or poetry that focuses on specific features – including characters, dialects, customs, history, and topography – of a particular region. |
renga | Japanese form comprising half-tanka written by different poets. |
mare tenebrarum | "Sea of Darkness". |
quality | the tone or characteristic nature of a story element |
gesticulations | Expressive gestures made in showing strong feeling or in enforcing an argument. |
red herring | a false lead, assumed outcome or obvious solution that a writer plants in a story to fool the audience from guessing the real outcome. |
strepitoso | "noisy". |
claque | People in the audience who are hired to applaud; the tradition of the claque began in Roman theater. |
georgic poems | characterizing the life of the farmer. |
put on | To put someone on a hand is to deduce what hand or range of hands they have based on their actions and your knowledge of their gameplay |
aidenn | Arabic word for paradise or heaven. |
plo | Pot limit Omaha |
rhetorical question | A rhetorical question is a figure of speech in the form of a question posed for its persuasive effect without the expectation of a reply (e.g.: "Why me?") Rhetorical questions encourage the listener to think about what the (often obvious) answer to the question must be |
fable | parable, and symbolism, below, or click here to download a PDF handout contrasting these terms. |
tropological | Not to be confused with either typology or the rhetorical device of the trope, the term tropological refers to the interpretation of literature in which the interpreter focuses on the ethical lesson presented in the text, i.e., "the moral of the story." See more discussion under fourfold interpretation. |
iambic pentameter | Iambic pentameter is a commonly used metrical line in traditional verse and verse drama |
occasional poem | a poem written to describe or comment on a particular event or occasion |
aureate language | polysyllabic Latinate poetic diction employed especially by the Scottish Chaucerians |
active player | A player still involved in the pot |
napoleons | French 20-franc gold coins. |
short story | See unity of effect |
il fait chaud | (French) it is warm, it is hot |
platea | In medieval theater, an unlocalized playing area. |
workshop | A developmental "production" of a play, with a significant amount of rehearsal, but with less fully realized production values (e.g |
deconstructionism | An approach to literature which suggests that literary works do not yield fixed, single meanings, because language can never say exactly what we intend it to mean |
slentando | becoming broader or slower (that is, becoming more largoor more lento) |
pun | A play on words that relies on a word's having more than one meaning or sounding like another word |
prototype | The original example of a literary form which through the ages has been copied and modified. |
una | one, as for example in the following entries |
foot | The rhythm within a line of poetry brought about by a unit of stressed and unstressed syllables: among the best known is the iambic foot (first syllable unstressed, second syllable stressed) |
neoclassicism | The movement toward classical architecture, literature, drama, and design that took place during the |
forestage | A modern term for apron, the small portion of the stage located in front of the proscenium. |
villanelle | A villanelle is a poetic form which entered English-language poetry in the 19th century from the imitation of French models |
style | the choice of words and sentence structure which makes each authors writing different |
overbet | To make a bet that is more than the size of the pot in a no limit game. |
belles-lettres | Belles-lettres or belles lettres is a term that is used to describe a category of writing |
stanislavski method | Set of techniques for and theories about acting which promotes a realistic style stressing psychological gestures and emotional truth as opposed to conventional theatricality. |
teleplay | a form of dramatic literature used as an instruction manual for the production of television shows. |
sestet | Series of six lines of a particular rhyme scheme as in the sonnet. |
aigrette | A feather-shaped piece of jewelry worn in the hair or on a hat |
sojourn | A temporary stay. |
reverse chronology | Reverse chronology is a method of story-telling whereby the plot is revealed in reverse order. |
iglesia católica | (Spanish f.) Catholic Church |
cicero | Marcus Tullius Cicero (106 BC–43 BC) was a statesman of Ancient Rome, and is generally considered the greatest Latin prose stylist. |
framing method | Using the same features, wording, setting, situation, or topic at both the beginning and end of a literary work so as to "frame" it or "enclose it." This technique often provides a sense of cyclical completeness or closure. |
parados | In classical Greek drama, the scene in which the chorus enters |
im fluss | (German) in a state of flux (figurative) |
martellato | hammered out |
structuralism | Structuralism is an intellectual movement that developed in France in the 1950s and 1960s, in which human culture is analysed semiotically (i.e., as a system of signs). |
n-plural | The plural form of a few modern English weak nouns derives from the n-stem declension or n-plural of Anglo-Saxon (Old English) |
dramatic monologue | a serious solo piece, usually but not necessarily short |
apron stage | The apron is any part of the stage that extends past the proscenium arch and into the audience or seating area |
slapstick comedy | Low comedy in which humor depends almost entirely on physical actions and sight gags |
heptameter | A line consisting of seven metrical feet |
prose | Any material that is not written in a regular meter like poetry |
climax | The point of highest action and suspense in a story. |
synesthesia | a blending of different senses in describing something. |
fag end | A poor or worn-out end |
morendo | dying; i.e., dying away in dynamics, and perhaps also in tempo |
magnetoesthetics | Poe made up this word |
letter to the editor | Non-fictional text form in which a reader of a newspaper or magazine writes his personal opinion on some topic of general interest or on an article in that paper |
epic theater | Twentieth-century form of presentation associated with the German dramatist Bertolt Brecht, its chief advocate and theorist |
rashi | Rashi is a Hebrew acronym for Rabbi Shlomo Yitzhaqi or Rabbi Shlomo Yarchi (February 22, 1040 – July 13, 1105), a Jewish rabbi in France in the Middle Ages, famed as the author of the first comprehensive commentaries on the Talmud |
carpetbag | a traveler's bag made of carpet and widely used in the U.S |
formal analysis | Modern method of interpreting literature: analysing character, action, setting and other formal elements makes clear the central meaning of a piece of literature provided the book is well written. |
iglesia reformada | (Spanish f.) Reformed Church |
motive | The reason for a character´s actions, movements, words ... |
onomatopoeia | a word which sounds like what it represents (e.g., the buzzing of a bee) |
amphitheatre | In Rome, a large elliptical outdoor theatre, originally used for gladiatorial contests |
masking | Scenery or draperies used to hide or cover. |
unfeigned | Sincere, honest. |
b.g. | Abbreviation for "background" (i.e |
dactyl | A metrical foot of one strong stress and two weak. |
pantheistical | Doctrine that equates God with the forces and laws of the universe |
lento | slowly |
pallid | Pale, lacking color. |
dynamics | refers to the relative volumes in the execution of a piece of music |
lethe | Forgetfulness |
camera move | an action description in a screenplay that stipulates a specific move of the camera (such as “CAMERA PANS a crowded supermarket at rush hour.”) |
top hats | round metal objects that are placed in the color frame holder of lighting instruments to cut down on stray light |
variorum | A variorum edition is any published version of an author's work that contains notes and comments by a number of scholars and critics |
comic opera | An outgrowth of the eighteenth-century ballad operas, in which new or original music is composed specially for the lyrics |
exegesis | (1) In Roman times, the term exegesis applied to professional government interpretation of omens, dreams, and sacred laws, as Cuddon notes (315) |
offsuit | Cards that are not of the same suit |
deuce-to-seven | A method of evaluating low hands |
homeric simile | Homeric simile, also called epic simile, is a detailed comparison in the form of a simile that is many lines in length |
eschatological narrative | above. |
modus operandi | example(s) |
impronunziabile | (Italian) unpronounceable |
elevator stage | Stage which allows the entire floor or sections of the floor to be raised and lowered auto matically. |
refrain | A line or set of lines at the end of a stanza or section of a longer poem or song--these lines repeat at regular intervals in other stanzas or sections of the same work |
pastourelle | The pastourelle is a typically Old French lyric form concerning the romance of a shepherdess |
wit | Using language in a clever and funny way. |
formal diction | See Diction. |
burns stanza or meter | six-line stanza with the rhyme scheme aaabab (where a is a tetrameter line, and b is a dimeter line). |
proscenium theatre | A rectangular-roomed theatre with the audience on one end and the stage on the other, with both areas separated by a proscenium arch |
hanamichi | In kabuki theater, the bridge from behind the audience (toward the left side of the audience) on which actors can enter to the stage |
counting | A technique of determining stylistic qualities of a piece of writing by counting the numbers of words in paragraphs or sentences, and determining the average number of modifiers, average word lengths, and so on. |
dramatic monologue | A poetic form in which the character (not the author) speaks directly to the audience |
upstairs | See raise. |
realism | this subsequent literary movement, also emphasizes depicting life as accurately as possible without distortion. |
huguenot | In the 16th and 17th centuries, the name of Huguenots came to apply to members of the Protestant Reformed Church of France |
dolcissimo | very sweetly |
cradle trick | A sub-category of the " |
expressionism | Literary conviction that expression determines form and therefore dominates it, which means that any of the formal rules and elements of writing can be distorted to suit the needs of an author |
consonance | The identity of consonants in two or more words. |
adagietto | rather slow |
idade média | (Portuguese) or Idade Medieval (Portuguese), Middle Ages, medioevo (Italian), Mittelalters (German), médiévale (French), medieval (Spanish) |
bare-stage | a play requiring no scenery and no properties or minimum properties, sometimes called open-stage |
broadway | A 10 through ace straight |
antinovel | An antinovel is any experimental work of fiction that avoids the familiar conventions of the novel |
appassionato | "passionately." |
paeon | Greek and Latin metrical foot consisting of three short and one long syllables: the first paeon / ' ~ ~ ~ /, the second paeon / ~ ' ~ ~ /, the third paeon / ~ ~ ' ~ /, and the fourth paeon / ~ ~ ~ ' /. |
found space | Space not originally intended for theater which is converted for productions |
satyrs | Deities in Greek mythology having the torso of a man and the body of a horse or goat (2 legs) |
patrician | Aristocrat |
imitación | (Spanish f.) imitation |
immer gestopft | (German) always stopped, always muted[addition to entry provided by Brian A |
character | a person, animal, or spiritual entity that figures importantly in the telling of a story. |
in modo di | "in the art of" |
quantitative metre | lines whose rhythm depends on the duration or length of time a line takes to utter |
immer noch unmerklich zurückhaltend | (German) always imperceptibly holding back |
impudor | (Spanish m.) immodesty,shamelessness |
dramatic monologue | In a dramatic monologue, the poet, like an actor in a play, speaks through the voice and personality of another person. |
laid paper | Paper with a prominent pattern of ribbed lines in the finished sheet which are particularly visible when the sheet is held up to the light |
setting | the time and place in which a story takes place |
vociferated | To cry out loudly, shout. |
beau ideal | A perfect embodiment of a concept. |
abusio | A type of catachresis known as the "mixed metaphor." The term is often used in a derogatory manner |
panegyric | a poem in great praise of someone or something. |
equivocal | Uncertain |
scare card | A card dealt face up (either to a player in a game such as stud or to the board in a community card game) that could create a strong hand for someone |
weak ace | An ace with a low kicker (e.g |
sempre | always |
magic realism | Magic realism or magical realism is an aesthetic style or genre of fiction in which magical elements are blended into a realistic atmosphere in order to access a deeper understanding of reality |
feature film | A movie made primarily for distribution in theaters. |
renku | Renku (連句 "linked verses"?), the Japanese form of popular collaborative linked verse poetry formerly known as haikai no renga (俳諧の連歌), is an offshoot of the older Japanese poetic tradition of ushin renga, or orthodox collaborative linked verse |
3rd person | "He, she, it, they" - the story is told by someone, usually not identified by name, who knows it |
satire | Literature which mocks human weaknesses, social circumstances, and so on by using irony |
futurism | Art movement begun in Italy about 1905 which idealized mechanization and machinery. |
metonymy | Metonymy is a figure of speech used in rhetoric in which a thing or concept is not called by its own name, but by the name of something intimately associated with that thing or concept |
teaser | a horizontal drape across the stage, designed to hide the first electric |
tenerezza | tenderness |
polar attitude | a character’s emotional attitude or approach to other characters, to his/her situation, to society, or to him or her self. |
tripping | folding a piece of flying scenery as it goes out; generally done to save space |
sostenuto | "sustainedly." |
repertory | The plays a theatre company produces |
outlaw | An individual determined by a council vote to be an outlaw at a |
polysyndeton | The use of a considerable number of conjunctions very closely together (opposite: asyndeton |
full house | Audience seating filled to capacity |
end-stopped line | Line of a poem with a pause at the end |
barbaro | barbarous (notably used in Allegro barbaro by Béla Bartók) |
immer belebter | (German) ever more quickly, still more lively[corrected by Brian A |
suffix | A word part that is added to the end of a root word (i.e., darkness) |
haikai renga | Another term for renku |
gingham | A clothing fabric usually of yarn-dyed cotton in plain weave. |
flat | Single piece of scenery, usually of standard size, combined with similar units to create a set |
apocrypha | In the context of fiction, apocrypha includes those fictional stories that do not belong within a fictional universe's canon, yet still have some authority relating to that fictional universe |
superinduced | To introduce as an addition over or above something already existing. |
id3 tag | information embedded in an MP3 file, such as artist, title, track, etc |
exposition | A narrative device, often used at the beginning of a work, that provides necessary background information about the characters and their circumstances |
con moto | with motion |
chronological order | When a story is told in the order that the events actually happened. |
geography | A kind of study that deals with the landforms, products, and people of particular regions or types of regions |
imperioso | imperiously |
wake up | To "wake up with a hand" means to discover a strong starting hand, often when there has already been action in front of the player. |
giusto | strictly, exactly, e.g. tempo giusto in strict time |
school drama | In the English Renaissance, plays written at the universities and presented at schools rather than to the general public. |
cinematic language | a “language” of images (visual and aural) that tell story without the use of words. |
isocolon | a line or lines that consist of clauses of equal length. |
comic opera | In eighteenth-century France, an entertainment in which action was mimed by the performers and dialogue was often sung by the audience |
ich danke! | (German) no thank you! |
glutinous | Having the quality of glue; gummy |
dipody | which refers more specifically to the metrical substitution of two normal feet, usually iambs or trochees, under a more powerful beat, so that a "galloping" or "rolling" rhythm results |
simultaneity | the quality of having two or more things happening at once |
university wits | University Wits were a group of late 16th century English playwrights who were educated at the universities (Oxford or Cambridge) and who became playwrights and popular secular writers |
aside | and the soliloquy are conventions in Elizabethan tragedy |
decresc. | same as diminuendo or dim. (see below) |
jeopardy | a condition of possible physical or emotional danger or suffering of a character or characters that raises the stakes of a plot. |
il est possible | (French) It's possible |
rhetorical climax | below.) |
melodrama | The term melodrama refers to a dramatic work which exaggerates plot and characters in order to appeal to the emotions |
genre | a form or type of literature (e.g., fiction, poetry, drama, the essay) |
im abzug | see Abzug |
supporting character | a subplot character or minor character who helps to raise the stakes for the main protagonist, or who reflects the same problems or issues of the protagonist, while providing texture or dimensionality to the setting. |
antihero | A |
purse | The total prize pool in a poker tournament |
structure | The elements of a literary piece are carefully and meaningfully arranged by the author |
mystery play | a drama from the European Middle Ages portraying an event in the life of Jesus |
resolution | The conclusion of a plot's conflicts and complications |
text form | Text forms are for example poetry, drama, short story, novel, report, comment ... |
oneiromancy | The belief that dreams could predict the future, or the act of predicting the future by analyzing dreams |
chorus | (1) In ancient Greek drama, a group of performers who sang and danced, sometimes participating in the action but usually simply commenting on it |
im tempo des scherzo | (German) in the tempo of the Scherzo |
poetry | a form of speech or writing that harmonizes the music of its language with its subject |
sonnet | below |
live cards | In stud poker games, cards that will improve your hand that have not been seen among anyone's upcards, and are therefore presumably still available |
hanger | When the bottom card of the deck sticks out beyond the others, an unwanted tell that the dealer is dealing from the bottom of the deck. |
hole cam | A camera that displays a player's face-down cards ("hole cards") to television viewers |
waka | A Japanese |
regulus of cobalt | Pure Cobalt was regulus of cobalt (CoAsS) |
giocoso | "gayly." |
playlet | a short play |
il tient que | (French) it depends on |
intent | the subtextual objective of a character |
epistolary novel | A piece of fiction told to the reader mainly through the presentation of letters (dt |
bedight | To dress or decorate especially in splendid or impressive attire. |
estinto | extinct, extinguished; i.e., as soft as possible, lifeless |
interlaced rhyme | In long couplets, especially hexameter lines, sufficient room in the line allows a poet to use rhymes in the middle of the line as well as at the end of each line |
log line | an extremely short description of the plot, characters, theme, and genre of a screenplay used to pitch or synopsize scripts during the development stage. |
lazzi | In commedia dell'arte, comic pieces of business repeatedly used by characters. |
accentual-syllabic verse | lines whose rhythm arises by the number and alternation of its stressed and unstressed syllables, organized into feet |
head rhyme | Another term for alliteration--especially alliteration of consonants at the beginning of words, rather than alliteration of internal consonants within the bodies of words |
epitrite | Greek and Latin metrical foot consisting of short, long, long, and long syllables / ~ ' ' ' / in any order. |
brads | Brass fasteners used to bind a screenplay printed on three-hole paper, with Acco #5 solid brass brads generally accepted as having the highest quality. |
euphony | Pleasing or sweet sound |
pilgrimage | An act of spiritual devotion or penance in which an individual travels without material comforts to a distant holy place |
caricature | A drawing or other figure or description in which the peculiarities of a person or thing are so exaggerated as to appear ridiculous; a parody. |
live hand | A hand still eligible to win the pot; one with the correct number of cards that has not been mucked or otherwise invalidated. |
falling action | Falling action follows the climax or turning point and leads to the dénouement. |
f.g. | Abbreviation for "foreground" (i.e |
medici | The Medici family was a powerful and influential Florentine family from the 13th to 17th century |
border | Strip of drapery or painted canvas hung across the top of the stage from a batten to mask the area above the stage; also, a row of lights hung from a batten. |
anagogical | In fourfold interpretation, the anagogical reading is the fourth type of interpretation in which one reads a religious writing in an eschatological manner, i.e., the interpreter sees the passage as a revelation concerning the last days, the end of time, or the afterlife. |
church assembly | The predecessor of the General Synod and superseded because of its limited powers and the inadequate place it gave the laity in church government. |
tristich | A Tristich is any strophe, stanza, or poem that consists of exactly three lines. |
pathetic fallacy | an expression that endows inanimate things with human feelings. |
laureate | In English, the word laureate has come to signify eminence or association with literary or military glory |
showrunner | A writer/producer ultimately responsible for the production of a TV series, week to week. |
tape the stage | the process of depicting the outlines of the set on the rehearsal room floor, using colored tape; generally done by the stage manager before the first rehearsal |
flax | Flax fibres are amongst the oldest fibre crops in the world |
ballad measure | Traditionally, ballad measure consists of a four-line stanza or a quatrain containing alternating four-stress and three-stress lines with an |
coquetries | Flirtations. |
mummer | Actor, one who goes merrymaking in disguise during festivals. |
precipitato | precipitately |
in medias res | In medias res or medias in res (into the middle of things) is a Latin phrase denoting the literary and artistic narrative technique wherein the relation of a story begins either at the mid-point or at the conclusion, rather than at the beginning (cf |
audience | An audience is a group of people who participate in a show or encounter a work of art, literature (in which they are called the "reader"), theatre, music or academics in any medium |
aquiline | Curving like an eagle's beak, or resembling an eagle. |
morality play | Medieval drama designed to teach a lesson |
hanukah | The eight-day festival of lights beginning on 25th Kislev (November - December) which commemorates the rededication of the Jerusalem temple in 165 BCE after its desecration by Antiochus IV Epiphanes, the Greek ruler of Syria. |
neutral platform stage | Unlocalized stage which allows for easy shifts of locale through the use of properties, entrances, and exits |
sonatine | a little sonata, used in some countries instead of sonatina |
débat | a medieval poem in dialogue that takes the form of a debate on a topic |
heavens | Also called shadows |
i.e. | abbrevation for id est (Latin: that is to say, this is to say) |
technician | a crew person who performs some kind of technical (as opposed to design) function (such as grips, gaffers, sound mixers, boom operators, script supervisors, etc.) |
immer leiser | (German) softer and softer |
off-off-broadway | Center for experimentation in New York theater that developed when off-Broadway became commercialized in the 1960s |
dal segno al fine | from the sign to the end; i.e., return to a place in the music designated by the sign (see preceding entry) and continue to the end of the piece |
parody | Dramatic material that makes fun of a dramatic genre or mode or of specific literary works; a form of theatre that is often highly entertaining but rarely has lasting value. |
subscription poker | Subscription poker is a form of online poker wherein users pay a monthly fee to become eligible to play in real-money tournaments. |
end-rhyme | Rhyme which occurs at the end of two or more lines of a poem. |
elision | The omission of part of a word (oer, neer) to make a line conform to a metrical pattern. |
telling name | An author may deliberately give his / her characters names which give away particular character traits. |
immolation | to be killed as a sacrificial victim. |
impersonal verb | a verb without a real subject |
flashback | A method of narration in which present action is temporarily interrupted so that the reader can witness past events--usually in the form of a character's memories, dreams, narration, or even authorial commentary (such as saying, "But back when King Arthur had been a child |
immer noch etwas vorwärts | (German) always still somewhat forward |
crisis | that moment in a play at which the protagonist faces the greatest conflict; it is the turning point of the play and precipitates the climax. |
upstage | A movement or area away from the audience. |
dramatic reading | a staged reading of material other than a playscript |
neologism | a newly-coined word, like Lewis Carroll's "Jabberwocky." |
back end | Payment on a movie project when profits are realized. |
setting | the place in which a scene happens (not to be confused with location or set) |
feature story | Non-literary text form: kind of report but concentrating on a particular person |
connotation | the personal definition or association triggered by a word |
scintillating | brilliantly clever, stimulating, or witty |
suited connectors | See main article: suited connectors. |
il me le paiera! | (French) He'll pay for this! |
end-stopped rhyme | In poetry, a line ending in a full pause, often indicated by appropriate punctuation such as a period or semicolon |
trap | opening in the stage floor, normally covered, which can be used for special effects, such as having scenery or performers rise from below, or which permits the construction of a staircase which ostensibly leads to a lower floor or cellar |
similes | imagery, hyperbole, and oxymora |
dry board | The texure of the community cards |
end stopped line | A poetic line in which the end of the line coincides with the end of the grammatical unit, usually the sentence. |
gnomic verse | poems laced with proverbs, aphorisms, or maxims. |
compression | When the narrating time is shorter than the acting time |
gamebook | A gamebook (also sometimes referred to as choose your own adventure books or CYOA books, not to be confused with the series by that title) is a work of fiction that allows the reader to participate in the story by making choices that affect the course of the narrative, which branches down various paths through the use of numbered paragraphs or pages |
lamentoso | "mournfully" |
luminoso | "luminously" |
alliteration | assonance, consonance, and rhyme. |
tunica albuginea | The tough fibrous covering of the testicles or the dense, white fibrous tissue of the eye. |
rhyme royal | Rhyme royal (or Rime royal) is a rhyming stanza form that was introduced into English poetry by Geoffrey Chaucer. |
nom de plume | A "Pen Name", or a pseudonym adopted by an author for various reasons. |
crying call | Calling when a player thinks he does not have the best hand. |
sordino | see sordina, above |
impresion | (Spanish f.) impression, edition |
idiosyncrasy | A peculiarity of temperament |
trochee | a metrical foot consisting of an accented syllable followed by an unaccented syllable |
animato | "animated", "lively". |
prevarication | To deviate from the truth. |
apology | Apologetics (from Greek αÏολογία, "speaking in defense") is the discipline of defending a position (usually religious) through the systematic use of reason |
folklore | Traditions, customs, and stories passes down within a culture |
dyspeptic | indigestion or ill humor. |
moira | Fate or the three fates in Greek mythology |
callback | After the initial audition, the director or casting director will "call back" for additional - sometimes many - readings those actors who seem most promising |
ghee | A clarified butter without any solid milk particles or water |
soap opera | Daytime dramas so named because they were originally sponsored by the makers of laundry detergent in the early days of television. |
imdyazn | professional musicians of the Berbers |
prima volta | "the first time"; for example prima volta senza accompanimento ("the first time without accompaniment"). |
act/scene heading | Centered, all CAPS heading at the start of an act or scene |
consonance | sometimes just a resemblance in sound between two words, or an initial or head rhyme like alliteration, but also refined to mean shared consonants, whether in sequence ("bud" and "bad") or reversed ("bud" and "dab"). |
plutonian | Relating to Pluto, the god of the underworld in Roman mythology. |
il violino | (Italian m.) the violin |
rapido | "fast." |
full-length play | See opposite: one-act play. |
sestet | Series of six lines of a particular rhyme scheme as in the sonnet |
inimitable | Not capable of being imitated |
metrical | Written in |
meerschaum | A tobacco pipe |
fourth wall | Sometimes referred to as the "third wall," depending upon how a stagebuilder numbers the sides of the stage, the fourth wall is an imaginary wall that separates the events on stage from the audience |
theatre of alienation | See alienation effect, epic theatre. |
azrael | The "Angel of Death" in Moslem and Jewish legend.Azrael is also the name of Gargamel's cat in the 1981 animated series, "The Smurfs". |
hogshead | A large cask or barrel |
imbongi | Zulu musician storytellers |
idiophone type | modus operandi |
iglesia anglicana | (Spanish f.) Anglican Church |
commedia dell'arte | A form of largely improvised, masked street theatre that began in northern Italy in the late sixteenth century and still can be seen today |
anglican communion | The worldwide group of churches in communion with one another and, in particular, with Canterbury |
romance | science-fiction, fantasy, magic realism, mythology, surrealistic art, modernism and postmodernism. |
veriest | A typical example |
inspiration | What an author needs to allow a flow of good feelings or extraordinary thoughts which he can make use of in his writing. |
cthonic | Related to the dead, the grave, the underworld, or the fertility of the earth |
postmodernism | Theory that division of artworks into modernist categories, such as realism and departures from realism, is artificial |
tertullian | Tertullian is a controversial figure in the history of Christianity |
ballad | A song / poem that tells a story in verse in a very swift way |
colophon | An inscription added to the end of a manuscript which may include the names of the scribe, the artist, the patron and the place and date of its completion. |
crescendo | progressively louder |
dimeter | A line containing only two metrical feet |
paint | Any royal card |
pathos | "Passion," in Greek; also "suffering." The word refers to the depths of feeling evoked by tragedy; it is at the root of our words "sympathy" and "empathy," which also describe the effect of drama on audience emotions. |
choric speech | a speech spoken by a group; also, a speech which describes offstage action. |
attached | Agreement by name actors and/or a director to be a part of the making of a movie. |
severalty | Land held "in severalty" is land held by a single owner, as opposed to communal land held by a group of people |
scene | (1) Stage setting |
syllable | a vowel preceded by from zero to three consonants ("awl" .. |
business | actions performed by actors, such as drinking, smoking, comic beatings, and the like. |
arbitration | Binding adjudication by members of a Writers Guild of America committee regarding proper onscreen writer credit of a movie; arbitration is available only to WGA members or potential WGA members. |
surcease | To put an end to; discontinue. |
closed poetic form | Poetry written in a a specific or traditional pattern according to the required rhyme, meter, line length, line groupings, and number of lines within a |
dramatic irony | Where the audience or reader is aware of something important, of which the characters in the story are not aware. |
add-on | In a live game, to buy more chips before you have busted |
documentation | accounting for and giving credit to the origin of a source |
monomania | Excessive concentration on a single object or idea. |
follow-spot | A swivel-mounted lighting instrument that can be pointed in any direction by an operator. |
n¯o | The classical dance-drama of Japan |
imitatio per augmentationem | (Latin) augmentation, one of the rhythmic proportions of imitation |
personification | Non-human objects, animals, forces of nature, or abstract ideas are represented with human qualities as if they were human beings |
fiction | Anything that has nothing to do with reality; based on the imagination of an author / authoress |
im legendenton | (German) in the style of a legend |
pentameter | When poetry consists of five feet in each line, it is written in pentameter |
downstage | A movement or area toward the audience. |
aqua regia | Aqua Regia is a mixture of hydrochloric acid and nitric acid |
invocation of the muse | A prayer or address made to the one of the nine muses of Greco-Roman mythology, in which the poet asks for the inspiration, skill, knowledge, or appropriate mood to create a poem worthy of his subject-matter |
lyric | A poem which expresses the poet´s thoughts and feelings. |
chorus | episodia, and orchestra. |
ghazal | an Eastern verse form consisting of successive couplets whose lines all end with the same refrain phrase (the qafia), just before which is placed the couplet's rhyming word (radif) |
comic drama/comic-drama | a play blending light and serious elements |
anacrusis | In poetry, anacrusis (Ancient Greek: ἀνάκρουσις "pushing back") is the lead-in syllables, collectively, that precede the first full measure. |
crotchet | A highly individual and usually eccentric opinion or preference |
ethnicities | The characteristics, language, and customs of a race, or country of people |
universality | Universality may refer to: |
m.o.s. | Without sound, so described because a German-born director wanting a scene with no sound told the crew to shoot "mit out sound." |
selihot | Prayers and liturgical poems, seeking "divine forgiveness", recited during and leading up to the penitential season of 1-10th Tishri and culminating in the Day of Atonement (Yom Kippur). |
splash the pot | To throw one's chips in the pot in a disorderly fashion |
antonym | A word that means the opposite of another word (i.e., happy/sad) |
heavy-stress rhyme | Another term for a masculine ending in a rhyme. |
ostinato | A short musical pattern that is repeated throughout an entire composition or portion of a composition. |
anacreontic verse | imitations of the 6th-century B.C |
truck | a dolly for moving heavy equipment |
picaresque novel | The picaresque novel (Spanish: "picaresca", from "pícaro", for "rogue" or "rascal") is a popular sub-genre of prose fiction which is usually satirical and depicts, in realistic and often humorous detail, the adventures of a roguish hero of low social class who lives by his wits in a corrupt society |
great vowel shift | the Bradshaw Shift is a suggested alteration to the order of Chaucer's Canterbury Tales, one which differs radically from the manuscript tradition. |
theme | The author's message about a topic within a text |
turn | The turn or "turn card" or "fourth street" is the fourth of five cards dealt to a community card board, constituting one face-up community card that each of the players in the game can use to make up their final hand |
imagism | Imagism was a movement in early 20th-century Anglo-American poetry that favored precision of imagery and clear, sharp language |
mystery plays | Also called cycle plays |
volition | The act of making a choice |
secondary source | Literary scholars distinguish between |
liberamente | freely |
poi | then, indicating a subsequent instruction in a sequence; diminuendo poi subito fortissimo, for example: getting softer then suddenly very loud |
mezzo forte | "half loudly" – Directs the musician to play moderately loud |
dal segno al fine | from the double sign to the end; i.e., return to place in the music designated by the double sign (see D.S |
irene | Poe wrote a poem called "Irene" in 1831 |
restoration drama | English drama after the restoration of the monarchy, from 1660 to 1700 |
dactyl | In poetry: one stressed syllable is followed by two unstressed syllables. |
phantasmagoric | A constantly shifting complex succession of things seen or imagined |
eschatological narrative | Eschatalogy in Christian theology is the study of the end of things, including the end of the world, life-after-death, and the Last Judgment |
spondee | a metrical foot consisting of two accented syllables / ' ' / |
envoy | the brief stanza that ends a poem such as the ballade or the sestina |
rhyme | The use of words with matching sounds, usually at the end of each line, for example ‘Whenever Richard Cory went down town/We people on the pavement looked at him/He was a gentleman from sole to crown/Clean-favoured, and imperially slim.’ (Richard Cory by E A Robinson). |
bankroll | 1 |
iconoclastic | iconoclastico (Italian), bilderstürmerisch (German), iconoclaste (French), iconoclasta (Spanish) |
buskin | A buskin is a knee- or calf-length boot made of leather or cloth which laces closed, but is open across the toes |
iconostasis | (Latin, from Greek) a screen dividing the sanctuary from the nave of an Orthodox church, on which sacred pictures (ikons) are displayed |
festivamente | cheerfully, celebratory |
ruminating | To go over in the mind repeatedly and often casually or slowly |
sallied | Leaped, burst forth. |
box | The chip tray in front of a house dealer, and by extension, the house dealer's position at the table |
senza | "without." |
grue | slangy nickname for "gruesome" verse |
wan | Dim, faint, pallid, suggesting poor health. |
verbal irony - irony | Ironic statements (verbal irony) often convey a meaning exactly opposite from their literal meaning |
recherche | Exquisite, pretentious, overblown. |
vates | The earliest Latin writers used vates to denote "prophets" and soothsayers in general; the word fell into disuse in Latin until it was revived by Virgil |
soave | smoothly, gently |
laydown | A tough choice to fold a good hand in anticipation of superior opposition. |
stationary staging | In the Middle Ages, a form of staging popular on the European continent |
illustrative music | music that evokes a poem, scene, mood, idea or experience |
folklore | Folk tales, customs and beliefs of a national or racial group. |
dissimulation | Hiding under a false appearance. |
business | The minute physical behavior of the actor, such as fiddling with a tie, sipping a drink, drumming the fingers, lighting a cigarette, and so forth |
bene | well, as in, for example, ben marcato (meaning "well-marked") |
loose | To play more - and thus weaker - hands than the average for the game or for the player normally |
imperfektion | (German f.) imperfection (in mensural notation) |
avarice | Greediness, excessive or insatiable desire for wealth or gain. |
fly loft or flies | Space above the stage where scenery may be lifted out of sight by means of ropes and pulleys when it is not needed. |
apotropaic | Designed to ward off evil influence or malevolent spirits by frightening these forces away |
character | below. |
rheum | A watery discharge from the mucous membranes especially of the eyes or nose. |
processional staging | In the Middle Ages, a form of staging popular in England and Spain |
iluminación | (Spanish f.) lighting (for example, lighting engineers in a theatre, etc.) |
musicians' gallery | In English Renaissance theater, the third level of the tiring house, where the accompanying musicians were located. |
controlling metaphor | See Metaphor. |
boulevard theatre | Boulevard theatre is a theatrical aesthetic which emerged from the boulevards of Paris's old city. |
simile | A common figure of speech that makes an explicit comparison between two things by using words such as like, as, than, appears, and seems: "A sip of Mrs |
plot | The action or sequence of events in a story |
iglesia bautista | (Spanish f.) Baptist Church |
wheel | an alliterative rhyming quatrain with four-stress lines that follows the so-called bob, known together as a bob-and-wheel. |
symbol | A symbol is a concrete object that stands for an abstract idea |
symbol | an object or action that represents more than itself |
episodia | The Greek word for episode |
veloce | with velocity |
openers | The cards held by a player in a game of "jackpots" entitling him to open the pot |
race | See coin flip. |
subtext | According to Konstantin Stanislavsky, the deeper and usually unexpressed "real" meanings of a character's spoken lines |
ocular | Having something to do with the eyes. |
glories | In the Italian Renaissance, flying machines used for special effects. |
morendo | "dying away" in tone or tempo. |
wga signatory | An agent, producer or production company that has signed an agreement to abide by established agreements with the Writers Guild of America. |
benighted | lacking enlightenment or knowledge or culture; overtaken by the night. |
stage design | It means the decoration of the stage, giving away place, time, and the atmosphere of the play. |
nicholas klimm | Baron Ludwig Holberg (1684-1754) wrote a story about a voyage to the land of death and back. |
poetic diction | a conventional subset of English vocabulary, phrasing, and grammatical usage judged appropriate for verse through its continuous usage by approved poets from the 18th century on and including effects like periphrasis and Latinate terminology |
diction | The social position (the sociolect or idiolect) indicated by the choice of words for the poem. |
fourfold meaning | Another term for fourfold interpretation, this word refers to the medieval idea that every passage in the Bible can be interpreted according to at least one of four possible levels of meaning |
posato | settled |
parados | the ode chanted by the chorus as they enter in Greek tragedy |
alliteration | above, and alliterative verse, below. |
fortissimo | as loudly as possible (see note at pianissimo) |
shakespearean sonnet | see Sonnet. |
monologue | A long unbroken speech in a play, often delivered directly to the audience (when it is more technically called a soliloquy). |
hypokrite | Greek term for "actor." |
cupola | A dome-shaped ornamental structure located on top of a larger roof or dome, often used as a lookout or to admit light and remove stale air. |
innamorata | In commedia dell'arte, the stock female lover. |
sodden | Dull or expressionless especially from continued indulgence in alcoholic beverages. |
defense | Making a play that defends the player against a bluff by forcing the supposed bluffer to fold or invest further.. |
ektachrome film | Kodak Ektachrome film is a medium-speed colour-transparency film featuring very fine grain and high sharpness and thus perfectly suited for the reproduction of the fine details found in mediaeval manuscripts. |
cotopaxi | A volcano in Ecuador, at 5,897 meters (19,347 feet), the second highest in the country, and one of the highest active volcanoes in the world |
imagery | Words the author uses to put a picture in the reader's mind. |
metaphysical conceit | See conceit. |
ethnohistory | A technique or method of writing history, especially the history of a non-literate people for whom relatively few written records are available |
leaf - bookbinding | Bookbinding is the process of physically assembling a book from a number of folded or unfolded sheets of paper or other material |
refrain | A refrain (from Vulgar Latin refringere, "to repeat", and later from Old French refraindre) is the line or lines that are repeated in music or in verse; the "chorus" of a song |
theatre of cruelty | 1930 movement designed to disrupt the logic of the audience and free their subconscious minds so that they might experience the mysterious forces of existence characterized by magic and myth |
roundelay | A term used as a generic label for fixed forms of poetry using limited rhymes--such as the rondeau, rondel, and roundel |
il est heureux | (French) It's fortunate |
irony | above. |
sullivan's island | Sullivan's Island is located at 32°45'48" North, 79°50'16" West (32.763456, -79.837911)Edgar Allen Poe was stationed there in Fort Moultrie from 1827 to 1828 |
antispast | Greek and Latin metrical foot consisting of short, long, long, and short syllables (i.e., an iambus and a trochee) / ~ ' ' ~ / |
lament | A lament or lamentation is a song, poem, or piece of music expressing grief, regret, or mourning. |
scoop | In high-low split games, to win both the high and the low halves of the pot. |
assonance | Repetition of the same vowel sounds in words which follow each other, especially when the vowel is stressed, for example ‘Smouldering through spouts of drifting smoke that shroud/The menacing scarred slope;’ (Attack by Siegfried Sassoon). |
eupatrids | One of the hereditary aristocrats of ancient Athens. |
ballad | haiku, and ode.) |
prima donna | Italian for "first lady." the female star of an opera |
dirge | a brief funeral hymn or song |
theme | a prevailing idea in a work, but sometimes not explicitly stated, as in Ogden Nash's "Candy is dandy, / But liquor is quicker," which is about neither candy nor liquor. |
ethos | Ethos is an English word based on a Greek word and denotes the guiding beliefs or ideals that characterize a community, a nation or an ideology |
jove | In Roman mythology, Jupiter (sometimes shortened to Jove) held the same role as Zeus in the Greek pantheon |
super | Abbreviation for "superimpose" meaning the laying one image on top of another, usually words over a filmed scene (i.e |
understatement | See litotes and meiosis under tropes. |
voltaire | François-Marie Arouet (1694–1778), better known by the pen name Voltaire, was a French Enlightenment writer, deist and philosopher |
musical theater | Broad category which includes opera, operetta, musical comedy, and other musical plays (the term lyric theater is sometimes used to distinguish it from pure dance) |
immobile | (Italian) motionless |
lock up | To "lock up" a seat in a cash game means to place a poker chip, player's card, or other personal effect on the table in front of the seat, to signify that the seat is occupied even though the player may not be present. |
fable | below. |
bluff induce | To make an aggressive move with a good hand to give the impression it is a bluff, in order to draw a bluff from your opponent. |
il dito grosso | (Italian) the thumb |
folkloric motifs | Recurring patterns of imagery or narrative that appear in |
stop and go | Stop and go or stop 'n' go is when a player bets into another player who has previously raised or otherwise shown aggression |
vituperate | Berate, scold, to use harsh condemnatory language. |
private theaters | In Elizabethan England, indoor theaters. |
meter | or click here for a PDF handout contrasting dactyls and other types of feet. |
scene | A dramatic sequence that takes place within a single locale (or |
all in | Having bet all of your chips in the current hand |
fourteener | cf |
cataloging | Creating long lists for poetic or rhetorical effect |
realism | Broadly speaking, the attempt to present onstage people and events corresponding to those observable in everyday life. |
impressionismus | (German m.) impressionism |
taffrail | The railing around a ship's stern. |
cue | The last word of one speech that then becomes the "cue" for the following speech |
evanescent | Something that vanishes like vapor, passing especially quickly into and out of existence. |
mezuzah | The Hebrew word for doorpost, mezuzah, also came to mean the encased parchment scroll inscribed with Deuteronomy 6:4-9 and 11:13-21 that is affixed to the gate and right-hand doorposts of a Jewish home. |
spondee | In |
tag | A short scene at the end of a movie that usually provides some upbeat addition to the climax. |
sight word | A word that is immediately recognized as a whole word and does not require word analysis for identification |
bard | cynghanedd, monorhyme, and strict meter. |
complaint | a lament or satiric attack on social evils, such as Chaucer's "Complaint to his Purse," the opening of the Wakefield Master's "Second Shepherd's Play," or Shakespeare's "A Lover's Complaint." Not to be confused with a poet's grumbling about weather or writing, such as Ezra Pound's "Ancient Music" or Chaucer's "The lyf so short, the craft so longe to lerne." |
iglesia ortodoxa copta | (Spanish f.) Coptic Orthodox Church |
brioso | vigorously (same as con brio) |
negative capability | John Keats, in a letter of October 27, 1818, suggested that a poet, possessing the power to eliminate his own personality, can take on the qualities of something else and write most effectively about it. |
simile | is an announced comparison introduced with the words like or as" |
trepidation | Fear, apprehension. |
unit set | A series of lowered or raised platforms on stage, often connected by various stairs and exits, which form the various locations for all of a play's scenes |
piano-vocal score | a music score of an opera, or a vocal or choralcomposition with orchestra (like oratorio or cantata) where the vocal parts are written out in full but the accompaniment is reduced to two staves and adapted for playing on piano |
revel | A wild party or celebration. |
tutti | all; i.e., all together, usually used in an orchestral or choral score when the orchestra or all of the voices come in at the same time, also seen in Baroque-era music where two instruments share the same copy of music, after one instrument has broken off to play a more advanced form: they both play together again at the point marked tutti |
farce melodrama | a funny play in which plot and broad action dominate, with extravagant theatricality, superficial characterization, and predominance of plot and physical action |
spondee | below. |
lehrstücke | "Learning pieces": short dramas written by Bertolt Brecht in the early 1930s. |
caroline | literature of the reign of Charles I (1625-42), especially the by the Calvalier poets, who numbered Robert Herrick, Richard Lovelace, and John Suckling, among others. |
immer noch mehr zurüchhaltend | (German) ever more holding back |
chiromancy | The art of Palm Reading. |
box set | A stage set consisting of hard scenic pieces representing the walls and ceiling of a room, with one wall left out for the audience to peer into |
tetrameter | In poetry, a tetrameter is a line of four metrical feet |
poco | a little, as in poco più allegro (a little faster) |
compounding | infixation, epenthesis, proparalepsis, and prosthesis. |
accent | There is a normal pattern of stressed and unstressed syllables associated with each word in a language |
elision | syncope, and acephalous lines. |
imponderabilia | (pseudo-Latin) factors the influence of which on some project it is not easy to evaluate in concrete terms |
end rhyme - rhyme | A rhyme is a repetition of similar sounds in two or more words and is most often used in poetry and songs |
dike- | Greek term for "the natural order of things." |
irregularity | Any of a number of abnormal conditions in play, such as unexpectedly exposed cards, that may call for corrective action |
anglican church | The Protestant Church in England that originated when King Henry VIII broke his ties to the Vatican in Rome (the Catholic Church). |
scaena frons | In Roman theater, the ornate three-dimensional facade of the stage house. |
identificarsi | (Italian) to identify with |
monody | In poetry, the term monody has become specialized to refer to a poem in which one person laments another's death |
lustrum | A period of five years |
larghissimo | very slowly; slower than largo |
beat sheet | An abbreviated description of the main events in a screenplay or story. |
dimeter | two feet; sometimes termed dipody, a double foot, that is, one measure made up of two feet |
ikariotikos | a traditional dance and accompanying song originating in the Greek island of Ikaria |
tefilin | Known as phylacteries in English, these are small black boxes containing passages of scripture with black straps attached to them, worn by men at weekday morning prayer |
slice-of-life | Pure naturalism: stage action that merely represents an ordinary and arbitrary "slice" of the daily activity of the people portrayed. |
critical reading | though I arbitrarily prefer to reserve close reading as a reference for analyzing literature and critical reading as a reference for breaking down an essay's argument logically |
hanamichi | In the kabuki theatre, a long narrow runway leading from the stage to a door at the back of the auditorium that is used for highly theatrical entrances and exits right through the audience. |
flat character | Also called a static character, a flat character is a simplified character who does not change or alter his or her personality over the course of a narrative, or one without extensive personality and characterization |
invention of hero | Hero (or Heron) of Alexandria (c.10–c.70) was a Greek engineer and geometer |
semiotic literary criticism | Semiotic literary criticism, also called literary semiotics, is the approach to literary criticism informed by the theory of signs or semiotics |
iamb | In poetry: one unstressed syllable is followed by a stressed syllable. |
il più presto possible | (Italian) as quick as possible |
new comedy | Hellenistic Greek and Roman comedies which deal with romantic and domestic situations. |
amoroso | "loving". |
scansion | The act of "scanning" a poem to determine its meter |
minstrelsy | Type of nineteenth-century production featuring white performers made up in blackface. |
accent pattern | the way in which certain words or syllables are stressed or said more loudly or emphatically |
assonance | The repetition of internal vowel sounds in nearby words that do not end the same, for example, "asleep under a tree," or "each evening." Similar endings result in rhyme, as in "asleep in the deep." Assonance is a strong means of emphasizing important words in a line |
divisi | (or div.) means literally "divided": in a part in which several musicians normally play exactly the same notes they are instead to split the playing of the written simultaneous notes among themselves |
book | In a musical, the dialogue text, apart from the music and song lyrics. |
play the board | In games such as Texas hold 'em, where 5 community cards are dealt, if your best hand is on the board and you go to the showdown you are said to "play the board". |
metaphors | similes |
iaml | abbreviation of 'International Association of Music Libraries' |
maestoso | "in a stately fashion," "majestically." |
sulphureous | An older spelling of "sulfurous" |
sonore | sonorous |
enclosing rhyme | Its rhyme scheme is abba cddc ... |
bookholder | In Elizabethan theater, the prompter who gave actors their lines. |
box | Small, private compartment for a group of spectators, built into the walls of a traditional proscenium-arch theater. |
modern classic | A term used to designate a play of the past hundred years that has nonetheless passed the test of time and seems as if it will last into the century or centuries beyond, such as the major works of Anton Chekhov, George Bernard Shaw, and Samuel Beckett |
formula | an often repeated phrase, sometimes half-a-line long and metrically distinctive. |
director | the main orchestrator of the various creative activities that go into film production, the director collaborates with and guides designers, editors, cinematographers, technicians, and actors in their interpretation of the script within a single organic vision. |
flyting | a poem of invective by two speakers trying to out-humiliate one another. |
dead man's hand | See main article: Dead Man's Hand. |
metaphor | Similar to a simile in that a metaphor compares two things |
octameter | a verse containing eight feet |
mezzo-soprano | a female singer with a range usually extending from the A below middle C to the F an eleventh above middle C |
homophone/homonym | One of two or more words alike in pronunciation but different in meaning, derivation, or spelling (i.e., to, two, too) |
plot | what happens, concretely, as though it were placed on a history time line. |
fete | A lavish often outdoor entertainment, a large elaborate party. |
diary | A written record of daily events, facts, and experiences, usually for private use only. |
neologism | A made-up word that is not a part of normal, everyday vocabulary |
bellicoso | "warlike," aggressive |
immer noch drängend | (German) always pressing forward more |
il est difficile | (French) It's difficult |
expectorate | To spit; to eject from the throat or lungs by coughing or hawking and spitting. |
simile | A comparison which uses the words ‘like’ or ‘as’, for example ‘And bent nails/ dance all over the surfacing/like maggots’ (Love Song: I and Thou by Alan Dugan). |
exacerbate | To make more violent, bitter, or severe. |
imago dei | (Latin, literally 'Image of God') the concept that human beings are created in God's image |
beldame | An old woman. |
translation | Translation is the communication of the meaning of a source-language text by means of an equivalent target-language text |
unruffled | Poised and serene especially in the face of setbacks or confusion |
tragedy | an episode occurring after the last choral ode and ended by the ceremonial exit of all the actors. |
hypotaxis | Hypotaxis is the grammatical arrangement of functionally similar but "unequal" constructs (hypo="beneath", taxis="arrangement"), i.e., constructs playing an unequal role in a sentence. |
naga-uta | Japanese form of indeterminate length that alternates lines of five and seven syllables and ends with an additional seven-syllable line. |
d.s. al coda | (or dal segno al coda) "from the sign to the coda": means to return to a place in the music designated by the "sign" (a marking resembling a letter S with a diagonal through it and a dot to either side) and continue until directed to move to the coda, a separate ending section |
homeric age of greece | Another term for the |
astrolabe | An instrument, developed by Muslim navigators in the twelfth century that allowed mariners to plot their latitude by determining the altitude of the sun and other celestial bodies |
appetency | Appetite, having a fixed and strong desire. |
tab curtain | a front curtain that is permanently secured at the top edge which is gathered by diagonal ropes when lifted |
epistle | An epistle (pronounced /i'pis.l/; Greek ἐπιστολή, epistolē, 'letter') is a writing directed or sent to a person or group of people, usually an elegant and formal didactic letter |
pleonasm | unnecessary verbiage, redundancy as in "It was a dark and lightless night." |
puncheon | A large cask of varying capacity. |
hair side | The side of a sheet or parchment or vellum that once carried the animal's hair |
catharsis | An emotional discharge that brings about a moral or spiritual renewal or welcome relief from tension and anxiety |
toke | In a brick and mortar casino, a toke is a "tip" given to the dealer by the winner of the pot |
villain | A bad character whose evil actions and motives are very important to the plot of the story. |
found object | In scene or costume design (and art in general), an item that is found rather than created and subsequently incorporated into the finished design. |
maxim - saying | A saying is something that is said, notable in one respect or another, to be "a pithy expression of wisdom or truth." |
idiofono a tastiera | (Italian m.) keyed idiophone |
slang | Informal diction or the use of vocabulary considered inconsistent with the preferred formal wording common among the educated or elite in a culture |
complaint | A poetic genre in which the poet complains, often about his beloved |
illuminismo | (Italian m.) or Secolo dei Lumi (Italian m.), Enlightenment, Age of the Enlightenment |
simonides | A greek poet from the 7th century B.C. |
trysail | A small fore-and-aft sail hoisted abaft the foremast and mainmast in a storm to keep a ship's bow to the wind. |
lontano | from a distance; distantly |
vestige | A trace, mark, or visible sign left by something |
phthisis | A progressively wasting or consumptive condition; especially pulmonary tuberculosis. |
shutters | Two large flat wings that close off a perspective setting in back. |
eye-rhyme | At the end of the lines in poetry there may be words which are spelt alike but pronounced differently, like in Wordsworth´s Composed upon Westminster Bridge |
iglesia pentecostal | (Spanish f.) Pentecostal Church |
molossus | Greek and Latin metrical foot consisting of long, long, and long syllables / ' ' ' /. |
ten-minute drama | a serious play under ten minutes in playing time |
il tempo crescendo | (Italian) increasing, or accelerating the tempo |
establishing shot | A cinematic shot that establishes a certain location or area. |
virgule - slash | The slash is a sign, "/", used as a punctuation mark and for various other purposes |
imagery | the use of figurative language to paint a vivid picture |
trope | a semantic figure of speech or of thought that varies the meaning of a word or passage |
ingenue | The young, pretty, and innocent girl role in certain plays; also used to denote an actress capable of playing such roles. |
lacrimoso | tearfully; i.e., sadly |
era | A period in history. |
boudoir | A woman's dressing room, bedroom, or private sitting room. |
register | A typical language used in specific fields: scientific books, literary books, social dramas, or advertisements have their special registers from which words are taken |
travesty | a parody of a more serious work |
consequently crank | The condition of a ship that has not been loaded properly and leans to one side or can be tipped over easily. |
shill | See main article: shill |
avator | An old spelling of "avatar", an incarnation in human form |
analogy | A comparison is made between two things in order to stress their similarities. |
impudencia | (Spanish f.) impudence |
apophasis | Denying one's intention to talk or write about a subject, but making the denial in such a way |
i fiamminghi | (Italian) in the early renaissance, the name by which Flemish musicians, composers, singers and players, were known in Northern Italy |
allusion | An allusion refers to something without explaining it in detail, the reader is expected to understand the importance of the allusion. |
multimedia | Writing and filmmaking encompassing more than one medium at a time which, script-wise, usually refers to CD-ROM games or Internet-based programming. |
alcaics | a four-line Classical stanza named after Alcaeus, a Greek poet, with a predominantly dactylic metre, imitated by Alfred lord Tennyson's poem, "Milton." |
comedy | the genre of dramatic literature treating trivial material superficially or amusingly or showing serious and profound material in a light, familiar, or satirical manner |
improvisieren | (German) to improvise |
decode | To pronounce a word by applying knowledge of letter/sound correspondences and phonetic generalizations |
suavity | Being smooth though often superficially gracious and sophisticated. |
im bau | (German) under construction |
reduplication | An act or instance of doubling or reiterating. |
batten | A length of pipe or a pole suspended from above the stage on which scenery or lighting instruments are hung. |
epistle | a verse epistle imitates the form of a personal letter, addressed to someone in particular, often very personal and occasional, and sometimes dated, with a location affixed |
polysyndeton | a figure of speech where successive clauses or phrases are linked by one or more conjunctions. |
dramatic irony | A reader or spectator may anticipate the tragic outcome for a character because of the rendering of the situation (difference between reality and appearance), but the character himself does not perceive his real situation |
choric figure | above. |
black theatre | In America, theatre that is generally by, with, and about African Americans. |
center | The center of the performance space, used for placement of the actors and the set. |
incalzando | getting faster and louder |
filliping | Flicking, striking or tapping with a quick motion. |
set-up | the premise or given circumstances laid out at the beginning of a story, just before the catalyst propels the story into its development and resolution. |
aphorism | one writer's citation of another, known author's truism or pithy remark. |
occupatio | a figure of rhetoric where a writer explains that he or she will not have time or space to say something but then goes on to say that thing anyway, possibly at length. |
allusion | A brief or implicit reference to something outside the text. |
antithesis | contrasting or combining two terms, phrases, or clauses with opposed or antithetical meanings. |
loco | [in] place; i.e., perform the notes at the pitch written (generally used to cancel an 8va direction) |
omaggio | homage, celebration |
tableau | A "frozen moment" onstage, with the actors immobile, usually employed at the end of a scene, as the curtain falls or the lights dim. |
consonance | A special type of |
visual poetry | See concrete poetry. |
one-line description | a very brief one-sentence description of what happens in a scene. |
abecedarius | An abecedarius is an acrostic in which the first letter of every word, strophe or verse follows the order of the alphabet |
traveler | a horizontally drawn curtain |
guild | A medieval organization that combined the qualities of a union, a vocational school, a trading corporation, and product regulations committee for the |
freytag's pyramid | A diagram of dramatic structure, one which shows complication and emotional tension rising like one side of a pyramid toward its apex, which represents the |
declare | To verbally indicate an action or intention |
pentameter | five feet; sometimes termed pentapody, a five-part foot, one measure made up of five feet |
onomatopoeia | the use of words that imitate or suggest a sound; example: hiss, buzz |
redaction | In the study of literature, redaction is a form of editing in which multiple source texts are combined (redacted) and subjected to minor alteration to make them into a single work |
indie | A production company independent of major film studio financing. |
rall. | Broadening of the tempo (often not discernable from ritardando); progressively slower |
mano sinistra | [played with the] left hand (abbreviation: MS or m.s.) |
verse | usually rhymed and of the same number of feet. |
il est étrange | (French) It's strange |
kigo | A traditional "season-word" in Japanese |
inference | A logical guess based on text evidence I made an inference about the child's height when I saw his tall parents. |
surrealism | Movement attacking formalism in the arts which developed in Europe after World War I |
chip declare | A method of declaring intent to play high or low in a split-pot game with declaration |
doggerel | bad verse, characterized by clichés, incomprehensibility, and an irregular metre. |
dint | By force of; because of |
denouement | A French word meaning "unknotting" or "unwinding," denouement refers to the outcome or result of a complex situation or sequence of events, an aftermath or resolution that usually occurs near the final stages of the plot |
immer stärker werdend | (German) continually growing louder, crescendo |
quarter | To win a quarter of a pot, usually by tying the low or high hand of a high-low split game |
doffed | To remove an article of clothing from the body |
prologue | (1) In original Greek tragedy, the prologue was either the action or a set of introductory speeches before the first entry (parados) of the chorus |
ib. | abbrevation for ibidem (Latin: in the same place, in the same book) |
character | A person, animal, or an imaginary being in a narrative |
eco | the Italian word for "echo"; an effect in which a group of notes is repeated, usually more softly, and perhaps at a different octave, to create an echo effect |
trochaic meter | Poetry in which each foot consists primarily of trochees (poetic feet consisting of a heavy stress followed by a light stress) |
procrustean | Marked by arbitrary often ruthless disregard of individual differences or special circumstances. |
melancolico | melancholic |
fermata | finished, closed; i.e., a rest or note is to be held for a duration that is at the discretion of the performer or conductor (sometimes called bird's eye) |
il est convenable. | (French) It's proper |
serioso | "seriously" |
exposition | the revelation of previous action to a story (or earlier action in a script) that must be imbued with present dramatic action and an intimation of a future development. |
im fluß | (German) in a state of flux (figurative) |
multi-way pot | A pot where several players compete for it |
alliteration | Also called initial rhyme, alliteration is a rhyme-pattern produced inside the poetic line by repeating sounds at the beginning of words |
paraphrase | A restatement of a text in a reader's own words |
chiton | The full-length gown worn by Greek tragic actors. |
impressionism | A term usually applied in painting when painters were interested in the transitory effects of light and shade and the short-lived impressions they experienced |
a cappella | in the manner of chapel music, without instrumental accompaniment. |
nitre | Also spelled "niter" |
pot-limit | See main article: pot limit. |
a page | A revised page that extends beyond the original page, going onto a second page |
deictic | words that point to particulars, as names and pronouns do for individual places and persons (such as Edwin Arlington Robinson's "Miniver Cheevy" and "Richard Cory"), and demonstrative-adjective-noun combinations (such as Benjamin Franklin King's "Here's that ten dollars that I owe" in "If I Should Die To-night") do for things. |
marcato | marked; i.e., accentuatedly, execute every note as if it were to be accented |
no-limit | Rules designating players are allowed to wager any or all of their chips in a single bet |
dramatic | Plays, scenes, and events that are high in conflict and believability and that would command attention if staged in the theatre. |
im falle | (German) in case |
cripple | In some community card games, to cripple the deck means to have a hand that is virtually impossible for anyone else to catch up to |
catalexis | A catalectic line omits the final unaccented syllable or syllables of the meter. |
ben | "well" (as in ben marcato = well marked). |
régisseur | Continental term for theater director; it often denotes a dictatorial director. |
lacrimoso | "sadly" (literally "tearfully") |
crossed rhyme | In long couplets, especially hexameter lines, sufficient room in the line allows a poet to use rhymes in the middle of the line as well as at the end of each line |
imene metua | a form of unaccompanied vocal music known for a uniquely Polynesian drop in pitch at the end of the phrases, as well as staccato rhythmic outbursts of nonsensical syllables (tuki) |
grave | slowly and seriously |
pinakes | In ancient Greek theater, painted flats. |
arena theater | theater configuration in which the audience sits on all sides of the stage; sometimes referred to as "theater in the round." |
con brio | "with spirit." |
cockney school of poetry | a mocking name for London romantic poets such as John Keats and Leigh Hunt (from a scathing review in Blackwood's Magazine in October 1817). |
scraped idiophone | scraping the vibrating object with a stick or other non-vibrating object |
elision | omission of a consonant (e.g., "ere" for "ever") or a vowel (e.g., "tother" for "the other"), usually to achieve a metrical effect. |
fairy tale | A narrative in prose about the fortunes and, very often more so, misfortunes of a hero / heroine, who having experienced various superhuman adventures, lives happily ever after |
continuous rhyme | Its rhyme scheme is aa bb cc dd ... |
lamentando | "complaining" |
meno | less; see meno mosso, for example, under mosso |
dolente | "sorrowfully" |
hero call | Calling when a player has a relatively weak hand but suspects his opponent may be bluffing. |
versification | Literally, the making of verse, the term is often used as another name for |
archbishops’ council | Coming into being in 1999, this body was established in order to give greater coherence and coordination to the central organisation of the church. The two archbishops |
malinconico | melancholy |
straddle bet | See main article: straddle bets. |
pagan | A follower of a polytheistic religion, as in ancient Rome |
octave | An octave is the first part of an Italian or Petrarchan sonnet; an octave is a set of eight lines that rhyme according to the pattern ABBAABBA |
in turn | A player, or an action, is said to be in turn if that player is expected to act next under the rules |
assistant director | a film crew member whose job it is to manage the set protocols and keep the film shoot on schedule. |
wore motley | To wear the costume of a "motley fool" or a court jester |
reader-response criticism | Reader-response criticism is a school of literary theory that focuses on the reader (or "audience") and his or her experience of a literary work, in contrast to other schools and theories that focus attention primarily on the author or the content and form of the work. |
favorite | A hand which when matched against another in a showdown has an advantage odds-wise over the other |
archbishops’ council | Coming into being in 1999, this body was established in order to give greater coherence and coordination to the central organisation of the church. The two archbishops are its joint chairmen; ex officio members are the chairmen of the two convocations, the chairman and vice-chairman of the House of Laity of the General Synod and a Church Estates Commissioner. Two members each are elected from the House of Bishops, the House of Clergy and the House of Laity of the General Synod. Six members are nominated by the archbishops. Under the terms of the National Institutions Measure 1998 its objects are "to coordinate, promote, aid and further the work and mission of the Church of England". |
stretto | faster. |
probe bet | A bet after the flop by a player who did not take the lead in betting before the flop (and when the player that did take the lead in betting before the flop declined to act) |
brioso or con brio | "vigorously." |
metapoetry | metafiction, and metadrama. |
invocation to the muse | A prayer or address made to the one of the nine muses of Greco-Roman mythology, in which the poet asks for the inspiration, skill, knowledge, or appropriate mood to create a poem worthy of his subject-matter |
md | see mano destra. |
dry pot | A side pot with no money created when a player goes all in and is called by more than one opponent, but not raised |
chivalry | trial by ordeal, and feudalism |
comedy of manners | Form of comic drama that became popular in the latter half of the seventeenth century in France and among English playwrights during the Restoration |
pardoner | An individual licensed by the medieval church to sell papal indulgences (i.e., "pardons"), official documents excusing the recipient from certain acts of penitence and alleviating the sinner's punishment while in |
synaesthesia | above. |
indian advancement act | A federal law, first passed in 1884 and merged with the Indian Act in 1906 that allowed "wider municipal privileges and powers" to certain BAND COUNCILS who, in the Department's opinion, were ready for them |
allusion | a reference to another literary / artistic/ historic, work, author, character, or event (frequently biblical or mythological) |
unities | three. |
sostenuto | sustained, lengthened |
internal rhyme | A poetic device in which a word in the middle of a line rhymes with a word at the end of the same metrical line |
downcard | A card that is dealt face-down. |
free verse | poetry that has no regular rhythm or meter |
imbarco | (Italian m.) embarkation, landing-stage |
tone | the attitude expressed by the writer toward the subject |
imagery | Words and phrases that appeal to the five senses |
impassioned | filled with passion, ardent, appassionato (Italian), con abbandono (Italian), leidenschaftlich (German), avec passion (French) |
gloss | A gloss (from Latin: glossa, from Greek: γλῶσσα glóssa "tongue") is a brief notation of the meaning of a word or wording in a text |
elegy | In classical Greco-Roman literature, "elegy" refers to any poem written in elegiac meter (alternating hexameter and pentameter lines) |
imc | abbreviation of 'International Music Council' |
dead hand | A player's hand that is not entitled to participate in the deal for some reason, such as having been fouled by touching another player's cards, being found to contain the wrong number of cards, being dealt to a player who did not make the appropriate forced bets, etc. |
synopsis | A two to three page, double-spaced description of a screenplay. |
atsu-mori play | "warrior play" in Noh drama in which a military man disguises himself as a priest to repent a life of violence. |
dirty stack | A stack of chips apparently of a single denomination, but with one or more chips of another |
deal twice | In a cash game, when two players are involved in a large pot and one is all-in, they might agree to deal the remaining cards twice |
producer | In American usage, the person responsible for the business side of a production, including raising money |
religioso | "religiously" |
evinced | Displayed clearly; revealed. |
infurianto | "furiously" |
black mountain poets | Charles Olson, Robert Creeley, and Robert Duncan, all associated with Black Mountain College, North Carolina, and all promoting a non-traditional poetics. |
immer mit dämpfer | (German) always muted |
flashback | in which the past events are experienced as a memory, and anastrophe, in which the entire story is cut into chronological pieces and experienced in a seemingly random or inverted pattern.) |
total theater | In Asia, a synthesis or complete integration of all elements—acting, mime, music, dance, and text |
vittorioso | victoriously |
doggerel | Loosely styled and irregular in measure especially for burlesque or comic effect |
trochaic rhyme | Another word for double rhyme in which the final rhyming word consists of a heavy stress followed by a light stress. |
mezza voce | half voice; i.e., with subdued or moderated volume |
angry young men | Group of antiestablishment English playwrights of the 1950s who dealt with the dissolving British empire, class conflict, and political disillusionment. |
farce | Highly comic, lighthearted, gleefully contrived drama, usually involving stock situations (such as mistaken identity or discovered lovers' trysts), punctuated with broad physical stunts and pratfalls. |
baroque | Baroque (pronounced /bəˈroʊk/ bə-rohk in American English or /bəˈrɒk/ in British English) is an artistic style prevalent from the late 16th century to the early 18th century in Europe |
situational irony | Another term for |
improvisator | (German m.) one who improvises |
documentary fiction | An intermingling of fact and fiction in literature |
forced bet | See main article: forced bets. |
imitative stops | organ stops that are designed to sound as close as possible to their orchestral namesake |
sentimentality | A pejorative term used to describe the effort by an author to induce emotional responses in the reader that exceed what the situation warrants |
domiciliary | Provided or taking place in the home |
beam-ends | Fallen over |
impúdico | (Spanish) immodest, shameless |
assai | "very." |
humour | Humour or humor (see spelling differences) is the tendency of particular cognitive experiences to provoke laughter and provide amusement |
ms | see mano sinistra. |
analects | Lunyu (English: Analects) (simplified Chinese: 论语; traditional Chinese: 論語; pinyin: Lún Yǔ), also known as the Analects of Confucius, are considered a record of the words and acts of the central Chinese thinker and philosopher Confucius and his disciples, as well as the discussions they held. |
similes | imagery |
emaciation | in a very thin state, wasted away. |
rhythm | tempo or beat |
gainsayed | contradicted, opposed, declared to be untrue or invalid. |
immer fern und ferner | (German) still distant and more distant |
habiliment | Clothing |
bridge order | Poker is neutral about suits |
sagacious | Having or showing keen discernment, sound judgment, and farsightedness |
scop | the name for an Old English poet-singer. |
lights fade | A common stage direction to end a scene or an act. |
epithalamion | lyric poem in praise of Hymen (the Greek god of marriage) or of a particular wedding, such as Edmund Spenser's "Epithalamion." |
imitación libre | (Spanish f.) free imitation |
heroic age of greece | Also known as the Homeric Age, this is the period of time between 1200-800 BCE |
idiofon | (German n.) idiophone |
tenor | The tenor is a type of male singing voice and is the highest male voice within the modal register |
moving panorama | In the nineteenth century, a setting painted on a cloth which was unrolled by spools to create an illusion of movement and changing locales. |
death poem | A death poem (絶命詩) is a poem written near the time of one's own death |
sempre | "always." |
besotted | Very drunk |
bis | "again," "twice." |
iambic | See discussion under meter. |
continuous action | Included in the scene heading when moving from one scene to the next, as the action continues. |
impressionismo | (Spanish m.) impressionism |
back in | To enter a pot by checking and then calling someone else's open on the first betting round |
avant-garde | Term applied to plays of an experimental or unorthodox nature which attempt to go beyond standard usage in form, content, or both. |
tetrameter | four feet, a measure made up of four feet |
folklore | below) |
costumbristas | popular entertainments in Latin America that reflect the manners, dress, music, and dance of the common people. |
paradis | "Heavens": in French neoclassical theater, the third tier of galleries along the side walls. |
mendez ferdinando | Fernão Mendes Pinto was a Portuguese explorer and writer born in 1509 |
bailetes | dance musicals in the Spanish-language theater. |
imitative sound | See discussion under onomatopoeia. |
symbolical play | a play emphasizing allusions and allegory |
imprimeur | (French m.) printer |
setting | Time, place, and social circumstances of a plot. |
split | See main article: split and high-low split. |
schooner-rigged smack | An English Fishing Smack was a wooden sailing vessel with two masts, and usually around 60 feet in length |
terminus ad quem | The latest possible date that a literary work could have been written, a potential ending point for dating a manuscript or text |
kothornus | In Hellenistic Greek theater, the platform boot worn by actors. |
box set | a stage set composed of flats or connected walls enclosing three sides of the stage, with an invisible fourth wall open to the audience |
refrain | one or more lines repeated before or after the stanzas of a poem. |
a due | Intended as a duet; for two voices or instruments; together; two instruments are to play in unison, after divisi or a solo passage for one of the instruments |
delicato | delicately |
frame story | (also called a FRAME NARRATIVE) The result of inserting one or more small stories within the body of a larger story that encompasses the smaller ones |
il est douteux | (French) It's doubtful |
trim chain | short pieces of chain used to fasten a batten to a scenic piece used to keep the piece in trim |
unity | the way in which the components of a story relate to each other and to the story as a whole so that it makes overall emotional or thematic sense. |
iambe | (French m.) iambus, giambo (Italian m.), Jambus (German m.), yambo (Spanish m.) |
il nous les casse! | (French) He's a pain in the neck! (colloquial) |
setting | the environment in which the work takes place |
green light | A project OKed for production. |
metaphor | A figure of speech in which a word or phrase literally denoting one kind of object or idea is used in place of another to suggest a likeness or analogy between them; for example, "All the world's a stage". |
tetrameter | the rhythm of a verse line with four stresses. |
top two | A split two pair, matching the highest-ranking two flop cards. |
rakeback | Rebate/repayment to a player of a portion of the rake paid by that player, normally from a non-cardroom, third-party source such as an affiliate |
nat. | natural; i.e., discontinue a special effect, such as col legno, sul tasto, sul ponticello, or playing in harmonics |
conflict | The struggle within the plot between opposing forces |
one-ended straight draw | Four out of five cards needed for a straight that can only be completed with one specific rank of card, in cases where the needed card rank is either higher or lower than the cards already held as part of the sequence; as opposed to an inside straight draw or an open-ended straight draw |
gemmary | Pertaining to gems or jewels. |
hovering accent | Another term for spondee |
il est utile | (French) It's useful |
ka`arat kesef | Literally meaning "silver dish" (see Numbers 7, 49 etc), title of an ethical poem by Joseph Ha-ezobi (Provence, 13th century) |
elegiac stanza | a quatrain with the rhyme scheme abab written in iambic pentameter |
hemistich | A hemistich is a half-line of verse, followed and preceded by a caesura, that makes up a single overall prosodic or verse unit |
understatement | see "Litotes." |
cassock | A garment resembling a long frock coat worn by the clergy of certain churches when officiating, and by others as the usually outer garment. |
sonnet | 14 lines divided into eight lines (octave) and six lines (sestet) |
cultural symbol | contextual symbol |
hereditary chief | In certain Canadian bands this refers to leaders chosen by traditional means, often in opposition to the BAND COUNCILS recognized by the federal government and the Indian Act |
martellato | hammered out. |
yiddish | Yiddish is a non-territorial Germanic language spoken throughout the world and written with the Hebrew alphabet |
capo | beginning. |
apothegm | A short, pithy, and instructive saying. |
iimp | acronym for International Index to Music Periodicals |
estates satire | A medieval |
icheche | Igede shakers made from woven straw and leather that are filled with pebbles |
technical director | the person who figures out how the set will be built and then oversees construction; sometimes in charge of lighting as well |
environmental theater | A type of theater production in which the total theater environment—the stage space and the audience arrangement—is emphasized |
ignes fatui | "Foolish Light" |
hebrides | The Hebrides comprise a wide-spread and diverse group of islands off the west coast of Scotland |
prescription | A way of gaining rights by exercising them: for example, by occupying land for a long time under certain conditions |
ides | the 13th or the 15th of the month, depending on the month, in Roman dating |
tons burthen | The cargo capacity of the ship. |
back door pilot | A two-hour TV movie that is a setup for a TV series if ratings warrant further production. |
choreography | the arrangement and movement of performers onstage; though the term cutomarily applies to dancers, it is also used to denote the orchestrated movement of actors, especially in stage combat. |
story of initiation | See initiation |
inductive/deductive reasoning | inductive reasoning moves from observation of specific circumstances and makes a general conclusion; deductive reasoning takes a general truth and applies it to specific circumstances |
sonnet | 14 lines divided into three quatrains (four line groups) and a rhyming couplet |
iglesia católica romana | (Spanish f.) Roman Catholic Church |
seder | Literally meaning ‘order', Seder refers to the order of the ritual meal and explication, conducted on the first two nights of Passover, the festival recalling the Jews' exodus from Egypt. |
bloodletting | Bloodletting (in modern medicine referred to as phlebotomy) was a popular medical practice from antiquity up to the late 19th century, involving the withdrawal of often considerable quantities of blood from a patient in the hopeful belief that this would cure or prevent a great many illnesses and diseases |
pastoral | following Theocritus (3rd cent |
voluminously | Having or marked by great volume or bulk |
adonic | a Classical Greek and Latin metre, a dimeter with a dactyl and a spondee / ~ ' ' / ' ' / such as are found at the close of sapphics. |
catch | To receive needed cards on a draw |
bisbigliando | whispering; i.e., a special tremolo effect on the harp where a chord or note is rapidly repeated at a low volume |
catachresis | A misuse of words, i.e |
figure of speech | A |
epithalamiom | Epithalamium (Latin form of Greek ἐπιθαλάμιον epithalamion from ἐπί epi "upon," and θάλαμος thalamos nuptial chamber) refers to a form of poem that is written specifically for the bride on the way to her marital chamber |
sarcophagus | Coffin, particularly ones from ancient Egypt. |
stereotomy | Stonecutting |
antonymy | semantic contrasts. |
adhesion | A legal undertaking by which someone accepts the terms of an existing agreement, such as an Indian TREATY |
senza sordino | "without mute." |
forced-move | In a casino where more than one table is playing the same game with the same betting structure, one of the tables may be designated the "main" table, and will be kept full by requiring a player to move from one of the feeder tables to fill any vacancies |
tribrach | A tribrach is a metrical foot used in formal poetry and Greek and Latin verse |
url | Uniform Resource Locator is the address of a website |
jingju | "Capital theatre" in Chinese; the Beijing (or Peking) Opera, the most famous form of xiqu. |
cold deck | A deck that has been intentionally rigged ('stacked') such that some player or players cannot win. |
bruscamente | brusquely |
mezza voce | "with subdued or moderated volume," literally "half voice." |
shaped poetry | See concrete poetry. |
scansion | Scansion is the act of determining and (usually) graphically representing the metrical character of a line of verse. |
elegy | Originally in Greece a funeral ovation written in couplets of hexameter followed by a pentameter, the word elegy was later applied by Ovid to describe love poems such as his Amores |
gothic novel | Eighteenth century story of mystery and horror set in lonely places (dt |
eros | Greek god of love, where the word "erotic" comes from |
rondeau | a mainly octosyllabic poem consisting of between ten and fifteen lines, having only two rhymes and with the opening words used twice as an unrhyming refrain at the end of the second and third stanzas |
up the ante | Increase the stake |
stanza | a verse of a song |
broken rhyme | see rhyme. |
hyperbole | Overstatement or exaggeration for the sake of emphasis, as when the little boy says Hey Dad theres thousands of cats in our yard! As literary devices, hyperbole, and its opposite understatement (litotes), are much used in comedy and satire. |
trope | A written text, usually in dialogue form, incorporated into the Christian church service |
development hell | The dreaded creative death malaise that occurs when the development process lasts too long. |
scruples | Mental reservation; an ethical consideration or principle that inhibits action. |
continental seating | Auditorium arrangement in which audience members enter and exit at the ends of rows; there is no center aisle. |
completion | To raise a small bet up to the amount of what would be a normal-sized bet |
il caro sassone | (Italian, literally 'the great Saxon') a sobriquet associated with two composers, both born in Saxony, George Frideric Handel (1685-1759) and one of the greatest eighteenth-century composers of opera seria, Johann Adolf Hasse (1699-1783) |
georgian | when characterizing poetry, work written in the reigns of the four Georges (1714-1830) or in the reign of George V (1910-36). |
verse | as a mass noun, poetry in general (but in a non-judgmental sense); and, as a regular noun, a line of poetry. |
illustration | Artwork, photography, or other pictures |
iconoclastic controversy | a movement in the Eastern Roman Empire, headed by the emperor, that denied the holiness of religious images |
accelerando | accelerating; gradually increasing the tempo |
enjambment | A line which ends before grammatical and semantic unity has been achieved and where the sense therefore carries on to the next line without a pause. |
tetrameter | A line consisting of four metrical feet |
rhyme | A rhyme is a repetition of similar sounds in two or more words and is most often used in poetry and songs |
distributor | the entity or company who distributes a completed film to exhibitors |
morality play | The drama of the 15th century in which different values acted on the stage, quarreling and fighting with each other such as Avarice, Righteousness, Vice, and Modesty and so on. |
subject | What a story or play is about; to be distinguished from plot and theme |
pizzicato | "plucked," in music for bowed strings; as opposed to arco, which means "played with the bow", and which is inserted to cancel a pizzicato direction. |
scansion | The act of "scanning" a poem to determine its |
pastorale | in a pastoral style, peaceful and simple |
foot | A basic unit of meter consisting of a set number of strong stresses and light stresses |
bugaboo | An imaginary object of fear |
antediluvians | People living before the great flood described in the Bible. |
crown | The Crown is concerned with the Church of England in three ways (at least!). The monarch is the Supreme Head of that church; the Crown is involved in the appointment of bishops and other senior clergy; and a number of parishes have the Crown as patron. The function relating to appointments is largely in the hands of the Prime Minister's Secretary for appointments, who is also involved in the Crown's patronage. The broader position is spelled out in Article 37 |
lamentoso | lamenting, mournfully |
turning point | an action point that is a reaction to an obstacle in the way of a protagonist’s objective; turning points raise the stakes, move the action in a different direction or to a different playing area, and force the protagonist to take a new or different tack. |
diphthong | A vowel sound produced by two adjacent vowels in the same syllable whose sounds blend together (i.e., oy, ow) |
improvvisare | (Italian) to improvise, to perform or sing extemporaneously |
impunity | Freedom from any punishment, loss, or consequences. |
il est juste. | (French) It's right |
imperial quarto | see 'quarto' |
ennuye | Bored, weary in spirits, emotionally exhausted. |
free verse | Poetry without standardized rhyme, meter, or structure |
rising action | that point in the plot when conflict and our emotional involvement intensifies |
unit set | A set that, by the moving on or off of a few simple pieces and perhaps with a change of lights, can represent all the scenes from a play |
l'istesso | see lo stesso, below |
himation | The gownlike basic costume of the Greek tragic actor. |
verisimilitude | Verisimilitude, with the meaning ˝of being true or real˝ is a likeness or resemblance of the truth, reality or a fact's probability |
ground plan | A schematic drawing of the stage setting, as seen from above, indicating the location of stage-scenery pieces and furniture on (and sometimes above) the floor |
imprudente | (Spanish) imprudent |
pruning poem | A pruning poem is a poem that uses rhymes that are prunings of each other. |
eroico | heroically |
allegro | "lively," or "fast." |
hokku | In Japanese poetry, the term hokku literally means "starting verse." A hokku was the first starting link of a much longer chain of verses known as renga or linked verse |
dada | Movement in twentieth-century art between World War I and World War II which was based on deliberate presentation of the irrational and on attacks against traditional artistic values. |
interludes | In medieval England, short dramatic pieces, usually presented between courses of a banquet. |
center pot | The main pot in a table stakes game where one or more players are all in. |
second pair | In community card poker games, a pair of cards of the second-top rank on the board |
pyrrhic | a metrical foot consisting of two unaccented syllables. |
impetuoso | "impetuously." |
nothing | When a player only has the possibility of a high card and no other hand that will win. |
talmud | The Talmud (‘learning') is a record of rabbinic discussions pertaining to Jewish law, ethics, customs and history |
illuminator von handschriften | (German m.) illuminator, limner (of a manuscript) |
tempo di marcia | march tempo |
imperium | (Latin) supreme power, sovereignty |
dolce | sweetly |
auxesis | Another term for rhetorical climax |
apologue | An apologue (from the Greek "αÏολογοÏ," a "statement" or "account") is a brief fable or allegorical story with pointed or exaggerated details, meant to serve as a pleasant vehicle for a moral doctrine or to convey a useful lesson without stating it explicitly |
first position | The playing position to the direct left of the blinds in Texas hold 'em or Omaha hold 'em, also known as "under the gun" |
ilimba | Tanzanian Gogo thumb piano, a lamellaphone with forty metal blades, one of the largest on the continent |
poor theater | Term coined by Jerzy Grotowski to describe his ideal of theater stripped to its barest essentials |
couplet | Two lines--the second line immediately following the first--of the same metrical length that end in a rhyme to form a complete unit |
penuriousness | Stinginess, given to or marked by extreme frugality. |
in pace requiescat | "Rest in Peace". |
bad beat | Losing with what is, or appears to be, a considerably stronger hand |
slack | unstressed syllable. |
stream of consciousness technique | The unlimited flow of inner thoughts and experiences in a character |
sul ponticello | in string playing, an indication to bow very near to the bridge, producing a characteristic glassy sound, which emphasizes the higher harmonics at the expense of the fundamental. |
epic simile | A formal and sustained |
snuff-box | A small container for holding snuff, a preparation of pulverized tobacco to be inhaled through the nostrils, chewed, or placed against the gums. |
epizeuxis | In linguistics, an epizeuxis is the repetition of words in immediate succession, for vehemence or emphasis. |
sterling silver | Sterling silver is an alloy of silver containing 92.5% pure silver and 7.5% other metals, usually copper |
illation | the act of inferring or drawing conclusions, a conclusion drawn, a deduction |
meiosis | Understatement, the opposite of exaggeration: "I was somewhat worried when the psychopath ran toward me with a chainsaw." (i.e., I was terrified) |
dramaturgy | The science of drama; the art of play construction; sometimes used to refer to play structure itself. |
step outline | a plot outline used by writers to help organize and visualize their story before writing it; a step outline consists of scene headings followed by brief one-line descriptions in sequential order. |
set | structures on the stage which represent the setting of the play |
orbit | A full rotation of the blinds at a table |
match the pot | To put in an amount equal to all the chips in the pot. |
apron | The part of the stage located in front of the proscenium; the forwardmost portion of the stage |
asphaltum | A dark bituminous substance that is found in natural beds and is also obtained as a residue in petroleum refining and that consists chiefly of hydrocarbons |
speaker | The voice used by an author to tell a story or speak a poem |
head rhyme | which is a bit of a misnomer since it doesn't actually involve rhyme in a technical sense |
improperia | a series of antiphons and responses sung on the morning of Good Friday in place of the usual daily Mass of the Roman rite |
a bene placido | up to the performer |
cranmer | A towering figure in the history of the Church of England. He lived (1489-1556) at the time of the Reformation and was Archbishop of Canterbury 1532 – 1536. He had enormous influence on the shape of the reformed Church of England and its liturgy. He was martyred for his faith. |
storytelling | human communication that springs from a fundamental desire in people to tell each other what happened through the most expressive and immediate means possible; in dramatic storytelling, the recreation of events and people are portrayed through present action visual and oral performance. |
luminoso | luminously |
giusto | strictly, exactly. |
espirando | "gasping", dying away |
lachadive islands | Now spelled "Laccadive", a group of islands and coral reefs in the Arabian Sea off the southwest coast of India. |
elegy | a sad poem expressing sadness for someone who has died |
constructivism | Following World War I, a movement in scene design in which sets were created to provide greater opportunities for physical action |
comitatus | (Latin: "companionship" or "band"): The term describes the tribal structure of the |
sonnet | or click here to download a PDF handout. |
ballad | bard |
character | round character, and characterization. |
metaphor | above. |
transcendentalism | Religious New England movement between 1840 and 1860 |
sul tasto | on the fingerboard; i.e., in string playing, an indication to bow (or sometimes to pluck) over the fingerboard; the opposite of sul ponticello |
producer | The person or entity financially responsible for a stage or film production. |
etiological narrative | below. |
analepsis | Flashback (also called analepsis, plural analepses) is an interjected scene that takes the narrative back in time from the current point the story has reached |
set | wherever camera is in place for a shot that is being set up for shooting (or being shot) at a location or studio. |
caloric | Heat; A supposed form of matter formerly held responsible for the phenomena of heat and combustion |
septenary | Another term for heptameter--a line consisting of seven metrical feet. |
humour | The use of comic elements intended to amuse the reader or spectator. |
expressionism | Expressionism was a cultural movement, initially in poetry and painting, originating in Germany at the start of the 20th century |
fable | A fictitious moral tale or legend of ancient origin. |
connotation | An idea or feeling associated with a word in addition to its literal meaning |
halcyon | Halcyon was a bird, now believed to have been the kingfisher |
posato | "settled" |
deconstructionism | In theater history, an approach based on the concept that a text has no stable reference |
sevens rule | A rule in many A-5 lowball games that requires a player with a seven-low or better after the draw to bet, rather than check or check-raise |
ma | "but." |
anglo-catholic | The name given to loyal members of the Church of England who look primarily to tradition as the source of authority. They tend to espouse a Roman Catholic view of doctrine, particularly of Scripture, the Eucharist and the priesthood. The majority are inimical towards the ordination of women to the priesthood. |
globe | One of the theatres in London where Shakespeare performed |
rehearsal | The gathering of actors and director to put a play into production; the period in which the director stages the play and the actors develop and repeat their dialogue and actions; etymologically, a "reharrowing," or repeated digging into |
overcall | To call a bet after others have called, esp |
rhythm | Refers to the pattern of stressed and unstressed syllables. |
near rhyme | Another term for inexact rhyme or slant rhyme. |
brillante | brilliantly, with sparkle |
the business | Show business in general; more specifically, Hollywood moviemaking and television business. |
middle english | The version of English spoken after the Norman Conquest from 1066 but before 1450 or so |
idyllique | (French) idyllic |
archetype | something in the world, and described in literature, that, according to the psychologist Karl Jung, manifests a dominant theme in the collective unconscious of human beings |
epithet | Expression |
setting | The time and place of a literary work that establish its context |
hand-for-hand | See main article: hand-for-hand. |
pall | A heavy cloth draped over a coffin; an overspreading element that produces an effect of gloom |
type | An earlier figure, event, or symbol in the Old Testament thought to prefigure a coming antitype (corresponding figure, event, or symbol) in the New Testament |
samisen | The three-stringed banjolike instrument used in kabuki and bunraku. |
groove system | System in which there were tracks on the stage floor and above the stage which allowed for the smooth movement of flat wings on and off the stage; usually there were a series of grooves at each stage position |
circumlocution | speaking around a point rather than getting to it, such as S |
moresque | Having the characteristics of Moorish art or architecture. |
imprimé | (French) printed |
ma | but |
amabile | "amiable", "pleasant". |
in altissimo | play an octave higher. |
mosso | moved, moving; used with a preceding più or meno (see in this list), for faster or slower respectively |
trip | to lift the bottom of a drop or flown scenery with another set of lines in theatres where there isn't enough fly space to lift the unit vertically to its entire length |
interrupt | When one character cuts off another character's dialogue, sometimes marked with an .. |
regency novel | Regency novels are either: |
parlante | like speech, enunciated |
dithyramb | In ancient Greece, a choral song describing the adventures of a god or heroic figure. |
contraction | The shortening of a written or spoken word or expression by omission of one or more letters or sounds, such as can't |
penny ante | Frivolous, low stakes, or "for fun" only; A game where no significant stake is likely to change hands. |
meter | A recognizable though varying pattern of stressed syllables alternating with syllables of less stress |
im bett | (German) in bed |
malinconico | "melancholy" |
spine | In the Stanislavski method, the dominant desire or motivation of a character; usually thought of as an action and expressed as a verb. |
gothic | above, and Gothic novel, below. |
toenail | to nail obliquely through the end of one board into a second board |
im sprechchorrufen | (German) chant |
hook | A term borrowed from songwriting that describes that thing that catches the public's attention and keeps them interested in the flow of a story. |
eye rhyme | Eye rhyme, also called visual rhyme and sight rhyme, is a similarity in spelling between words that are pronounced differently and hence, not an auditory rhyme |
backstage | The offstage area hidden from the audience that is used for scenery storage, for actors preparing to make entrances, and for stage technicians running the show |
securely bound script | Typically, a stageplay contest's request that a script be more firmly bound than brads will do |
lead | The player who makes the last bet or raise in a round of betting is said to have the lead at the start of the next round |
druidical | Like one of an ancient Celtic priesthood appearing as a magician or wizard. |
scenery | In drama, the overall decoration of the stage comprising the props |
stage | An area set aside or deliberately constructed as a place for actors, dancers, musicians, or singers to perform |
history | History is one of the three main genres in Western theatre, alongside tragedy and comedy |
hand | See main article: hand. |
montage | A cinematic device used to show a series of scenes, all related and building to some conclusion. |
victorianism | Victorianism is the name given to the attitudes, art, and culture of the later two-thirds of the 19th century |
sarcasm | See Irony. |
ideh | (Nigeria) large seeds attached to a grass band |
inner stage | Area at the rear of the stage which can be cut off from the rest by means of curtains or scenery and revealed for special scenes. |
ictm | abbreviation of 'International Council for Traditional Music' |
idiom | A special way of expressing an idea, characteristic of the language at that particular time. |
stockinet | A soft elastic usually cotton fabric used especially for bandages and infants' wear. |
treatment | A scene by scene description of a screenplay, minus all or most of the dialogue. |
small blind | See main article: blinds. |
diacritic | An accent or change to a normal alphabetical letter to differentiate its pronunciation |
areítos | pre-Columbian ritual dramas using song, dance, mime, and the spoken word that were performed in Cuba, Puerto Rico, and other parts of the Caribbean; they represent some of the first performances recorded by Europeans in the New World. |
curate | The name most used for clergy when newly ordained to a parish. In fact, they are technically assistant curates, for the incumbent is the curate, acting as he does, on behalf of the bishop, who is responsible for the cure of souls in his diocese. |
dramatic action | the subtextual undercurrents and reciprocal actions that occur beneath the dialogue and physical actions of a screenplay. |
rime couée | tail rhyme, a stanza in which a usually closing short line rhymes with a previous short line and is separated from it by longer lines. |
relax | The process of loosening a manuscript's sewing and removing solidified glue from the spine so that the leaves can open flat, preferably at 180° to each other, to facilitate distortion-free photography without damaging the manuscript. |
im dunkeln | (German) in the dark |
apollonian | That which is beautiful, wise, and serene, in the theories of Friedrich Nietzsche, who believed drama sprang from the junction of Apollonian and Dionysian forces in Greek culture. |
autobiography | An account of someone´s life in prose written by himself or herself. |
motif | A recurring object, concept, or structure in a work of literature. |
patio | In the Spanish golden age, the pit area for the audience. |
viewpoint - narrative mode | The narrative mode (also known as the mode of narration) is the set of methods the author of a literary, theatrical, cinematic, or musical story uses to convey the plot to the audience. |
mead hall | A structure built by an Anglo-Saxon lord (hlaford or |
simoom | A hot dry violent dust-laden wind from Asian and African deserts |
ducal | Of or relating to a Duke. |
anthropomorphism | a figure of speech where the poet characterizes an abstract thing or object as if it were a person |
quatrain | a four line stanza |
imayoo | (Japanese) a medieval genre of popular song |
maison | French for House or building. |
houri | One of the beautiful maidens that in Muslim belief live with the blessed in paradise |
exposition | Imparting of information that is necessary for an understanding of the story but will not be covered by the action onstage: events or knowledge from the past, or occurring outside the play, which must be introduced if the audience is to understand the characters or the plot |
scansion | analysis of the kind and number of metrical feet in a poem |
con dolore | with sadness |
farthingale | A series of hoops worn especially in the 16th century beneath a skirt to expand it at the hipline. |
hand prop | A prop that can be easily handled |
aragoto | the "rough" or masculine style of Kabuki performance, usually adopted in samurai and other military roles. |
move in | In a no-limit game, to "move in" or to "go all in" means to bet one's entire stake on the hand in play |
tornada | a three-line envoy that include the rhymes of all preceding stanzas. |
reraise | Raise after one has been raised |
il est important | (French) It's important |
peregrinations | Travels on foot, long walks. |
hasidism | The revivalist movement founded by Israel Baal Shemtov in 18th century Podolia (south-eastern Poland), later extending to the whole of eastern Europe and beyond |
obeisance | A gesture of respect, like kneeling or bowing before a king. |
pulpitum | In Roman theater, a raised platform stage. |
buy the pot | Making a bet when no one else is betting so as to force the other players to fold, thus winning the pot uncontested |
immagine con ragazza | (Italian f.) pin-up (poster) |
andantino | slightly faster than andante (but earlier it sometimes used to mean slightly slower than andante) |
narrative | A collection of events that tells a story, which may be true or not, placed in a particular order and recounted through either telling or writing. |
troppo | "too much" – Usually seen as "non troppo," meaning "moderately" or, when combined with other terms, "not too much," such as "Allegro non troppo." |
proof | A test print to check the accuracy of the colour reproduction |
immer dasselbe getragene zeitmass | (German) still the same solemn tempo |
balance | Playing very different hands in the same way, with the aim of making it more difficult for an opponent to gain useful information about the cards a player has, even though on a value basis one would play them differently. |
literary office | Usually headed by the literary manager and often staffed with interns and in-house or freelance readers |
scimitar | A saber having a curved blade with the edge on the convex side and used chiefly by Arabs and Turks. |
characterization | the development of characters in fiction, drama, or poetry |
ante off | In tournament play, to force an absent player to continue paying antes, blinds, bring-ins, or other forced bets so that the contest remains fair to the other players |
märchen | A technical German word used in folklore scholarship to refer to fairy tales |
couplet | a pair of successive rhyming lines, usually of the same length, termed "closed" when they form a bounded grammatical unit like a sentence, and termed "heroic" in 17th- and 18th-century verse when serious in subject, five-foot iambic in form, and holding a complete thought. |
im lebhaftesten tempo | (German) in a very animated tempo |
furioso | furiously |
idiom | An expression in the usage of a language that is peculiar to itself either grammatically or in having a meaning that cannot be derived from the conjoined meanings of its elements. |
piacevole | "pleasant." |
symbolic character | Symbolic characters are characters whose primary literary function is symbolic, even though the character may retain normal or realistic qualities |
septet | a seven-line stanza |
xenia | The Greek term for the |
off-broadway | Movement developed in the late 1940s as a reaction to Broadway commercialism; its primary goal was to provide an outlet for experimental and innovative works, unhindered by commercial considerations |
bellini | Born in Sicily, Vincenzo Bellini was an Italian opera composer |
denouement | The final outcome of a complex sequence of events. |
perspective | A reference to an author's beliefs and attitudes |
manuscript | an author´s often hand-written original piece of writing. |
chrysalis | A pupa of a butterfly |
con slancio | "with enthusiasm." |
imp. | abbreviation of impressit (Latin: printed by, after which is written the printer's name), impresserunt (Latin: printed by, after which is written the printer's name), impressé (French: printed by, after which is written the printer's name) |
travesty | - Travesti, transgendered men in South America - Travesti (theatre), about men and women playing the opposite sex in Western opera, ballet and theatre |
open ending | The reader asks himself "So what?" and has to think about probable endings to a seemingly unfinished story |
inflectional ending | The change of form that words undergo to mark distinctions such as number and tense (i.e., ing, s, es) |
happenings | Form of theatrical event which was developed out of experimentation by certain American abstract artists in the 1960s |
trilogy | A group of three literary works that together compose a larger narrative |
boulevard theaters | In eighteenth-century France, theaters located on Boulevard du Temple in Paris, catering to popular tastes. |
vivacissimo | very lively |
circumlocution | The use of an unnecessarily large number of words to express an idea. |
cretic | Greek and Latin metrical foot consisting of long, short, and long syllables. |
objective | Stanislavski's term for that which is urgently desired and sought by a character, the desired goal which propels a character to action. |
climax | See Plot. |
writers guild of america | Also known as "the WGA." The main union for screenwriters in the United States, with chapters in Los Angeles (WGAw) and New York (WGAe). |
offset lithography | A printing process that involves the transfer of the image from a metal plate to a rubber-covered cylinder, which is then offset (transferred) by pressure onto the paper |
antithesis | The opposite of (i.e., Good is the antithesis of evil.) |
rimes | Part of a syllable that contains the vowel and all that follows it (i.e., the rime of bag is ag and the rime of swim is im) |
impaziente | (Italian) impatient, hurried |
solenne | solemn |
up | When used with a card rank to describe a poker hand, refers to two pair with the named card being the higher pair |
risoluto | resolutely |
il est sûr. | (French) It's sure |
denotation | The dictionary meaning of a word |
hypertext | Online highlighted or underlined text that take a user to another website which has related information |
style | The distinctive and unique manner in which a writer arranges words to achieve particular effects |
theatre poems | separate poetic selections woven into a program |
phonemes | A minimal sound unit of speech, such as single letters |
impedimenta | (Latin pl.) encumbrances (for example, when travelling, baggages, parcels, etc.) |
gentile | "gently" |
vivace | very lively, up-tempo |
stage directions | descriptions (in the text of the play) of the set, the props, voice and movements of the actors, and the lighting |
poem | Piece of imaginative writing in lines with a regular rhythm, usually with a rhyme scheme, less so in modern poetry |
plucked idiophone | plucking a flexible tongue |
carathis | A character in "The History of the Caliph Vathek", a Gothic novel written by William Thomas Beckford |
corpus christi play | A religious play performed outdoors in the medieval period that enacts an event from the Bible, such as the story of Adam and Eve, Noah's flood, the crucifixion, and so on |
supercilious | Proud, coolly and patronizingly haughty. |
decamped | Departed suddenly or secretly. |
chorus | Term derives from Greek tragedy |
chiuso | "closed" – calls for a horn to be muted by hand. |
ieta | a small 7-stringed bow harp of the Baka forest people from southeast Cameroon |
mock-heroic | treating something trivial with high seriousness, as in John Philips' The Splendid Shilling. |
hyperbole | A statement where truth is exaggerated for effect |
blank verse | Verse in iambic pentameter without rhyme scheme, often used in verse drama in the sixteenth century (Marlowe and Shakespeare) and later used for poetry (Milton, Wordsworths The Prelude, Browning). |
altar | See Lord's Table. |
four of a kind | A hand containing four cards of equal rank |
stress | In linguistics, the emphasis, length and loudness that mark one syllable as more pronounced than another |
take stage | director's request that an actor move into a more prominent position on stage; also that the actor needs to expend more energy in the scene |
motif | below. |
il est à souhaiter | (French) It's to be hoped |
north light | In the northern hemisphere light emanating from the north is considered to have a diffused and even quality. |
il peut faire mieux. | (French) He can do better. |
multiple setting | Form of stage setting, common in the Middle Ages, in which several locations are represented at the same time; also called simultaneous setting |
intemperance | Habitual or excessive consumption of alcohol |
nit | A player who is unwilling to take risks and plays only premium hands in the top range |
fable | A brief tale that teaches lessons about human nature |
antonym | In lexical semantics, opposites are words that lie in an inherently incompatible binary relationship as in the opposite pairs male : female, long : short, up : down, and precede : follow |
myth | a story that has been told and re-told for centuries and which seems rooted in universal human experiences that people want to re-experience in new forms again and again (your textbook describes myths as stories that are “more than true”). |
disapprobation | Condemnation |
cosmic irony | Another term for situational irony--especially situational irony connected to a fatalistic or pessimistic view of life |
poetic license | the freedom to depart from correctness and grammaticality sometimes extended to poets by generous readers who believed that the poets knew better but needed such effects to be true to their subject. |
raccoon | A poor player |
call the clock | A method of discouraging players from taking an excessively long time to act |
triad | A triad in simplest terms is defined as a "group of three". |
troppo | too much; usually seen as non troppo, meaning moderately or, when combined with other terms, not too much, such as allegro [ma] non troppo (fast but not too fast) |
custom | A technical term referring to an actually or nominally "traditional" Indian practice, as opposed to one set out by Canadian law |
piyyut | Derived from the Greek word poietes (poet), piyyutim are liturgical hymns, composed from late antiquity onwards, to highlight items in the statutory liturgy for festivals and other special occasions. |
sentimentalism | Showing too great interest in intense feelings. |
cut | See main article: cut. |
position | See main article: position. |
uta | Another term for the Japanese genre of poetry also called a waka or tanka |
tone | An author's attitude toward a subject |
scene heading | A short description of the location and time of day of a scene, also known as a "slugline." For example: EXT |
lyric poetry | characterized by the expression of the poets innermost feelings, thoughts, and imagination |
prima volta | the first time; for example prima volta senza accompagnamento (the first time without accompaniment) |
three pair | In a seven card game, such as seven-card stud or Texas hold 'em, it is possible for a player to have 3 pairs, although a player can only play two of them as part of a standard 5-card poker hand |
surprise ending | The ending of a literary piece reveals a twist in the plot that is completely unexpected for the reader and comes therefore surprisingly. |
dim. | dwindling; i.e., with gradually decreasing volume (same asdecrescendo) |
pricking | A series of vertically aligned holes down each side of the parchment sheet between which the scribe ruled horizontal lines to aid his writing |
cambiare | to change; i.e., any change, such as to a new instrument |
sottie | In the Middle Ages, a short, satirical French farce. |
free verse | Poetry based on the natural rhythms of phrases and normal pauses rather than the artificial constraints of metrical feet |
stigma of print | The stigma of print is the concept that an informal social convention restricted the literary works of aristocrats in the Elizabethan and Tudor age to private and courtly audiences — as opposed to commercial endeavors — at the risk of social disgrace if violated, and which obliged the author to profess an abhorrence of the press and to restrict his works from publication |
illuminare con uno spot | (Italian) to spotlight |
slow play | See main article: slow play. |
con sordino | "with the mute." |
skeltonic verse | short, roughhewn lines in variable-length stanzas reusing a small number of rhymes, popularized by John Skelton. |
impudente | (Spanish) impudent |
hiatus | In phonology, hiatus or diaeresis refers to two vowel sounds occurring in adjacent syllables, with no intervening consonant |
leonine verse | masculine ending, perfect rhyme, rhyme royal, slant rhyme, tail-rhyme, and triple rhyme. |
lullaby | A lullaby is a soothing song, usually sung to young children before they go to sleep, with the intention of speeding that process |
dal segno al coda | same as D.S |
improve | To achieve a better hand than one currently holds by adding or exchanging cards as provided in the rules of the game being played |
rake | See main article: rake |
rhine | A river in Europe, flowing from Switzerland to the Netherlands, bordering Austria and Germany. |
cliché | An expression or idea that has been used so often that everybody takes it for granted; near prejudice. |
pectoral muscles | Any of the muscles which connect the ventral walls of the chest with the bones of the upper arm and shoulder. |
renaissance | Raphael Holinshed, Edward Hall, and other chroniclers influenced Shakespeare |
metaphor | an implied comparison of two apparently dissimilar things |
cameos | Gems carved in relief |
aube | A dawn-song or aubade, but specifically one sung by a friend watching over a pair of lovers until dawn to prevent any interruption to their love-making or to cover up the noise of the love-making |
irato | "angrily" |
norman invasion | Not to be confused with D-Day during World War II, medieval historians use this title for a much earlier invasion in 1066 |
dramatic irony | The situation when the audience knows something the characters don't, as in Shakespeare's Macbeth, when King Duncan remarks on his inability to judge character - while warmly greeting the man (Macbeth) we already know plans to assassinate him. |
posteriori | Reasoning from observed facts. |
carpe diem | Literally, the phrase is Latin for "seize the day," from carpere (to pluck, harvest, or grab) and the accusative form of die (day) |
gvs | The abbreviation that linguists and scholars of English use to refer to the Great Vowel Shift |
il seguente | (Italian) the following, the next |
epitaph | A poem that sums up someones life, sometimes in praise (panegyric), sometimes in satire. |
allargando | broadening, becoming a little slower |
iglesia luterana | (Spanish f.) Lutheran Church |
proverb | A proverb (from Latin: proverbium) is a simple and concrete saying popularly known and repeated, which expresses a truth, based on common sense or the practical experience of humanity |
deciso | decisively |
lost-wax casting | The origins of the lost-wax casting process are shrouded in antiquity, but it has been used for thousands of years to produce objects in metal which could not be produced any other way, due to the complexity of their form |
chip | A small disk used in place of money |
onomatopeia | an instance where the sound of a word directly imitates its meaning (for example, "choo-choo," "hiss"), sometimes termed echoism. |
gentile | gently |
zelosamente | zeal, zealous, zealously |
satellite | A tournament in which the prize is a free entrance to another (larger) tournament. |
plot action | the physical actions and story points that propel a story through to a climax and resolution. |
idyllic | blissfully peaceful and happy, of or like an idyll |
singlet | a one-syllable foot. |
roman à clef | Roman à clef or roman à clé (French for novel with a key, is the term used for a novel describing real life, behind a façade of fiction |
facile | easily, without fuss |
slang | Level of language which is lower than colloquialism; it is the language of the gutter, the street, the market place |
telestich | spelling out a word, a phrase, or name vertically in sequence down the last letters of verse lines in a poem |
dead money | See main article: dead money. |
il est clair. | (French) It's clear |
black box | A flexible theater space named for its appearance. |
omniscient narrator | He knows everything about the characters, their motives, their feelings (unlimited point of view); usually he also jumps in time and space, i.e |
il più | (Italian m.) the most |
staking | Staking is the act of one person putting up cash for a poker player to play with in hopes that the player wins |
lag | A "loose aggressive" style of play in which a player plays a lot of starting hands and makes many small raises in hopes of out-playing his opponents. |
beat | (1) the pronounced rhythm of music; (2) one single stroke of a rhythmicaccent |
double-draw | Any of several Draw poker games in which the draw phase and subsequent betting round are repeated twice. |
big blind special | A hand won by the big blind playing very weak pocket cards because there was no raise pre-flop. |
tautology | a statement redundant in itself, such as "The stars, O astral bodies!" |
soft-play | To intentionally go easy on a player (e.g |
melancolico | "melancholic" |
ubi sunt | Ubi sunt (literally "where are...") is a phrase taken from the Latin Ubi sunt qui ante nos fuerunt?, meaning "Where are those who were before us?" |
danegeld | The practice of paying extortion money to |
ring game | See main article: ring game. |
carpe diem | The Latin phrase meaning "seize the day." This is a very common literary theme, especially in lyric poetry, which emphasizes that life is short, time is fleeting, and that one should make the most of present pleasures |
ad libitum | In accordance with desire. |
resolution | The sorting out or unraveling of a plot at the end of a play, novel, or story |
glyconic | a Greek and Roman metre that consists of a spondee, a choriamb, and an iamb / ' ' / ' ~ ~ ' / ~ ' / . |
rubato | flexibility of tempo, within a musical phrase, for expressive effect. |
episteme | Episteme, as distinguished from techne, is etymologically derived from the Greek word ἐπιστήμη for knowledge or science, which comes from the verb ἐπίσταμαι, "to know". |
unities | Term referring to the rule that a play should occur within one day (unity of time), in one place (unity of place), and with no action irrelevant to the plot (unity of action) |
sanft | "gently" (Ger.) |
antimasque | grotesque parodies of masques, usually involving monstrous figures. |
rhythm | is the beat or pattern of stressed and unstressed lines. We will try to identify patterns this year. For example, read the following lines out loud. The pattern is shown under the words |
hovering stress | A metrical accent that could be placed equally well on either of two adjacent syllables so that it seems to hover between them. |
archetypal criticism | The analysis of a piece of literature through the examination of archetypes and archetypal patterns in Jungian psychology |
climax | The climax (from the Greek word "κλῖμαξ" (klimax) meaning "staircase" and "ladder") or turning point of a narrative work is its point of highest tension or drama or when the action starts in which the solution is given. |
middle pair | In a community card game, making a pair with neither the highest nor lowest card of the community cards |
ottava rima | an Italian stanza of eight 11-syllable lines, with the rhyme scheme abababcc, introduced by Sir Thomas Wyatt and by W |
spasmodic school | P |
tract | A tract is a literary work, and in current usage, usually religious in nature |
idem quod | (Latin) the same as |
ievina | Latvian accordion |
street | A street is another term for a dealt card or betting round, e.g |
mystery play | Mystery plays and Miracle plays (which are two different things) are among the earliest formally developed plays in medieval Europe |
tre corde | (tc; sometimes inaccurately tre corda) literally "three strings"; an instruction to release the soft pedal (in piano music) |
parterre | In French neoclassical theater, the pit where audience members stood. |
imitatio invertibilis | (Latin) invertible imitation, imitation in double counterpoint |
moto | "Motion." Usually seen as "con moto," meaning "with motion" or "quickly." |
derision | The use of ridicule or scorn to show contempt."...By pouring their derision upon anything we did And exposing every weakness however carefully hidden by the kids." -Pink Floyd |
legend | A story in which fact and fiction are intermingling, handed down orally from one generation to the next, about a hero / heroine, e.g |
xerxes | The king of Persia (486-465), invaded Greece by bridging Hellespont |
storm and stress | An antineoclassical movement in eighteenth-century Germany which was a forerunner of romanticism. |
o.s. | Abbreviation for Off Screen, denoting that the speaker is not resident within the scene. |
bouts rimés | a French name, meaning "rhymed ends," for a popular 18th-century game where poems had to be built around previously selected rhymes |
arête | [Excellence and virtue.] The Greek term |
k'unshan play | a highly stylized one-act play from the Ming Dynasty, 1368-1644 |
cognate | A word related to one in another language, such as theater (English) and theatre (French) |
quiescence | Inactivity, repose, tranquility. |
outside straight draw | See main article: outside straight draw |
sanctimonious | having a "holier-than-thou" attitude; excessively or hypocritically pious. |
bretons | romance, and courtly love. |
scene | Action taking place in one location and in a distinct time that (hopefully) moves the story to the next element of the story. |
victorian | verse written in the reign of Victoria, from 1837 to 1903. |
ourang-outang | The modern spelling is orangutan |
pass | A rejection of a property by a potential producer or an agent. |
rhyme | alliteration |
acrid | Sharp and harsh or unpleasantly pungent in taste or odor. |
igba | short Nigerian peg-tuned drum with the head made out of antelope skin |
super satellite | A multi-table poker tournament in which the prize is a free entrance to a satellite tournament or a tournament in which all the top finishers gain entrance to a larger tournament. |
identificare con | (Italian) to identify with |
zohar | The Zohar ("splendour, radiance") is considered the most important product of Kabbalah |
egregious | Obviously bad |
movie of the week | Also known as an "MOW," a movie made primarily for broadcast on a television or cable network. |
image plane | the plane at right angles to the optical axis at the image point |
theater of the absurd | Term first used by Martin Esslin to describe the works of certain playwrights of the 1950s and 1960s who expressed a similar point of view regarding the absurdity of the human condition |
option | The securing of the rights to a screenplay for a given length of time. |
bocca chiusa | with closed mouth |
trade books | Books published for a general readership rather than specifically for the classroom |
espr. | expressively |
miniature | The word miniature, derived from the Latin minium, for red lead, refers to a picture in an ancient or medieval manuscript; the simple decoration of the early codices having been miniated or delineated with that pigment. |
gustoso | "gusto"; |
trouvère | Trouvère (is the Northern French (langue d'oïl) form of the word trobador (as spelled in the langue d'oc) |
trimeter | three feet; sometimes termed tripody, a triple foot, one measure made up of three feet |
pot-committed | More often in the context of a no limit game; the situation where you can no longer fold because the size of the pot is so large compared to the size of your stack. |
free card | A card dealt to one's hand (or to the board of community cards) after a betting round in which no player opened |
visual effect | a special visual technique used to enhance storytelling (such as computer animation, slow motion, or time-lapse photography). |
dystopia | See utopia |
occiput | The back part of the head or skull. |
gather | Gather, gatherer, or gathering may refer to: |
il m'incombe de | (French) It falls to me to |
gallery | In traditional proscenium-arch theaters, the undivided seating area cut into the walls of the building. |
foredoomed | A fancy way to say "doomed". |
intermission | A break between acts or scenes of the play to allow for set changes, and for the audience to go to the bathroom, stretch and buy concessions. |
bank | Also called the house, the person responsible for distributing chips, keeping track of the buy-ins, and paying winners at the end of the game. |
arioso | "airy" |
trimeter | In poetry, a trimeter is a metre of three metrical feet per line—example: |
golden age of greece | The period around 400-499 BCE, when Athens was at its height of prestige, wealth, and military power |
tormentor | flats or drapes at the sides of the proscenium arch that may be used to alter the with of the stage opening |
image | A concrete representation of a sense impression, a feeling, or an idea |
rondel | roundelay, villanelle. |
flop | The dealing of the first three face-up cards to the board, or to those three cards themselves |
film festival | A festival of short and/or feature-length films shown over the course of between a few days to a few weeks |
hendecasyllable | The hendecasyllable is a verse of eleven syllables, used in Ancient Greek and Latin quantitative verse as well as in medieval and modern European poetry. |
blues | oral black American folk or popular melancholic songs of the early twentieth century. |
imitative | see 'imitation' |
cancel | A bibliographical term referring to a leaf which is substituted for one removed by the printers because of an error |
impeto | (Italian m.) impetus, impetuosity, vehemence |
asteismus | A sub-category of puns |
ich grolle nicht | (German) I bear no grudge, I do not complain |
antistrophe | See discussion under |
royal cards | Royal card are also known as face cards or picture cards |
wolno | A Polish word meaning "loose" or "slowly" |
theatricalism | Style of production and playwriting which emphasizes theatricality for its own sake |
improvisatie | (Dutch) improvisation |
travesty | a work that deflates something that is treated by another work with high seriousness. |
rheumatism | Any of various conditions characterized by inflammation or pain in muscles, joints, or fibrous tissue; rheumatoid arthritis. |
virtuoso | One skilled in the fine arts, in antiquities, and the like; a collector or ardent admirer of curiosities, etc |
rail | The rail is the sideline at a poker table—the (often imaginary) rail separating spectators from the field of play |
precipitato | "precipitately." |
il est normal | (French) It's normal |
tenuto | held; i.e., touch on a note slightly longer than usual, but without generally altering the note's value |
eschew | To avoid or shun, especially on moral or practical grounds. |
roundelay | a lyric poems with a refrain. |
cadaverously | Like a cadaver or a corpse. |
foolscap | A size of paper formerly standard in Great Britain, measuring 17.2 cm x 21.6 cm, or simply a piece of writing paper. |
syntax | the ordering of words in a sentence |
death watches | Deathwatch beetles |
limerick | a fixed verse form appearing first in The History of Sixteen Wonderful Old Women (1820), popularized by Edward Lear, and rhyming aabba, where a-lines have five feet and the b-lines three feet, and where the first and last lines end with the same word (a practice dropped in the 20th century) |
il est faux | (French) It's false |
affettuoso | "tenderly". |
perdendosi | dying away |
catch perfect | To catch the only two possible cards that will complete a hand and win the pot, usually those leading to a straight flush |
comedy of the absurd | Comedy of Humors, and Comedy of Manners. |
lyric poem | a short poem that has a deeply personal theme |
improvvisata | (Italian) an agreeable surprise |
blocking | The specific staging of a play's movements, ordinarily by the director |
shakespearian sonnet | The most popular form in English is the English or Shakespearian Sonnet |
o.c. | Abbreviation for Off Camera, denoting that the speaker is resident within the scene but not seen by the camera. |
tagelied | The Tagelied (dawn song) is a particular form of mediaeval German language lyric, taken and adapted from the Provençal troubadour tradition (in which it was known as the alba) by the German Minnesinger |
sharpers | Swindlers, cheating gamblers. |
impureza | (Spanish f.) impurity |
da capo | from beginning. |
stanza | a section of a poem with lines grouped together |
iglesia episcopal | (Spanish f.) Episcopal Church |
coloratura | "coloration" – Elaborate ornamentation of a vocal line. |
antepenultima | the second last word of a line, or the second last syllable of a word. |
paraphrase | Paraphrase is restatement of a text or passages, using other words |
strategy | A systematic plan, consciously adapted and monitored, to improve one's performance in learning |
laconic | Using or involving the use of a minimum of words; concise to the point of seeming rude or mysterious. |
idillio | (Italian m.) idyll, an ecologue, a short poem in a pastoral style |
archipelago | A group of islands. |
dithyramb | A Greek religious rite in which a chorus of fifty men, dressed in goatskins, chanted and danced; the precursor, according to Aristotle, of Greek tragedy. |
closet drama | A play that is written to be read rather than performed onstage |
exact rhyme | Exact rhyme or perfect rhyme is rhyming two words in which both the consonant sounds and vowel sounds match to create a rhyme |
drama | scrim. |
prologue | (1) In original Greek tragedy, the prologue was either the action or a set of introductory speeches before the first entry ( |
tenuto | "held" – an instruction to touch on a note slightly longer than usual, but without generally altering the note's value. |
poetic diction | See Diction. |
diderot's paradox | the ability of an actor to exhibit extreme emotion while maintaining an inner control that allows for the successful artistic creation of the emotion; named for the eighteenth-century French philosopher and playwright, Denis Diderot. |
nobile | "in a noble fashion". |
maqama | Picaresque Arabic stories in rhymed prose |
short stack | A stack of chips that is relatively small for the stakes being played |
liturgical drama | Dramatic material that was written into the official Catholic Church liturgy and staged as part of regular church services in the medieval period, mainly in the tenth through twelfth centuries. |
euphony | a pleasing harmony of sounds. |
motif | In narrative, a motif (pronunciation) (help·info) is any recurring element that has symbolic significance in a story |
fuoco | "fire"; "con fuoco" means "with fire." |
allegory | an extended metaphor |
fortnight | Two weeks. |
cyclorama | Large curved drop used to mask the rear and sides of the stage; painted a neutral color or blue to represent sky or open space |
imam | (Arabic) a Moslem priest, a title given to the Caliph and certain other Moslem leaders |
flat | A wooden frame covered in fabric or a hard surface and then painted, often to resemble a wall or portion of a wall |
envoy | below. |
flebile | mournfully |
scènes à faire | Scène à faire (French for "scene to be made" or "scene that must be done"; plural: scènes à faire) is a scene in a book or film which is almost obligatory for a genre of its type |
hendecasyllabic | a Classical Greek and Latin metrical line consisting of eleven syllables, a spondee or trochee, a choriamb, and two iambs, the second of which has an additional syllable at the end / ' ' / ' ~ ~ ' / ~ ' / ~ ' /. |
allegory | a play in which symbolic fictional characters portray truths or generalizations about human existence; medieval morality plays were allegories, as is Dickens's famous story A Christmas Carol. |
sacra rappresentazioni | "Sacred representations": in the late Middle Ages and early Renaissance, Italian religious dramas in medieval style, based on biblical stories and lives of saints. |
lusingando | "coaxingly" |
incubus | A nightmare |
sunder | To sever |
shark | A professional player |
im bedarfsfalle | (German) in case of need |
provincialists | A native or inhabitant of a province. |
epigraph | a quotation, taken from another literary work, that is placed at the start of a poem under the title |
spurious | False |
tag line | final line of a scene or act, or the exit line of a major character |
trestle | the framework used to support a platform |
im alter | (German) in old age |
immer mit sord. | (German) always muted |
bounty | An aspect of some poker tournaments that rewards players for eliminating other players with a cash prize for each player they eliminate, separate from the tournament payout structure |
sell | In spread limit poker, to sell a hand is to bet less than the maximum with a strong hand, in the hope that more of your opponents will call the bet. |
anthology | An anthology is a collection of literary works chosen by the compiler |
tetralogy | Four plays performed together in sequence |
connotation | The linguistic term used for the associations which may be usually evoked by the word, or which may be evoked by a specific context, as opposed to the literal sense of a word or its strict dictionary definition which is called its denotation. |
episodic drama | Dramatic structure—extremely popular in the English Renaissance and the Spanish golden age—in which the dramatic action begins early in the story |
lyric | short poem in which the poet, the poet's persona, or a speaker expresses personal feelings, and often addressed to the reader (originally, a poem sung to a lyre). |
coup de théâtre | French for "stroke of theater"; either a sudden sensational turn in a play (e.g., when the screen falls in The School for Scandal) or a spectacular moment that stops the show (e.g., the ascension of Mephistopholes and Grizabella in Cats). |
steal | See main article: steal. |
bretons | The Celtic inhabitants of Brittany ("Little Britain") in northeast France who speak the Breton language |
emblem book | Emblem books are a category of illustrated book printed in Europe during the 16th and 17th centuries, typically containing a number of emblematic images with explanatory text. |
ellipsis | A writer´s technique of leaving out words intentionally which would give the full meaning of the phrase or line |
wild card | See main article: wild card |
ilathalam | see elathalam |
flebile | "mournfully" |
trombone | the lever on a follow spot that allows the operator to make the beam larger or smaller |
stanza | A group of two or more lines of poetry |
exit / exuent | Common Latin |
curtain line | 1 |
satyr | A mythological Greek creature, half man and half goat, who attended Dionysus and represented male sexuality and drunken revelry; goatskin-clad followers of Dionysus who served as the chorus of the satyr play. |
novella | An extended fictional prose narrative that is longer than a short story, but not quite as long as a |
eight or better | A common qualifier in High-low split games that use Ace-5 ranking |
lyrics | The words that are sung by characters in a musical. |
versification | Literally, the making of verse, the term is often used as another name for prosody |
churchwardens | Every parish has two churchwardens, who are senior laity elected annually at a meeting of electors, who are those who live within the parish or are on the Electoral Roll of the parish church. They are, ex officio, members of the Parochial Church Council and of its Standing Committee. Their duties are covered in the Churchwardens' Measure 2001. |
antithesis | Antithesis (Greek for "setting opposite", from ἀντί "against" + θέσις "position") is a counter-proposition and denotes a direct contrast to the original proposition |
associate artistic director | An artistic officer of a theater company, frequently a director and often second to the Artistic Director, integrally involved with its artistic decisions. |
mise en scène | Mise-en-scène (French: "placing on stage") is an expression used to describe the design aspects of a theatre or film production, which essentially means "visual theme" or "telling a story" —both in visually artful ways through storyboarding, cinematography and stage design, and in poetically artful ways through direction |
heroic couplet | Two successive rhyming lines of iambic pentameter |
imitatio interrupta | (Latin) interrupted imitation, one of the rhythmic proportions of imitation |
historical linguistics | Historical linguistics (also called diachronic linguistics) is the study of language change |
juxtaposition - contrast | In semantics, contrast is a relationship between two discourse segments |
screening | The showing of a film for test audiences and/or people involved in the making of the movie. |
paradox | A seemingly self-contradictory and therefore absurd and senseless statement; sometimes, however, a paradox can contain some universal and important truth which is revealed on second thought. |
subito | "suddenly." |
piangevole | "plaintive"; in the style of a lament. |
poetic diction | Distinctive language used by poets, i.e., language that would not be common in their everyday speech |
universal symbol | Another term for an |
dream vision | above. |
synthesize | To examine, closely study, and evaluate how individual text elements work together as a whole by combining the knowledge of one text element to the analysis of an additional element. |
madrigal | an Italian short poem or part song suitable for singing by three or more voices, first appearing in England in the anthology Musica Transalpina |
heptameter | seven feet, a measure made up of seven feet (fourteeners) |
immer springend. bog. | (German) always spiccato |
soiree | (swa-ray) A party or reception held in the evening. |
musical comedy | A popular form of twentieth-century theatre, with singing and dancing, designed primarily for entertainment. |
classification | Classification is a figure of speech linking a proper noun to a common noun using the or other articles. |
focoso | "passionately" |
synonym | A word that has a meaning identical with, or very similar to, another word in the same language (i.e., right/correct) |
transition words and phrases | Words or phrases that signal a change from one idea to another |
designer | an artist who designs some element of the look or sound of a film (such as set design, light design, costume design, sound design, etc.) |
pastiche | work patched together from excerpts of other writers, or from passages clearly recognizable as imitating others. |
adagio | "slow." |
to go | The amount that a player is required to call in order to stay in the hand, "Alice was deciding whether to call now it was $50 to go." |
deus ex machina | Literally, "god from a machine." In ancient Greek theater, the convention of bringing in gods on a mechane—that is, a crane or lever suspended from the top of the scene house |
truss | a horizontal gridwork structure that is suspended from the ceiling or held up by towers on either end; designed to hold lighting instruments; standard equipment for larger industrial shows or rock-and roll concerts |
phonolexis | a term coined by Philip Davies Roberts to describe "meaning conveyed through phonemic connotation limited to speakers of a particular language" (How Poetry Works: The Elements of English Poetry [Penguin, 1986]: 53-54) |
blind stud | A stud poker game in which all cards are dealt face down |
apostrophe | Apostrophe (Greek ἀποστροφή, apostrophé, "turning away"; the final e being sounded) is an exclamatory rhetorical figure of speech, when a speaker or writer breaks off and directs speech to an imaginary person or abstract quality or idea |
ptolemy hephestion | Apparently this person does not exist.".. |
submission | Name for a script once it is submitted to producers or agents. |
accelerando | gradually increasing the tempo; "accelerating". |
spiritoso | "spiritedly." |
speaker | The voice which speaks to the reader / listener in a piece of verse (not necessarily identical with the poet). |
attacca | attack, or go on; i.e., at the end of a movement, a direction to begin (attack) the next movement immediately, without a gap or pause |
hesper | The Hesperides were the Greek goddesses of evening or sunset |
conflict | the opposition of forces |
hibbut ha-kever | Literally "thrashing in the grave" it is a cabbalistic text on means of punishment inflicted by angels in order to exempt the deceased from further purgatory. |
dark | An action taken before receiving information to which the player would normally be entitled |
laws of hospitality | Called |
unity of effect | In his review of Nathaniel Hawthorne´s Twice-Told Tales the famous short story writer Edgar Allan Poe demanded that in a short story every word, sentence or incident must serve to bring about a "certain single effect" |
hyperbaton | anastrophe, hysteron-proteron, and catachresis. |
offstage | Areas of the stage, usually in the wings, which are not in view of the audience. |
syntax | Refers to the order in which words are placed |
bon ton | Fashionable manner or style |
final table | The last table in a multi-table poker tournament |
context clue | Information surrounding a word or phrase (i.e., words, phrases, sentences, or syntax) that gives clues to its meaning |
dissemble | Hide under a false appearance. |
antechamber | Hall, lobby, reception room. |
alojero | In corrales, the theaters of the Spanish golden age, a box from which refreshments—food and drinks—were sold. |
triplet | a three-syllable foot, or a three-line stanza, with a single rhyme |
mise-en-scène | Arrangement of all the elements in a stage picture, either at a given moment or dynamically throughout a performance. |
figures of speech | Words or groups of words the writer doesn't mean literally, such as similes (thin as a reed), metaphors ( traffic is a high energy current jumping constantly between the poles of Brooklyn and New Jersey), and personification ( the very skins of the drums are singing with pleasure ) |
float | Calling a bet with the intention of bluffing on a later betting round |
ibo | a Caribbean dance rhythm that belongs to the group of faster Haitian merengues |
sinciput | The forehead, or the upper half of the skull. |
neologism | blending, and kenning. |
educed | Brought out |
masorah | The Hebrew Bible was originally written without full indication of the vowelling of the consonantal text, this being preserved by oral tradition |
metaphorical language | Metaphorical language is the use of a complex system of metaphors to create a sub-language within a common language which provides the basic terms (verbs, prepositions, conjunctions) to express metaphors. |
ext. | Outdoors. |
axiom | A statement accepted as true as the basis for argument or inference |
prestissimo | extremely quickly, as fast as possible |
glissando | a continuous sliding from one pitch to another (a "true" glissando), or an incidental scale played while moving from one melodic note to another (an "effective" glissando) |
maniac | A very loose and aggressive player, who bets and raises frequently, and often in situations where it is not good strategy to do so |
alla marcia | in the style of a march |
spread | The range between a table's minimum and maximum bets. |
absurdity | a theatre-of-the-absurd play, often using comedic elements in a nihilistic vein, that is, denying the existence of any basis for knowledge or truth |
il est temps que | (French) It's time that |
ich dien | (archaic German) 'I serve' (the motto of the Prince of Wales) |
acephalous | From Greek "headless," acephalous lines are lines in normal iambic pentameter that contain only nine syllables rather than the expected ten |
allegretto | "a little lively," or "moderately fast." |
scene | (1) The period of stage time representing a single space over a continuous period of time, now usually marked either by the rise or fall of a curtain or by the raising or lowering of lights but in the past often marked simply by a stage clearing; often the subdivision of an act |
beast fable | The beast fable or beast epic, usually a short story or poem in which animals talk, is a traditional form of allegorical writing |
trap | See slow play. |
backdrop | Large drapery or painted canvas which provides the rear or upstage masking of a set. |
prosody | see Metre. |
coffee housing | Talking in an attempt to mislead other players about the strength of a hand |
grand guignol | Le Théâtre du Grand-Guignol (French: "The Theater of the Big Puppet") — known as the Grand Guignol — was in the Pigalle area of Paris (at 20 bis, rue Chaptal) |
wash | To mix the deck by spreading the cards face down on the table and mixing them up |
voiceover narration | a narration heard over the images of a scene. |
simile | similarly; i.e., continue applying the preceding directive, whatever it was, to the following passage |
irato | angrily |
il est étonnant | (French) It's amazing |
improvvisamente | (Italian) extemporaneously, suddenly, unexpectedly |
catalogue verse | poems with lists that perform an encyclopedic purpose, lending high seriousness to a topic |
scribe | A literate individual who reproduces the works of other authors by copying them from older texts or from a dictating author |
con amor | with love, tenderly |
tone | the poet's attitude to the poem's subject as the reader interprets that, sometimes through the tone of the persona or speaker (who may feel quite differently). |
twins of leda | In Greek mythology, Castor and Pollux were twins born of Leda and fathered by Zeus, who disguised himself as a swan and seduced her |
bivalve | Having a shell composed of two valves |
characterization | Characterisation or characterization is the process of conveying information about characters in narrative or dramatic works of art or everyday conversation |
ruritanian romance | A Ruritanian Romance is a story set in a fictional country, usually in Central or Eastern Europe, such as the Ruritania that gave the genre its name |
illustrer | (French) to illustrate |
iban agarrados del brazo | (Spanish) they were walking along arm in arm |
antiphon | a sacred poem with responses or alternative parts. |
discordantly | In disagreement with, conflicted. |
holograph | A holograph is a document written entirely in the handwriting of the person whose signature it bears |
calore | warmth; so con calore, warmly |
menippean satire | The genre of Menippean satire is a form of satire, usually in prose, which has a length and structure similar to a novel and is characterized by attacking mental attitudes instead of specific individuals |
closed couplet | An end-stopped, rhymed couplet that contains a complete thought |
right | On stage, the actors' right, assuming they are facing the audience |
allegory | A pattern of reference in the work which evokes a parallel action of abstract ideas |
asemic writing | Asemic writing is a wordless open semantic form of writing |
tilt | Emotional upset, mental confusion, or frustration in which a player adopts a less than optimal strategy, usually resulting in poor play and poor performance |
scaena | In Roman theater, the stage house. |
gaudioso | with joy |
denotation | Literal meaning of a word |
bisbigliando | "whispering" – a special tremolo effect on the harp where a chord or note is rapidly repeated at a low volume. |
immer langsamer | (German) slower and slower |
analogy | The invocation of a similar but different instance to that which is being represented, in order to bring out its salient features through the comparison. |
iambic trimeter | a Classical Greek and Latin metre with six iambic feet (also known in English as the Alexandrine). |
oral history | Reports from people who experienced a certain historical time themselves; recordings are made from interviews, and later on these recordings are printed |
andantino | slightly faster than andante. |
half-rhyme | See inexact rhyme. |
ossia | Denotes an alternative way of performing a passage often notated with a footnote, additional small notes, or an additional staff. |
positivism | In theater history, the idea that history can be chronicled objectively and explained logically. |
full bet rule | In some casinos, the rule that a player must wager the full amount required in order for his action to constitute a raise |
curvature | If a manuscript is photographed when in its binding, inward curvature at the spine produces a distorted image |
spfx | Abbreviation for Special Effects. |
facile | "easily" |
juxtaposition | The act or an instance of placing two or more things side by side. |
internal rhyme | see rhyme. |
analyzed rhyme | Another term for inexact rhyme |
extended metaphor | An extended metaphor, also called a conceit, is a metaphor that continues into the sentences that follow |
bachic meter | Poetry in which each foot is a three-syllable foot consisting of three heavy stresses |
il medesimo tempo | (Italian m.) the same time |
apothegm | An adage (pronounced /ˈædɨdʒ/), or adagium (Latin), is a short but memorable saying which holds some important fact of experience that is considered true by many people, or that has gained some credibility through its long use |
unity | The state of being one complete whole. |
vittorioso | "victoriously" |
masque | Lavish form of private theatrical entertainment which developed in Renaissance Italy and spread rapidly to the courts of France and England |
homeric | Relating to, or characteristic of the Greek poet Homer, author of the Iliad and Odyssey. |
alter-ego | a substitute “self” for a writer, usually a protagonist in the writer’s story. |
alliteration | the repetition of initial consonant sounds in words close together (e.g |
journalism | Writing for newspapers. |
anaphora | In rhetoric, an anaphora (Greek: ἀναφορά, "carrying back") is a rhetorical device that consists of repeating a sequence of words at the beginnings of neighboring clauses, thereby lending them emphasis |
personification | an anthropomorphic figure of speech where the poet describes an abstraction, a thing, or a non-human form as if it were a person |
call | To match a bet or raise |
romance | long narrative poems in French about courtly culture and secret love that triumphed in English with poems such as Sir Gawain and the Green Knight and Chaucer's The Knight's Tale and Troilus and Criseyde. |
immer bewegter | (German) still moving more (i.e |
central meaning | In a formal analysis of a novel, short story etc |
blank verse | Blank verse is a type of poetry, distinguished by having a regular meter, but no rhyme |
verso | See discussion under quarto or examine this chart. |
ananke- | Greek term for "necessity" or "that which has to be;" ananke was the force in the universe that kept "the natural order of things." |
novelist | The writer of novels. |
understatement | The opposite of hyperbole, understatement (or litotes) refers to a figure of speech that says less than is intended |
taburetes | In the Spanish golden age, a row of stools or a few benches at the front of the patio (pit) of a corral, near the stage. |
harrison ainsworth | William Harrison Ainsworth (1805-1882) was a British historical novelist |
story of initiation | See initiation. |
zarzuela | In the Spanish golden age, a court entertainment; usually, a short, stylized musical drama based on mythology and with ornate scenic effects, influenced by Italian opera and intermezzi. |
against | A term describing the ultimate potential payday for a writer in a film deal |
disconsolate | Downcast, dejected, cheerless. |
virelay | a medieval French poetic form, consisting of short lines in stanzas with only two rhymes, where the final rhyme of one stanza becomes the main rhyme of the next. |
in modo di | in the art of, in the style of |
sunda islands | The Lesser Sunda Islands are a number of smaller islands between 800 and 1200 miles east of Jakarta (formerly Batavia), Indonesia. |
overpair | In community card games such as Texas hold 'em and Omaha hold 'em, a pocket pair with a higher rank than any community card. |
benefice | One of those words loved by the lawyers that are difficult to define. The Shorter Oxford Dictionary says "an ecclesiastical tenure", whatever that may mean. For our purposes it may do to say that it relates to all that an incumbent accepts on his appointment to a parish – any endowments, the cure of souls in the parish, the freehold, the occupation of the clergy residence, be it vicarage or rectory. It used to include tithes when they were payable to an incumbent. |
poi | "then," indicating a subsequent instruction in a sequence; diminuendo poi subito fortissimo, for example: "getting softer then suddenly very loud." |
romantic farce | a broad comedy blending incongruous situations with lightly treated love |
prolepsis | anticipation. |
cravat | A necktie |
verse | A general word for all kinds of poetry |
head and tail bands | Ornamental bands at the head and tail of a book, sewn between the book block and the spine covering |
heroic quatrain | Like an Heroic Couplet but a group of four lines rhymed a b a b. |
skene | The Greek stagehouse (and root word of our scene) |
theater of cruelty | Antonin Artaud's visionary concept of theater based on magic and ritual which would liberate deep, violent, erotic impulses |
immutabilis | (Latin) one of the accentus ecclesiastici |
exact rhyme | above and slant rhyme, below. |
mythology | A system of stories about the gods, often explicitly religious in nature, that were once believed to be true by a specific cultural group, but may no longer be believed as literally true by their descendents |
aphesis | the omission of the initial syllable of a word |
concetti | set comic speeches by actors in the commedia dell'arte; for example, the Capitano's concetti might include boastful descriptions of his military prowess. |
modern english | The English language as spoken between about 1450 and the modern day |
improvise | (French) extemporaneous |
rag | A low-valued (and presumably worthless) card |
forte | usually marked with f: to be played or sung loudly |
imagery | hyperbole |
verbal irony | See discussion under irony, above. |
dominus | Leader of a Roman acting troupe. |
dystopia | See utopia. |
mobile | "flexible", "changeable" |
dramaturge | A specialist in dramatic construction and the body of dramatic literature; a scientist of the art of drama |
horticulturist | A person who specializes in the art of growing fruits, vegetables, flowers, or ornamental plants. |
ililta | in the Horn of Africa, ululation performed by worshippers at services in the Ethiopian Orthodox and Eritrean Orthodox rites |
five of a kind | A hand possible only in games with wild cards, or a game with more than one deck, defeating all other hands, comprising five cards of equal rank. |
charlatanerie | One making usually showy pretenses to knowledge or ability |
gimlet | A small tool with a screw point, grooved shank, and cross handle for boring holes. |
symbolist movement | late 19th-century French writers, including Mallarmé and Valéry, whose verse dealt with transcendental phenomena or with images and actions whose meaning was associative rather than referential. |
document | A paper or record, especially an official one |
illustrazione | (Italian f.) illustration |
marcato | play every note as though it is accented. |
ossification | The natural process of bone formation; the hardening (as of muscular tissue) into a bony substance; a mass or particle of ossified tissue. |
fourth-wall convention | Pretense that in a proscenium-arch theater the audience is looking into a room through an invisible fourth wall |
expressionism | a movement in drama which emphasizes subjectivity of perception |
overstatement | See Hyperbole. |
medieval theatre | Medieval theatre refers to the theatre of Europe between the fall of the Western Roman Empire and the beginning of the Renaissance |
short play | See one-act play. |
fantasy | An imaginative work that has nothing whatsoever to do with reality. |
primo | "first." |
imagery | The use of description, figures of speech and pictures to create ideas and feelings. |
il est temps de | (French) It's time to |
il est triste | (French) It's sad |
dramatic irony | See Irony. |
idm | see 'Intelligent dance music' |
libero | "(I) liberate" |
stage directions | Scene descriptions, blocking instructions, and general directorial comments written, usually by the playwright, in the script. |
plot | The unified structure of incidents in a literary work |
tremolo | a rapid repetition of the same note, or an alternation between two or more notes |
window card | An upcard in stud poker |
liturgical drama | Liturgical drama or religious drama, in its various Christian contexts, originates from the mass itself, and usually presents a relatively complex ritual that includes theatrical elements. |
stave | Another term for stanza |
il est surprenant | (French) It's surprising |
abbreviations | shortcuts used in scripts such V.O., O.C. |
realism | Literary period when writers tried to portray characters, events, situations, and social conditions as they really were. |
tone | Tone can be conveyed by a poet’s choice of words or by the poem’s rhythm |
proscenium arch | An arch framing the stage which separates the actors and audience. |
theme | central ideas or thoughts of a play that synthesize the audience's experiences |
prose poem | continuous, non-end-stopped writing that has other traits of poetry and is, from its context, associated with poems. |
improv | an abbreviation of 'improvisation', used in jazz to describe the improvisational section of a work |
comedy of manners | A comic drama consisting of five or three acts in which the attitudes and customs of a society are critiqued and satirized according to high standards of intellect and morality |
con fuoco | with fire, in a fiery manner |
epic simile | extended comparison or cluster of similes or metaphors. |
historical novel | According to Encyclopædia Britannica, a historical novel is: "a novel that has as its setting a period of history and that attempts to convey the spirit, manners, and social conditions of a past age with realistic detail and fidelity (which is in some cases only apparent fidelity) to historical fact |
zibaldoni | In the Italian Renaissance, manuscripts compiled by actors in commedia dell'arte, containing jokes, comic business, and repeated scenes and speeches; some of these manuscripts survive today. |
manumitted | To let go, send; To release from slavery. |
double suited | An Omaha hold 'em starting hand where two pairs of suited cards are held, e.g |
carpe diem | A poem advising someone to Seize the day |
ambiguity | Device which is used deliberately by an author: a word or phrase which may have two or more relevant meanings |
enfatico | "emphatically" |
iberian organ | the great majority of instruments that had only one manual employed 'divided registers' |
maker | a medieval and early Renaissance term for `poet.' |
dolente | sorrowfully, plaintively |
symbol | Something representing something else. |
anapodoton | Deliberately creating a sentence fragment by the omission of a clause: "If only you came with me!" If only students knew what anapodoton was! Good writers never use sentence fragments? Ah, but they can |
top billing | the star of the show whose name is most prominent on the marquee and at the top of the playbill |
bufo cubano | Cuban versions of the minstrel show. |
professional recommendation | A method of submission in which a writer may submit a full script if it's accompanied by a theater professional (typically a literary manager or artistic director, though sometimes a director is acceptable as well). |
mano destra | [played with the] right hand (abbreviation: MD). |
imbarcazione da diporto | (Italian f.) pleasure craft |
peer-reviewed journal | Also called a |
mezzo | half; used in combinations like mezzo forte (mf), meaning moderately loud |
poop | A deck raised over the after part of the spar deck |
upcard | A card that is played face up |
hijack seat | The seat to the right of the cutoff seat, or second to the right of the button. |
simile | An explicit comparison |
gnomic poetry | Gnomic poetry consists of sententious maxims put into verse to aid the memory |
tie lines | small cotton lines used to attach drapes and drops to battens |
chant royale | a complex French form of the ballade, having various forms. |
underfull | A full house made where the three of a kind has lower-ranking cards than the pair |
vivo | lively |
ossia | or instead; i.e., according to some specified alternative way of performing a passage, which is marked with a footnote, additional small notes, or an additional staff |
genre | Literary genres, categories or types are the short story, novel, novella, poem, and so on. |
conceit | a complicated intellectual metaphor |
churchwardens | Every parish has two churchwardens, who are senior laity |
bruscamente | "brusquely". |
eye-rhyme | At the end of the lines in poetry there may be words which are spelt alike but pronounced differently, like in Wordsworth´s Composed upon Westminster Bridge the words "by" and "majesty": an imperfect rhyme. |
comparison | See simile |
plot | The events of the play, expressed as a series of linked dramatic actions; more generally, and in common terms, the story of the play |
persona | A personality, in the word's everyday usage, is a social role or a character played by an actor |
stanza | A group of two (couplet) or more lines in a poem |
georgian poetry | Georgian Poetry was the title of a series of anthologies showcasing the work of a school of English poetry that established itself during the early years of the reign of King George V of the United Kingdom. |
multiculturalism | In theater history, an approach focusing on diverse cultural, social, and ethnic groups that have traditionally been underrepresented. |
iambic | The most common metrical foot in English poetry a foot of two syllables, with a weak stress followed by a strong. |
magic if | Stanislavski's acting exercise which requires the actor to ask, "How would I react if I were in this character's position?" |
anglican communion | The worldwide group of churches in communion with one another and, in particular, with Canterbury; all have a historical link with the Church of England, the Church of Ireland or the Scottish Episcopal Church. They accept fully the Lambeth Quadrilateral and look to the Archbishop of Canterbury as the senior bishop within the worldwide communion. All such churches uphold the Lambeth Quadrilateral. |
pageant master | In the Middle Ages, a professional stage manager who oversaw the production of a cycle of mystery plays. |
ephemeron | Something short-lived or of no lasting significance. |
symposium | A social gathering at which there is free interchange of ideas |
private symbol | In contrast with an archetype (universal symbol), a private symbol is one that an individual artist arbitrarily assigns a personal meaning to |
consonance | repetition of final consonant sounds in words close together (short and sweet, struts and frets) |
coda | Closing section of a movement. |
theatricalist | A style of contemporary theatre that boldly exploits the theatre itself and calls attention to the theatrical contexts of the play being performed |
silenzio | silence; i.e., without reverberations |
agile | "swiftly" |
hexameter | six feet; sometimes termed hexapody, a six-part foot, one measure made up of six feet |
paranomasia | The technical Greek term for what English-speakers commonly refer to as a "pun." See extended discussion under pun, below. |
shooting schedule | a principal photography production schedule created by a production manager and assistant director to organize the shooting of scenes out-of-continuity in the most economical and time-saving way possible. |
burlesque | Ludicrous imitation of a dramatic form or a specific play |
antimetabole | In rhetoric, antimetabole (pronounced /æntɨməˈtæbəliː/ AN-ti-mə-TAB-ə-lee) is the repetition of words in successive clauses, but in transposed grammatical order (e.g., "I know what I like, and I like what I know") |
vignette | A short, descriptive, literary sketch |
dada | A provocative and playful European art movement following World War I - characterized by seemingly random, unstructured, and "anti-aesthetic" creativity - that was briefly but deeply influential in poetry, painting, and theatre. |
exact rhyme | while the rhymes |
iglesia ortodoxa griega | (Spanish f.) Greek Orthodox Church |
parallelogram | A geometric figure with sides that are parallel and equal |
im takt | (German) a tempo, in time (to the music) |
genetic fallacy | The genetic fallacy is a fallacy of irrelevance where a conclusion is suggested based solely on something or someone's origin rather than its current meaning or context |
dead button | See dead button rule. |
public theaters | In Elizabethan England, outdoor theaters. |
paradox | a self-contradictory phrase or sentence, such as "the ascending rain" or Alexander Pope's description of man, "Great lord of all things, yet a prey to all." Don Marquis's "quote buns by great men quote" (archys life of mehitabel [London: Faber and Faber, 1934]: 103-04), describes a drunk trying to go up a down-escalator as "falling upwards / through the night" (the poem also parodies Henry Wadsworth Longfellow's "St |
aube | An aubade is a poem or song of or about lovers separating at dawn. |
soliloquy | The act of talking to oneself |
director | In American usage, the person who is responsible for the overall unity of a production, coordinating the efforts of the contributing artists |
angle perspective | Use of two or more vanishing points, frequently at the sides of a painted design |
letters - intellectual | An intellectual is a person who uses intelligence (thought and reason) and critical or analytical reasoning in either a professional or a personal capacity. |
light ending | Light ending may refer to: |
im tempo | (German) a tempo, return to the original pace |
secrets | In medieval theater, special effects. |
feroce | "ferociously" |
imbarazzato | (Italian) embarrassed |
scenery | In drama, the overall decoration of the stage comprising the props and the stage design |
christmas | The Christmas morning service continues to attract many casual participants for whom it is, perhaps, the only service they attend in a year – apart from weddings, baptisms or funerals. Many parishes also hold a celebration of Holy Communion late on Christmas Eve. It is, of course, the annual celebration of the birth of Jesus Christ by the Holy Spirit of the Virgin Mary. The season of Christmas is also celebrated by crib and Christingle services. |
herod | "Herod the Great" was the King of Judea around the time of Christ's birth (0 BC) |
blocker | In community card poker, holding one of the opponent's outs, typically when the board threatens a straight or straight draw |
onomatopoeia | The use of words that sound like the natural noises they name |
il n'est pas mal! | (French) He's not bad looking! |
footlights | Row of lights in the floor along the edge of the stage or apron; once a principal source of stage light but now rarely used. |
bed-trick | The term for a recurring folklore motif in which circumstances cause two characters in a story to end up having sex with each other because of mistaken identity--either confusion in a dark room or deliberate acts of disguise in which one character impersonates another |
set-up | A deck that has been ordered, usually King to Ace by suit (spades, hearts, clubs and diamonds) |
imshi! | (Arabic) go away!, be off! |
rounder | An expert player who travels around to seek out high-stakes games |
regional theater | (1) Theater whose subject matter is specific to a particular geographic region |
locution | A word or expression characteristic of a region, group, or cultural level. |
satiric comedy | a play in which abuses, follies, stupidities, vices are ridiculed |
im gleichen tempo | (German) the same speed |
big full | The best possible full house in community card games |
dirge | A lyric poem or song commemorating a death and expressing grief. |
bubble | The last finishing position in a poker tournament before entering the payout structure |
ballad | elegy |
sociétaire | Shareholder in a French acting troupe. |
period | an historical time and place that serves as the setting or “special world” of a screenplay story. |
inflection | In drama the change in the tone or loudness of the voice. |
idyll | A poem which represents the pleasures of rural life. |
il est injuste | (French) It's unfair |
anti-masque | An anti-masque (also spelled antimasque) is a comic or grotesque dance presented before or between the acts of a masque, a type of dramatic composition |
summary | In a summary you tell the reader what a story, a poem, a novel is about |
flourisher | In medieval times, this was a professional artist who works in conjunction with illuminators and rubricators to design pen-work decoration on initials and /or flourishwork on the borders of decorated books |
householders | In Elizabethan England, star members of an acting company who were given part-ownership of its playhouse; also, people who owned buildings and rented them to acting companies. |
coir | A stiff coarse fiber from the outer husk of a coconut |
long metre | Long metre is a poetic meter consisting of four line stanzas, or quatrains, in iambic tetrameter with alternate rhyme pattern a-b-a-b |
enjambement | the running over of a sentence or phrase from one verse to the next, without terminal punctuation, hence not end-stopped |
heat | Positive gossip about a project on the Hollywood grapevine. |
bauble | A small ornament |
coincidence | something which happens by chance |
ten-minute play | A complete play, with a beginning, middle and end, designed to play in ten minutes. |
theme | The idea of a literary work abstracted from its details of language, character, and action, and cast in the form of a generalization |
shaking the vibrating object | maracas, pellet bells, etc. |
sedge | Any of a family of usually tufted marsh plants. |
buy short | To buy into a game for an amount smaller than the normal buy-in |
alto | high; often refers to a particular range of voice, higher than a tenor but lower than a soprano |
allegory | or click here to download a pdf handout contrasting allegory and symbolism in greater detail. |
stamboul | Istanbul, historically Byzantium and later Constantinople, is Turkey's most populous city, and its cultural and financial center |
dumbshow | A mimed episode introduced into a spoken play, i.e |
improvviso | (Italian) sudden, unexpected, unforeseen, extemporaneous |
tragedy | and allows the audience or reader time to relax, laugh, and consider the developing events within the plot structure. |
zanni | In commedia dell'arte, comic male servants. |
package | The assembly of the basic elements necessary to secure financing for a film. |
il est bizarre | (French) It's odd |
im | (German) in the |
truncated line - acatalexis | An acatalectic line of verse is one having the metrically complete number of syllables in the final foot |
bowdlerize | Thomas Bowdler (pronounced /ˈbaʊdlər/) (11 July 1754 â€" 24 February 1825) was an English physician who published an expurgated edition of William Shakespeare's work, edited by his sister Harriet, intended to be more appropriate for 19th century women and children than the original. |
masque | a short allegorical stage entertainment, popular in the 16th and 17th centuries but still used, that features masked actors |
incalzando | "getting faster and louder." (the exact opposite of calando). |
loathly lady | The |
character development | the gradual revelation of information about a character that the audience needs to know in order to understand the character’s motivations and intent. |
saltando | bouncing the bow as in a staccato arpeggio, literally means "jumping" |
rhythm | If stressed and unstressed syllables of a text follow a particular pattern, a certain flow of the language is achieved which we call rhythm of the language. |
aufklärung | The German term for the philosophical movement called in English "the Enlightenment" or the Neoclassical movement |
mark | The signature of someone who does not know how to write |
volta | Also called a turn, a volta is a sudden change in thought, direction, or emotion near the conclusion of a sonnet |
romance | An imaginative story full of love and adventure. |
octameter | Octameter in poetry is a line of eight metrical feet |
tempo | general rate of playing a scene |