Glossary extracted starting with manual seeds, with PTM for the domain mus and language EN
intimo | "intimately" |
cello | Small violone (violone means "big viola") |
end pin | The metal post where the back end of the strap connects |
marcato | marked; i.e., accentuatedly, execute every note as if it were to be accented |
col legno | Use the wood (back) of the bow (for string players) |
stave/staff | The five lines and four spaces on which notes are written |
perpetuum mobile | Continuous rhythmic motion, employing a consistent note value that proceeds rapidly without pause for an entire section or movement. |
leggiero | Lightly. |
slentando | Get gradually slower. |
coperti | on a drum, muted with a cloth. |
sonoro | with rich tone or resonant |
dolce | sweetly, gently. |
allegro commodo | a conveniently rapid tempo. |
loop stringing | In stringing, loop stringing is a procedure where the string is attached to one tuning pin then bent around the hitch pin and then comes back and is attached to another tuning pin, thereby forming a loop |
maestro suggeritore | Master prompter |
keys | Wooden levers that are pressed downward in order to activate the action. |
prelude | An instrumental introduction to an act within a musical drama. |
grave | Very slow. |
tierce de picardie | see Picardy third |
infurianto | "furiously" |
floating bridge | A type of bridge held in place by the string tension (which pulls it one way), and a set of bridge springs. |
major triad | A triad featuring a P5 divided into a M3 (bottom) and m3 (top). |
bridge cap | A piece of maple laminated to the base of the bridge that holds the bridge pins |
letoff button | The adjusting screw that regulates letoff. |
vittorioso | victoriously |
expressionism | As in the visual arts, a term used to describe works in which the artist's state of mind is the primary concern; similarly applied above all to German music of the early twentieth century, as composed by StraussBerg and Schoenberg. |
acoustics | The science or study of sound |
backphrasing | A rhythmic alteration in which the melody falls behind the beat. |
allegro non presto | an allegro movement, but not too rapid. |
h | German for B natural; B in German means B flat |
semplicemente | simply |
adagissimo | "very slow." |
jack | A small piece of wood -- the throwing arm -- that pushes up on the hammer shank as the hammer is being propelled toward the string. |
slargando or slentando | becoming broader or slower (that is, becoming more largo or more lento) |
concert pitch | Tuning standard where the ‘A’ above middle C = 440 Hz or 440 vibrations per second |
sustain | To sing or play a specific note for the specified duration |
tuning pins | Adjustable high tensile strength steel shanks that are set into the pinblock in order to attach the strings to the piano |
diminuendo | dwindling |
alla marcia | In the style of a march. |
cymbales charleston | cymbals that are operated by a foot pedal |
cadence | The closing sequence of a musical phrase or composition |
impromptu | A improvised piece, e.g: Schubert’s Impromptus |
node | The spot on a piano wire that creates the division of the wire |
assai | "very." |
interlude | Piece of instrumental music played between scenes in a play or opera. |
parlando or parlante | like speech, enunciated |
stage manager | the person who coordinates and manages elements of the performance. |
scatenato | unchained, wildly[5] |
a piacere | "at pleasure" |
assai | very, or very much |
très lentement | very slowly. |
overtone | A high-pitched sound that a string produces which is not part of its fundamental tone. |
senza sordini | String direction – to play without mutes. |
di | by, with, of, for |
invention | A short contrapuntal piece stemming from a single musical idea |
pitch | The note that the string is sounding |
fanfare | a trumpet call. |
ma non troppo | "but not too much." |
etwas | somewhat |
alto | high |
con delicato | with delicacy. |
un poco | "a little." |
sul e | "on E", indicating a passage is to be played on the E string of a violin |
flat | 1 |
-issimamente | a suffix meaning 'as...as can be', e.g |
largo | broadly; i.e., slowly |
divisi | divided |
forte or f | strong; i.e., to be played or sung loudly |
sipario | curtain (stage) |
hammer | The entire mallet that is activated by the action to strike the strings. |
modéré | moderately, at a moderate speed |
encore | ‘Again’; A term the audience calls out to the performers when they wish the performers to repeat what has just been sung. |
sempre lento malinconico assai | always slowly and in a very melancholy style. |
comprimario | “next to the first”; A singer who plays a secondary role such as a confidante, servant, messenger |
sempre | "always." |
constantine | Roman ruler who shifted the capital of the Empire to the east, converted to Christianity, and founded the Byzantine Empire |
keyblocks | Sometimes called the cheekblocks, keyblocks are decorative wooden pieces placed at both ends of the keyboard in order to hold the keyframe in its proper position. |
postlude | (lit |
bis | "again," "twice." |
pianissimo possibile | as softly as possible. |
lied | “song”; A German song; [leet], plural Lieder [leader] |
ein wenig | a little |
douce | sweet |
subito | suddenly (e.g., subito pp, which instructs the player to suddenly drop to pianissimo as an effect) |
come | as, like |
grave | Word to indicate the movement or entire composition is to be played very slow and serious. |
double repeating action | A feature of grand pianos where the hammer is reset and ready to play before the key has actually returned to its home position |
masquerade | In the context of African practice, masquerade dancers are a feature of religious societies and are identified with different roles |
fine | "the end," often in phrases like al fine ("to the end"). |
leggiero | lightly, delicately |
perdendosi | dying away (losing itself) |
parallel motion | Melodic lines move in the same direction. |
straight side | The straight edge of the piano cabinet on your left when facing the keyboard also known as the spine. |
perdendosi | Dying away. |
intermedi | Musical interludes performed between the acts of a play in late sixteenth- and early seventeenth-century Italy, involving dance, song and often spectacular scenic effects |
sarabande | triple measure. |
sidebearing | The angle of deflection from the bridge pin to one of the other termination points of a string |
variation | A technique of changing, modifying, or transforming a musical idea. |
adagissimo | very, very slow |
delicato | delicately |
bravo | skillful |
register | part of the range of an instrument or voice |
tremendo | "frightening" |
rit. | held back; i.e., slower (usually more so but more temporarily than a ritardando, and it may, unlike ritardando, apply to a single note) |
transpose | To change the key in which a progression is played. |
v-bar | The front termination point of the treble strings that is either cast into the iron plate or is attached |
bel canto | beautiful voice |
capriccioso | "capriciously" |
plagal cadence | The chord of the subdominant followed by the chord of the tonic |
teflon bushings | A flange bushing made from teflon instead of wool to reduce ware |
dolcissimo/dolciss. | Very sweetly |
phrase | see musical phrase. |
rest | Silence |
attack | The first part of a sound, defined as the amount of time it takes for the acoustic waveform or electronic signal to rise from silence to its greatest amplitude |
a 2 absolute music: | Music not explicitly connected with words or specific meaning but exists simply as it is. |
sustained decay | A type of decay in which a note continues to sound steadily as long as the note is still being played. |
proscenium | The part of the stage between the curtain and the orchestra pit. |
fz | see sforzando in this list |
con variazioni | with variations. |
mini-barre | Fretting two or three strings, but not all of them, with a single finger. |
staff | 5 horizontal parallel lines on or between which musical notes are written, indicating their pitch or key |
dramatis personae | the actors in a play |
acceso | ignited, on fire |
thumb rest | A plastic or wood bar on a bass guitar on which to rest your thumb. |
bourée | duple or quadruple measure. |
sentimento | with sentiment. |
score | a term used in two senses: |
leading-note | Seventh degree of the scale E.g: In G major the Leading-note is F# |
expressivo | To play or sing expressively |
tarantella | A very lively dance in 6/8, which originated in Italy |
martellato | hammered out. |
alla capella | usually the same as a capella (see p |
seventh-fret method | A method of relative tuning whereby you tune the bass guitar using the pitch played on the seventh fret as the comparison note. |
capo | beginning. |
affettuoso | with feeling |
treble | Highest part in harmonized music |
key | The basis of tonal music |
possibile | possible |
consonance | A combination of tones agreeable to the ear and requiring no resolution to other tone-combinations in order to give the effect of finality |
con variazioni | with variations/changes |
conductor | The person who leads a musical group. |
rondo form | A form whereby a principal theme alternates with other (varied) themes called episodes on the pattern A B A C A, A being the principal theme and B and C being the episodes |
presto assai | as rapidly as possible. |
sidefills | a slang term for onstage monitor speakers that are placed on the sides of the stage, to help performers to hear themselves. |
n.c. | No chord, written in the chord row of music notation to show there is no chord being played, and no implied harmony. |
pro-slavery | This term might be used to describe a person, an action, or an idea that is in favour of slavery. |
ängstlich | anxiously |
part | A line in a contrapuntal work performed by an individual voice or instrument. |
berceuse | a cradle song. |
portamento | 1 |
tre corde | (tc; sometimes inaccurately tre corda) literally "three strings"; an instruction to release the soft pedal (in piano music) |
duet | a composition for two performers |
bergamasca | from Bergamo |
baroque | Period in Western music from approximately 1600 to around 1750. |
polacca | a Polish dance in three-quarter measure. |
libretto | little book |
chipping | The process of gradually increasing the tension on the strings after new strings have been installed |
marzial | "martially." |
etwas | Somewhat |
largo di molto | very slow. |
andante cantabile | moderately slow, and in singing style. |
façade | Face or front of a building. |
hammer rail | The rail that the hammer and the hammer flanges are attached to with flange screws. |
senza sordino | "without mute." |
sul g | Play on the G string |
duo | A duet |
sortita | a principal singer's first entrance in an opera |
soubretta | In eighteenth-century opera, a serving-girl caricature who uses her cunning and wit to sort out problems, eg Mozart's Despina (Così fan tutte) |
vivacissimo | "very lively" |
finger permutations | An exercise used to train the left hand for fingering and to build up finger independence. |
andante amabile | moderately slow, and lovingly. |
non tanto | Not so much. |
cadenza | A brilliant passage, usually in an instrumental composition, introduced just before the close of a movement |
duple time/metre | two main beats per bar |
collection | several things grouped together or considered as a whole |
pomposo | pompous, ceremonious |
piano technicians guild | The mission of the Piano Technicians Guild is to promote the highest possible standards of piano service by providing members with opportunities for professional development, by recognizing technical competence through examinations and by advancing the interests of its members. |
scherzando | "playfully." |
leitmotiv | “light motive”; A short thematic musical passage representing a character or situation in a musical drama |
bruscamente | brusquely |
scores | The sheets of music that you sing or play from. |
romantic | A period in history during the 18th and early 19th centuries where the focus shifted from the neoclassical style to an emotional, expressive, and imaginative style. |
larghetto | somewhat slowly; not as slow as largo |
a piacere | At pleasure |
sospirando | Sighing. |
tango | Argentinean dance in 2/4 time. |
poi | then |
g&s | Short for Gilbert and Sullivan |
dissonante | dissonant |
lyric | a short, song-like poem of simple character |
grand-length keys | As opposed to shorter keys, such as those used in a spinet, grand-length keys are longer in order to have more control over them |
plate bushing | The small wood lining for the inside of the hole in the plate in which the tuning pin sits |
key dip | The distance that the front of the key travels when it's depressed. |
drammatico | dramatically |
adagietto | Quite slow |
buffa/ buffo | Italian for "comic"; eg opera buffa. |
veloce | swift |
apron | The forward part of the stage between the curtain and the orchestra pit. |
desk | British term for a "mixing board". |
short accent | Hit the note hard and short |
dampers | Pieces of cloth that are held against the strings in order to prevent or stop the strings from vibrating. |
rhapsody | an irregular instrumental composition of the nature of an improvisation |
new world | Term given by the Europeans to the Americas |
capriccioso | capriciously, unpredictable, volatile |
accompagnamento | the accompaniment. |
canzone | song”; a short lyrical song, usually reflecting the singer’s state of mind |
sul | On |
alla marcia | in march style. |
quarter tone | Half of a semitone; a pitch division not used in most Western music notation, except in some contemporary art music or experimental music |
fieramente | "proudly" |
baroque | The period in music history that spans from ca |
triplet feel | A musical pattern wherein the beat is subdivided into three equal units instead of the usual two. |
geschwind | quickly |
front of house | The person responsible for "Front of House" at a theatre manages the audience, whether this is showing people to their seat, general greeting or selling tickets - this is in contrast to those who work "behind the scenes" in wardrobe, props, etc. |
classical | Music composed approximately between 1750-1820 |
doloroso | "painfully" |
cell | a short, distinctive melodic and/or rhythmic grouping (like a motive) |
dissonante | "dissonant" |
agitato | agitated. |
etude | A study – usually a piece designed to display the performers technique. |
supernumerary | A "spear carrier" or non-singing extra; often peasants, servants, soldiers, or crowds of unidentified people who play backround roles. |
pots | The electronic capacitors connected to the other side of a volume knob. |
virtuoso | (noun or adjective) performing with exceptional ability, technique, or artistry |
opera seria | serious opera |
supernumeraries | appear on stage in costume in non-singing and usually, non-speaking roles. |
string family | Violin, viola, cello, double bass |
chorus | the vocal ensemble of men and women who represent townspeople, relatives, guards, who contribute and comment on the action of the plot. |
obbligato | required, indispensable |
accarezzévole | expressive and caressing |
attack | The very instant that the hammer hits the string to activate it |
pastorale | in a pastoral style, peaceful and simple |
niente | Nothing. |
inversion | Turned upside down as in chords/intervals |
ideology | Ideas at the basis of a political or economic theory |
pick-style playing | A type of guitar playing that involves dragging a pick across the strings to produce sound. |
bridge springs | A set of metal springs that pull a floating bridge in the opposite direction of the strings, thereby holding the bridge in balance. |
opéra buffa | Italian comic opera of the eighteenth and nineteenth centuries. |
ballad | A story on song |
lamentoso | lamenting, mournfully |
key button | A cap placed on the top of the key at its pivot point that contains the balance rail bushing. |
alt | see in alt. |
wound strings | Strings in the lower register that are covered by a copper wrap, wound tightly around the core of the wire |
imitation | A phrase reappears slightly altered, but obviously related to its original form. |
flats | These are items of stage scenery - large timber constructions, covered with muslin and painted. |
adagissimo | very slow |
snare drum | The snare drum has a number of strands of metal wires across the bottom skin, which resonates against the skin when struck |
set | A construction on stage built to suggest place and time in which the singers enact the story of the opera plot. |
l'istesso | see lo stesso, below |
quasi | as if, resembling (in the style of) |
flange screws | The screw that attaches and secures the flange to its rail. |
furioso | "wildly" |
guitar humidifier | A saturated rubber-enclosed sponge that clips onto the inside of the sound hole or is kept inside the case to raise the humidity level. |
partial | The harmonic tone produced by a segment of the string. |
d.s. al fine | (or dal segno al fine) "from the sign to the end": means to return to a place in the music designated by the sign and continue to the end of the piece |
tuning fork | A specialized metal instrument used to provide a consistent source of vibration usually at the rate of 440 vibrations per second. |
eroico | heroically |
andante maestoso | moderately slow, and majestically. |
truss rod wrench | A tool specifically designed for adjusting a specific truss rod. |
hogshead | A barrel content measuring 272 kilos. |
music desk | The sliding shelf where the pianist places music while playing. |
eco | the Italian word for "echo"; an effect in which a group of notes is repeated, usually more softly, and perhaps at a different octave, to create an echo effect |
morendo | dying away (gradual diminuendo) |
molto | "very" |
apprentice | A person who learns a trade by working in it for an agreed period at low wages. |
notehead | In musical notation, the round part of a note. |
plate | The large piece of metal inside the piano that acts as a support for the strings and the tension produced. |
raked stage | A stage that is sloped upward toward the rear of the stage allowing audience patrons seated at the back of the theater to see performers at the rear of the stage. |
empfindung | "Feeling" (Ger.) |
rit. | an abbreviation for ritardando;[1][2][3][4] also less frequently considered an abbreviation for ritenuto[5][6][7] |
cadenza | In opera, a solo passage designed to show off a singer's technical abilities, generally occurring at the end of an aria, above the penultimate chord of a cadence |
hierachy | System of grades or status ranked above the other. |
dolcissimo | most sweetly. |
pickups | Bar-like magnets that pick up the vibrations of an electric guitar's strings and transmit those signals to the amplifier. |
tonality | Sum of relations existing between the tones of a scale or musical system |
dolce | sweetly |
libero | free, freely |
ostinato | A short musical pattern that is repeated throughout an entire composition or portion of a composition. |
spiccato | Detached, with springy bow ( for string players) |
suss | Sweet. |
microtonal | Referring to sounds that exist between consecutive half steps. |
nobilmente | Nobly. |
akan | The Akan people are members of an ethnic group who share a common culture and language |
largamente | Broadly |
cédez | yield, relax the speed |
commodity | Article of trade, especially a raw material or product as opposed to a service. |
assez | enough, sufficiently |
transpose | change the overall pitch up or down. |
fuoco | Fire. |
espressivo or espr. | expressively |
general pause | Rest or pause for the entire orchestra/ensemble. |
sul ponticello | in string playing, an indication to bow very near to the bridge, producing a characteristic glassy sound, which emphasizes the higher harmonics at the expense of the fundamental. |
interlude | Instrumental music played between scenes in an opera or play |
dynamic | the level of softness or loudness. |
get-out | A get-out is the opposite of the get-in - the dismantling of sets after the final show. |
fermata | Finished, Closed; Usually referred to as a Pause |
a capella | This is vocal music or singing without instrumental accompaniment, or a piece intended to be performed in this way. |
countertenor | Highest male classical singing voice part |
anima | feeling |
arioso | Literally "like an aria": an arioso is traditionally a brief, melodic conversational passage in strict time (see "Recitative") |
a bene placido | up to the performer |
marcatissimo | with much accentuation |
opera | work |
fortissimo | as loudly as possible (see note at pianissimo, in this list) |
bourree | Baroque suite dance in 2/2 |
negro | Man of African descent. |
luminoso | luminously |
giusto | strictly, exactly. |
zeitoper | "Topical Opera", a populist genre associated with 1920s Germany, especially the work of Krenek and Weill |
fuoco | fire; con fuoco means with fire |
canzonet | a 'little song' (from the Italian, canzonetta) |
espirando | "gasping", dying away |
magico | "magically" |
balance point | The pivot point of a key, like a see-saw where the front of the key travels downward and the back of the key travels upward. |
senza | without |
leggiero | lightly. |
bellicoso | warlike, aggressive |
alternative | Guitar-based rock with desultory male vocalists or chirpy female vocalists |
operetta | Little opera |
h b | natural (ger.) |
minor pentatonic scale | A five-note scale based on a minor key. |
agitato | "agitated." |
duolo | (Ital) grief |
poch. | very little |
accentato | accented; with emphasis |
batter head | Referencing to the drumhead that is actually played |
oboe d’amore | love oboe |
omaggio | "celebration" |
posato | "settled" |
bewegt | moved, with speed |
partial segments | A division or segment of the string that can produce a harmonic. |
downbearing gauge | A tool for measuring the change in the angle or bend of the wire as it passes over the bridge.The downbearing gauge is used to help determine the optimum amount of downbearing |
coperti | covered |
ma | "but." |
largo assai | very slow. |
bulkhead | A partition in a vessel. |
power chord | A chord consisting only of roots and fifths. |
a prima vista | Sight-read (lit |
prestissimo | "extremely quickly." |
rescue opera | The name given to an opera in which the scenario revolves around the rescue of a heroine and/or hero from impending peril, whether prison or death |
brillante | brilliantly, with sparkle |
props | Articles used by the performers to enhance the plot, i.e., handkerchiefs (Othello), bottles of wine (L’elisir d’amore), swords (La Forza del Destino), letters (Eugene Onegin). |
dal segno al coda | Repeat from the D.S |
contralto | The lowest of the female voices – the same as an alto, but alto is associated with sacred and choral music, whereas contralto is purely operatic. |
harmonic rhythm | The rate at which chords change. |
timbre | Tone color, quality of sound that distinguishes one verse or instrument to another |
opera buffa | Literally, "comic opera," opera buffa draws its comic characters from everyday life. |
stage director | the person in charge of the action on stage |
ma | but |
diaphragmatic soundboard | A soundboard that is slightly thicker in the center than it is on the edge |
larghetto | a little bit broad |
amabile | "amiable", "pleasant". |
giocoso | humorously, (cf |
aeolian mode | One of the scales of ancient Greece |
viola d'amore | love viola |
up weight | The amount of weight a key can lift measured by a piano technician in order to determine how quickly a key will repeat. |
doppio | double |
tuning fork | A device that produces a single specific reference pitch. |
lieder ohne worte | Songs without words |
parlante | like speech, enunciated |
brillante | brilliant |
ossia | or else |
touch weight | The measured amount of weight it takes to start a key moving downward. |
sotto | under |
a piacere | at pleasure; i.e., the performer need not follow the rhythm strictly, for example in a cadenza |
col legno | with the wood; i.e., the strings (for example, of a violin) are to be struck with the wood of the bow, making a percussive sound; also battuta col legno: beaten with the wood |
cantando | in a singing style |
mezzo forte | half loudly; i.e., moderately loudly |
pesante | "heavy and ponderous." |
trapwork | The system of levers on the underside of the piano that connect the pedals to their respective functions |
episode | 1) In the development of a Fugue, passages that link the subjects together |
metre | the musical equivalent of the 'foot' in poetry. |
buzzing | A usually unwanted distortion of a guitar sound created when a string vibrates against the fret wire. |
note flag | In musical notation, the little line that comes off the top or bottom of the note stem, indicating note lengths shorter than a quarter note. |
overture | Introduction to an opera or other large musical work. |
ballet | Dance form in which a story is told through the unification of music and dance |
fretted note | A note produced by pressing your finger over the string at a specific point on the fretboard. |
comodo | easily |
tranquillo | calmly, peacefully |
music charts | Electronic Music Charts Samples, synth usage tips and tricks. |
affetuoso | Tenderly |
yoruba | The Yoruba people are members of an ethnic group who share a common culture and language |
sonatine | a little sonata, used in some countries instead of sonatina |
baroque | Time in music history ranging from the middle of the 16th to the middle of the 17th centuries |
tonic | 1st note of a musical scale, also called the keynote |
unison | Various singers or instruments singing or playing the same note(s) together |
largamente | broadly; i.e., slowly (same as largo) |
note stem | A note stem is the vertical line attached to the note head. |
legato | Instruction to sing or play smoothly. |
vivamente | quickly and lively |
allegro di bravura | an allegro performed in brilliant style, i.e., demanding great skill in execution. |
periods in music | The table below gives a rough and conveniently rounded off chronology of the various stylistic periods of music. |
mezzo forte | half-strong |
repente | suddenly |
allegro assai | Very quick. |
comodo | Convenient (at a convenient pace) |
comodo | "comfortable" At moderate speed. |
a cappella | Unaccompanied vocal music |
modulation | To shift to another key. |
plus | more |
molto | much, or very much |
brava | (Italian feminine form) meaning "Well done." Audiences say this to a female performer to express appreciation of her work. |
multi-laminated pinblock | Layers of maple glued together to make the pinblock with alternating grain for strength. |
transposition | Changing the pitch |
ritenuto | Held back, slower |
zu | Too |
clavichord | an instrument with keys, resembling the square piano in appearance |
marcia | a march; alla marcia means "in the manner of a march." |
trading partner | Person with whom a transaction for something is made. |
quasi | in the manner of |
truss rod | The adjustable metal rod that runs the length of a guitar’s neck that controls the curvature of the neck and fingerboard. |
tuning | The process of adjusting the tension of the piano strings in order to control interval relationships that will produce a consonant sound that is pleasing to the listener. |
sordino | see sordina, above |
accentato | "with emphasis" |
barline | Lines drawn vertically on the stave to separate bars (measures) |
allegretto | Slightly less fast than allegro, and perhaps lighter texturally. |
goal | Jail, where people are imprisoned. |
strap pin | The metal post where the front, or top, end of the strap connects. |
encore | a piece that is performed after the last scheduled piece of a concert |
mezzo forte | Moderately Loud |
contrapuntal | Adjective derived from "counterpoint". |
mobile | flexible, changeable |
diaspora | Refers to the situation of any group of people dispersed, forcibly or voluntarily, throughout the world. |
largo ma non troppo | slow, but not too slow. |
progression | The movement of chords in succession. |
divisi or div. | divided; i.e., in a part in which several musicians normally play exactly the same notes they are instead to split the playing of the written simultaneous notes among themselves |
slentando | becoming broader or slower (that is, becoming more largoor more lento) |
ensemble | A group of performers |
diva | Literally "goddess." A female opera star |
ms | see mano sinistra. |
cantabile or cantando | in a singing style |
una | one, as for example in the following entries |
timbre | the quality of a musical tone that distinguishes voices and instruments |
schottische | a dance in two-quarter measure, something like the polka. |
giojoso | joyfully, (cf |
fanfare | Flourish of trumpets |
crescendo molto | increase in power very greatly. |
-issimo | a suffix meaning 'extremely', e.g |
pinblock | The laminated piece of maple into which the set of tuning pins are driven. |
opera | Among the many types of dramatic work with music, opera is distinguished in having all the words of the text set to music |
diminished triad | A triad with a o5 divided into two m3s. |
figure/figuration | a pattern of notes used repeatedly (generally as an accompaniment). |
fortissimo | very strong |
con dolore | with sadness |
con passione | with passion. |
penseroso | thoughtfully, meditatively |
staff | Made up of five horizontal parallel lines and the spaces between them on which musical notation is written. |
lentemente | slowly. |
forza | musical force |
motif | A brief but recognizable musical idea, usually melodic but sometimes rhythmic. |
mezzo-soprano | middle-upper |
second inversion | A chord with the 5th as the lowest tone. |
root position | A chord with the root as the lowest tone. |
musical organization | an organization of musicians who perform together |
prebend and release | A bending effect that is created when you stretch a string before you strike it, then strike the string, and then release the bend. |
attacca | (at the end of a movement): a direction to begin (attack) the next movement immediately, without a gap or pause. |
tuba | tube |
scale | Musical term referring to successive notes of a key or mode that are either ascending or descending in a specific defined pattern |
presser | hurry |
cesura or caesura | often called "railroad tracks"; indicates complete break in sound. |
à quatre mains | for four hands. |
lyre braces | Diagonal braces that support the back of the lyre, preventing forward and backward motion while using the pedals. |
sans | without |
contrary motion | Melodic lines move in opposite directions. |
counter claim | The Emancipation Act of 1834 gave slaves their freedom |
floyd rose bridge | The most successful form of floating bridge — a movable bridge system that uses a locking nut to ensure that the bridge returns to its home position — was designed for guitarists who like to use the whammy bar extensively. |
pedale | pedal |
dynamics | refers to the relative volumes in the execution of a piece of music |
primo uomo | first man |
siciliano | A slow dance in 6/8 or 12/8 |
flamenco | Spanish dance with accompanying guitar playing |
devoto | religiously |
deest | from the Latin deesse meaning absent; placed after a catalogue abbreviation to indicate that this particular work does not appear in it.[2] The plural is desunt and used when referring to several works. |
und | And |
mezzo or mezza | half, or medium |
allegretto | a little lively, moderately fast |
patetico | With emotion or feeling. |
privateer | Privately owned and officered warship which has been given permission from the government to act in war. |
bel-canto | (Italian, “beautiful song”) Refers to the style cultivated in the 18th and 19th centuries of Italian opera |
con bravura | with boldness. |
battaglia | battle |
attacca | attack the next division without any pause. |
csardas | Hungarian dance in duple or quadruple measure. |
ruhig | Peaceful. |
colla | with the (col before a masculine noun, colla before a feminine noun); (see next for example) |
allargando | Broadening out. |
tranquillo | Quiet and calm. |
chorus | A group of singers; The main hook of a song that is repeated many times |
concerto grosso | big concert |
facile | easy |
polytonality | The use of two or more keys at the same time. |
oratorio | A musical composition for chorus, orchestra and soloists whose text is usually religious, serious or philosophical |
con amore | with tenderness. |
motive | A short musical phrase that you repeat. |
non troppo | Not too much. |
amabile | amiable, pleasant |
dolce | Sweetly. |
canzone | “song”; a short lyrical song, usually reflecting the singer’s state of mind |
finale | The end of the scene, act, opera where often the entire ensemble gathers for the last musical scene. |
con slancio | "with enthusiasm." |
ravvivando | quicken pace |
leitmotiv | A theme that represents a character or idea |
nobilmente | in a noble fashion |
adagietto | rather slow |
hi-tom | The hi-tom, is a drum with skins on both sides of the drum |
listing | Often called string braid, the listing is a piece of cloth braided through the far end, non-speaking part of the string to dampen unwanted sounds. |
natural | Note other than a sharp or flat |
arco | "played with the bow," as opposed to pizzicato "plucked," in music for bowed instruments. |
precipitoso | precipitously. |
improvvisato | improvised, or as if improvised |
sub-dominant | The 4th note of the scale — 1 below (sub) the dominant 5th. |
interrupted cadence | Chord V – VI |
coloratura | coloration |
fuoco | fire |
en retenant | slowing |
risoluto | resolutely |
dynamics | the relative volume in the execution of a piece of music |
fortissimo | To be played very loudly, shortened to ff |
cornetto | little horn |
con spirito | with spirit |
symphonic poem | An orchestral work that depicts stories or images |
con moto | "with motion." |
modesto | modest |
gentile | "gently" |
alla | In the style of. |
sempre | always |
tenerezza | Tenderness |
l'istesso | the same |
brillante | "brilliantly," "with sparkle." |
berceuse | A cradle song and a quiet instrumental piece |
quality | The color or refinement of the sound produced. |
tenerezza | tenderness |
risoluto | firmly, resolutely. |
calando | falling away, or lowering; i.e., getting slower and quieter; ritardando along with diminuendo |
langsamer | Slower |
due corde | two strings |
intro | opening section |
poco a poco | little by little |
lento assai | very slowly. |
synopsis | a short summary of what takes place in the story. |
pianissimo | To be played very softly, shortened to pp |
flange bushing | The cloth that lines the hole of an action center in order to keep the flange from making noise. |
house left | The left side of the area of the thttp://www.weebly.com/weebly/main.php#heatre where the audience sits from the point of view of a person sitting in a seat facing the stage. |
immer | Always (ger.) |
estinto | extinct, extinguished; i.e., as soft as possible, lifeless, barely audible |
surtitles | the English translations of the opera’s language that are projected above the stage during a performance to help the audience follow the story |
fingerboard diagram | A type of guitar notation that indicates where to place your fingers on the neck of the guitar. |
poco | little |
uptempo | a fast, lively, or increased tempo or played or done in such a tempo.[7] |
école | a school or style of composition or performance. |
eastern slave trade | A trade in slaves, mainly from Africa, to the Middle East, North Africa and India |
compound time | Metrical time such that 3 beats are counted as one; each beat is divisible by 3 |
ornaments | Notes added to the printed score in performance by a singer |
cabaletta | An heroic but brief showpiece (frequently coming after an aria) built upon a rapid, unchanging rhythm |
andante con moto | slightly faster than andante. |
troppo | "too much" Usually seen as "non troppo," meaning "moderately" or, when combined with other terms, "not too much," such as "Allegro non troppo." |
quasi | Like, similar to. |
modes | the old system of scales ousted by the 'invention' of keys in the seventeenth century. |
bravo | a form of appreciation shouted by audience members at the end of a particularly pleasing performance |
schneller | faster |
come | as or similar to (come prima - as before) or (come Sopra- as above) |
con moto | with motion |
get-in | A get-in is when we are given access to the theatre in which we are performing, and start building the scenery, putting up lighting and helping with the sound equipment |
senza sordino | without mute |
pants role | A male role portrayed by a female singer |
agile | swiftly |
risoluto | "Resolutely" played in a bold manner. |
andante sostenuto | moderately slow and sustained. |
english action | A typical modern action on a grand piano where the heads of the hammers are oriented away from the keyboard rather than toward it. |
bene | well, as in, for example, ben marcato (meaning "well-marked") |
dim. | dwindling; i.e., with gradually decreasing volume (same asdecrescendo) |
con sordino | with mute |
minim | Half-note; 2 beats in duration |
divisi/div. | Divide into two or more groups (for orchestral players) |
prima donna | first lady |
slide | 1 |
drop screw | An adjustment screw of the grand piano action that determines how close the hammer is allowed to approach the string after it is released from the backcheck |
elegy | An instrumental lament with praise for the dead. |
entrepreneur | Person who undertakes a commercial venture. |
ritornello | little return”; An instrumental prelude or interlude that separates the verses. |
con sordino | "with the mute." |
ma non troppo | But not too much |
et | and |
amerindian | Original inhabitant of America. |
dal segno al fine | Repeat from the D.S |
cello | Small violone |
rhythm slashes | An indicator in guitar notation that uses slash marks (/) that tell you how to play rhythmically but not what to play. |
walking bass line | A bass guitar technique in which a new note is played on every beat of music. |
dal segno al coda | same as D.S |
stanza | a verse of a song |
operetta | A light opera, whether full-length or not, often using spoken dialogue; the plots are romantic and improbable even farcical, the music tuneful. |
morendo | Dying away. |
legato | "smoothly"; in a connected manner |
wrestplank | another name for the pinblock. |
crescendo poco a poco | increase in power very, very gradually. |
irato | "angrily" |
rall. | Broadening of the tempo (often not discernable from ritardando); progressively slower |
cargo | Goods carried on a ship. |
impressionism | Term used to describe music by composers such as Ravel and Debussy |
romantic | The period of music history approximately from the early-19th to early-20th centuries |
principal | Leader of a section of an orchestra, except for first violins who are led by the concertmaster. |
rim | The rim is the metal or wooden ring that is used to secure the drum skin to the drum |
soli | alone; i.e., executed by a single instrument or voice |
medley | Musical term referring to sections of various songs that are performed one after another forming one complete song on its own |
amoroso | loving |
allargando | broadening, becoming a little slower |
transition | See bridge. |
giocoso | "gayly." |
sempre | always, or continually |
deciso | decisively |
opera buffa | “funny opera”; a style of comic opera popular in the Baroque period and in Italy in the 19th c |
gentile | gently |
con energico | with energy. |
zelosamente | zeal, zealous, zealously |
bravi | (Italian: plural form) A call to show approval for a group of performers at the end of a performance. |
dal segno/d.s. | From the sign |
soundboard crown | The crown is how much the center of the soundboard rises above being perfectly flat |
alto | The highest of the male voices. |
con affetto | with affect (that is, with emotion) |
atonality | Having no particular key or tonal area. |
lusingando | In a coaxing style |
sub | under or lower |
corpsing | Corpsing is a British theatrical term used to describe when an actor breaks character during a scene by laughing or by causing another cast member to laugh. |
stave | Also means Staff |
ritmico | rhythmical |
musical figure | An independent and self-contained musical phrase, sort of like a sentence when you’re speaking. |
di molto | exceedingly—very much |
mezzo voce | with half voice. |
pianissimo | Very soft |
capriccio | caprice |
doppio | Double (the speed) |
scherzando | Playfully. |
pause | To suspend or stop momentarily |
repeat | To play a certain section again |
mezzo forte | "half loudly" Directs the musician to play moderately loud |
basso profondo | deep and low |
downstrokes | 1 |
resurfaced / resurfacing hammers | The process where hammer felts are reshaped with a sandpaper file to remove string cuts. |
mente | the ending which changes a noun or adjective to an adverb |
tragédie lyrique | The common term for French serious opera of the seventeenth and eighteenth centuries; principal exponents were Lully and Rameau. |
tempo | Speed of a piece of music or a song |
catch | a round set to humorous words. |
marcato | play every note as though it is accented. |
staccatissimo | Play the notes very short and detached. |
melancolico | "melancholic" |
fresco | "freshly" |
cantando | singing |
bocca chiusa | with closed mouth. |
march | A form of music written for marching in two-step time |
issimo | a suffix meaning 'extremely', e.g |
slave labour | Work carried out by enslaved people at the profit of others. |
brava! | A term used during applause to commend the performance of female performers on stage |
andante non troppo | not too slowly. |
sanft | "gently" (Ger.) |
doloroso | sorrowfully, plaintively |
precipitato | precipitately |
muta [in...] | Change: either a change of instrument, e.g |
mazurka | A Polish dance in triple time. |
agent | An agent is a person who acts on behalf of someone else in business. |
mit | With |
verdigris | A bluish green-colored oxidation found around some brass tuning pins in older Steinway piano actions that is known to cause heavy touch and slow repetition, sometimes referred to affectionately by technicians as "Steinway-itis" and a common reason for restoration and repair. |
toccata | An Italian word meaning to ‘touch’ designed to display the brilliance of the performer. |
rallentando | becoming progressively slower |
breit | broad |
subito | Suddenly, quickly. |
timbale | small hand drum similar to a tambourine; formerly carried by itinerant jugglers |
tempo | time; i.e., the overall speed of a piece of music |
forte | A symbol indicating to play loud. |
contra | against |
forza | Force(ing) |
stanza | "a verse of a song". |
discord | an ugly, unharmonious combination of tones. |
teneramente | tenderly |
unison/unis. | No harmony |
troppo | Too much |
lentissimo | very slowly |
marcia | a march; alla marcia means in the manner of a march |
minore | minor. |
pianissimo | very gentle |
ausdrucksvoll/mit ausdruck | expressively, with expression |
lunga pausa | Long pause |
piccolo | little |
chromatic | A scale containing all 12 pitches of the western notation system. |
fortissimo possibile | as loudly as possible. |
refrain | a recurring combination of words and tune |
accentato/accentuato | accented; with emphasis |
tempo ordinario | in ordinary tempo. |
moto | "Motion." Usually seen as "con moto," meaning "with motion" or "quickly." |
stereotype | A person or thing seeming to conform to a widely accepted type. |
commonwealth | A free association of sovereign states comprising Britain and a number of its former dependencies once part of the British empire |
lentissamamente | very slowly. |
quasi | "as if," "almost." |
vite | quick |
three-part form | See ternary form. |
magico | magically |
alternate picking | A combination of upstrokes and downstrokes that enables the guitarist to play faster and is the key for playing fast leads smoothly. |
animato come sopra | in animated style as above. |
arco | the bow used for playing some string instrument; i.e., played with the bow, as opposed to pizzicato (plucked), in music for bowed instruments; normally used to cancel a pizzicato direction |
sordino | see sordina, above |
lentissamente | very slowly. |
key level | The uniform height of the keys across the keyboard. |
canto | chorus; choral; chant |
senza misura | without measure |
spiritoso | spiritedly |
timbre | Tone colour and quality of sound that distinguishes an instrument or singer from another |
rit. | Abbreviation for Ritardando |
sotto | Below. |
a bocca chiusa | mouth closed |
cantabile | singable |
bocca chiusa | with closed mouth |
allegretto | a little bit joyful |
repetition lever | The part of the action that uses spring tension to lift the hammer so that the jack can move back underneath the hammer more quickly. |
theme with variations | A form in which a self-contained musical unit is followed by a series of modifications of the original material. |
maestoso | majestic |
espr. | expressively |
gran scena | operatic set piece, usually for anguished prima donna. |
col legno | "with the wood"; indicates that the strings are to be struck with the wood of the bow; also battuta col legno: "beaten with the wood." |
tranquillo | tranquilly. |
fundamental note | The primary note of the harmonic series |
gustoso | "gusto"; |
con fuoco | "with fire" In a fiery manner. |
rapido | "fast." |
crescendo e diminuendo | same as cresc |
scherzoso | playfully |
regulating / regulation | The procedure of making the various components of the action work together in a uniform way. |
furia | fury |
italian term | Literal translation |
concord | A chord which sounds harmonious, as opposed to a discord which sounds dissonant |
intervals | The gap between musical notes, which are measured in half steps and whole steps. |
delicatamente | "delicately" |
texture | the thinness or thickness of the sound. |
saddle | The moving metal part of the bridge of an electric guitar that have grooves for the strings to lie across. |
keyboard | The entire set of keys on any keyboard instrument. |
motet | Polyphonic vocal genre, secular in the Middle Ages but sacred or devotional thereafter. |
arioso | "airy" |
impetuoso | impetuously |
ossia | Or |
rest stroke | A right-hand stroke — unique to classical music — in which you pluck straight across (not upward) the strings so that your finger lands, or rests, against the adjacent lower-pitched string. |
upstage/downstage | Positions on stage; upstage is toward the rear of the stage and farthest from the audience while downstage is toward the lip of the stage, closest to the audience |
flange | A flange is a hinge that projects from an action rail used to attach a moving action part, such as a hammer, damper underlever or wippen, to the rail. |
knuckle | A rounded piece of leather attached to the underside of the hammer shank that is pushed on by the jack as the hammer shank is being propelled toward the string. |
ritardando | Getting gradually slower. |
tubular metallic action frame | A hammer or wippen rail made out of a single molded piece of metal tubing filled with a wooden dowel. |
sustain | 1 |
bend | jazz term referring either to establishing a pitch, sliding down half a step and returning to the original pitch or sliding up half a step from the original note. |
score | The written or printed book containing all the parts of a piece of music. |
staff | In musical notation, the five horizontal, parallel lines on which notes and rests are written. |
pochettino or poch. | very little |
allargando | to slow and broaden |
affidavit | A written statement confirmed by oath. |
musical notation | A written form of music used to convey the music we hear in a way that can be repeated by musicians. |
meno | less; see meno mosso, for example, less mosso |
un peu | A little |
keyslip | The piece of wooden trim that is placed in front of the keyboard in order to hide the bottom of the keys. |
canzona | A verse form originating in fourteenth-century folk traditions |
assai | very |
pesante | heavy, ponderous |
tempo primo | Back to original speed. |
col pugno | "with the fist"; bang the piano with the fist. |
chaconne | Similar to the Passacaglia |
sanft | gently |
alto | the lowest female voice |
countertenor | Male singer who sings in a woman's voice range, usually performing roles originally written for castrati--male singers who were castrated as children, primarily in the seventeenth and eighteenth centuries, to preserve their high, youthful voices. |
active electronics | Electric guitar electronics that have a built-in power source. |
dampened snare | A term used to inform the performer to add something to the batter head of a drum in order to decrease the resonance |
simile | "similarly"i.e |
euphony | agreeable tone combinations; the opposite of cacophony |
bridge | Transitional passage connecting two sections of a composition, also transition |
baroque | Music composed between 1600 and 1750, spanning the period from Monteverdi to Handel |
lugubre | lugubrious, mournful |
mezzo-soprano | Female singer with a medium-to-low voice range. |
giocoso | Merrily, happily, stems from jokily. |
sempre | Always. |
reel | A lively dance usually in 4/4 |
solmization | sight-singing by syllable. |
keytops | The covering of the key, usually made of plastic, and with older pianos, with elephant ivory. |
affettuoso | tenderly, affectionately, with feeling |
neapolitan sixth | A major chord built on the flattened supertonic note |
fieramente | proudly |
affettuoso | "tenderly". |
viola da gamba | leg viola |
perdendosi | dying away |
peu à peu | little by little |
con moto | With movement |
scherzando | playfully |
piano hinge | The long brass hinge across the lid of a grand piano that allows the lid to be partially folded back. |
bravura | skill |
devoto | "religiously" |
vigoroso | Vigorously |
andante grazioso | moderately slow, and gracefully. |
con spirito | with spirit. |
sospirando | sighing |
time signature | The fraction-like figures at the beginning of a piece of music that tell you how many beats are in a measure and which note value gets one beat. |
major chord | A chord built on the unaltered first, third, and fifth notes of a major scale. |
double barline | Two vertical lines denoting the end of a piece of music |
minor | One of 2 modes of the tonal system |
viola | viola, orig |
accent | Attack hard. |
veloce | Swift. |
als | than |
pasticcio | a freshly written stage work making use of pre-existing music by different composers. |
time | in a jazz or rock score, after a rubato or rallentendo section, the term "time" indicates that performers should return to tempo (this is equivalent to the term "a tempo") |
colla parte | with the soloist |
pietoso | pitiful, piteous |
bravo | (Italian: masculine form) A call to show approval for a male performer at the end of a performance. |
fuocoso | fiery; i.e., passionately |
bel canto | Literally, "beautiful singing." The term can refer to a type of opera that features this expressive style of singing or the actual singing itself, which packs an emotional wallop and features lots of embellishments |
medley | piece composed from parts of existing pieces, usually three, played one after another, sometimes overlapping. |
liberamente | freely |
nobile | "in a noble fashion". |
fraizing | The process through which the rim of a grand piano is sized. |
basso profundo | The lowest and often serious bass voice |
bocca chiusa | mouth closed |
ostinato | obstinate, persistent; i.e., a short musical pattern that is repeated throughout an entire composition or portion of a composition |
sprechstimme | The term applied to a voice notated in Sprechgesang. |
rallentando or rall. | Broadening of the tempo (often not discernible from ritardando); progressively slower |
l’istesso tempo | An instruction to performers to maintain the same tempo despite a change in time signature or character. |
répétiteur | Musician in an opera company who rehearses and coaches the cast at the piano prior to full orchestral rehearsals with the conductor. |
guitar polish | A liquid polish designed specifically for cleaning and polishing a guitar. |
hitch pin | The small piece of metal protruding from the plate to which the back end of the piano wire is attached or secured. |
ribs of the soundboard | Strips of wood glued across the grain to the underside of the soundboard to support the soundboard's crown. |
giusto | strictly, exactly, e.g |
flebile | mournfully |
tritone | Three whole tones (Augmented 4th) |
inner rim | The small shelf attached to the inside of the rim used for securing the soundboard and plate. |
high-tension scale | A scale made possible by the cast-iron plate |
acciaccatura | A grace note that is played as quickly as possible |
atonal | Music that is not in any key |
festivamente | cheerfully, celebratory |
bel canto | Literally "beautiful song" |
soprano | The highest range of the female voice; lyric soprano is warm, graceful; dramatic soprano is fuller and heaver, e.g |
dolce | "sweetly" |
export | To sell or send goods or services to another country. |
moto | motion; usually seen as con moto, meaning with motion or quickly |
note row | The foundation of serialism; the order in which a composer chooses to arrange the composition's basic twelve notes, none of which can be repeated until the other eleven have been deployed. |
spianato | smooth, even |
migrate | Move from one place and settle in another, especially abroad. |
chorus | a group of singers of all vocal ranges, singing together to support the vocal leads |
crescendo subito | increase in power suddenly (or rapidly). |
mellifluous | pleasing; pleasant sounding. |
con spirito | With spirit |
lusingando | caressingly, coaxingly, tenderly. |
oboe d'amore | love oboe |
inversion | A musical idea turned backwards; usually refers to melody, but can also apply to rhythm. |
tempo giusto | In strict time |
surtitle | Translations of foreign words that are projected above the stage during the performance so the audience can interpret the opera's meaning. |
calando | quietening |
fundamental vibration | The main or loudest sound you hear in a note when a string is played |
contrary motion | In musical notation, when one musical line ascends while the other descends. |
annuity | An allowance. |
flebile | "mournfully" |
stage left | This is left from the point of view of the person on stage facing the audience. |
a cappella | in chapel style |
gustoso | with happy emphasis and forcefulness |
cadence | The point in music where the melody and/or chord sequence leads the listener to experience a sense of temporary or permanent close giving a sense of repose or resolution. |
zärtlich | tenderly |
soave | "smoothly." |
viola da braccio | arm viola |
chamber music | Music for small ensembles |
propstick | The piece of wood that supports the lid in its open position |
sopra | above |
passionato | passionately |
east indies | The islands that extend in a wide belt along both sides of the Equator between the Asian mainland to the north and west and Australia to the south. |
piano assai | very softly. |
meter | The organization of rhythm and beats. |
a capella | (Italian) Means "in the chapel" of in the style of the chapel |
con moto | with motion; i.e., not too slow. |
cash crops | Crops grown in large quantities just for sale rather than for local markets. |
character shoe | A character or jazz shoe is worn in many theatrical productions |
quasi una fantasia | Like a fantasia |
piangevole | "plaintive"; in the style of a lament. |
stops | devices to alter the sound of an organ or harmonium. |
veloce | with velocity |
damper underlever | The part that is lifted by the back of the key when the front of the key is depressed in order to lift the damper away from the string, allowing the string to vibrate. |
stage right/left | The sides of the stage from the performer’s point of view, i.e., when a singer moves down right, s/he moves right toward the edge of the stage – which is the audience’s left. |
animandosi | animated, lively |
arabesque | an instrumental composition in light, somewhat fantastic style. |
slargando | Get gradually slower. |
bushing | A material, either wool felt or teflon, that is placed between two hard surfaces which cushions them, keeping them from making noise as they move |
carnival | Festival preceding the Catholic season of Lent (period of fasting from Ash Wednesday to Holy Saturday) |
key lead | Weights inserted into a key to improve its balance |
prestissimo | very ready |
presto | "very quickly." |
fortepiano | 1 |
bridge pins | The pins driven into the bridge cap to hold the strings against the bridge so that the strings won't drift from side to side |
repetition mechanism | The entire collection of parts working together in order to facilitate the action's ability to rapidly reset itself to play again. |
etude | a study |
focoso | "passionately" |
dolce | Sweetly |
con anima | with feeling |
arietta | a short aria |
recitativo | well enunciated |
strings | The high quality music wire used for making sound. |
leggierissimo | very lightly and delicately |
appassionato | with passion, impassioned |
subject | Musical theme. |
con tenerezza | with tenderness. |
improvisato | improvised, or as if improvised |
through-composed | in the case of a song, different music for each verse; in the case of an opera, no spoken dialogue. |
morendo | "dying away" in tone or tempo. |
piu | More. |
lento | Slowly |
modesto | "modest" |
da capo/d.c. | From the beginning |
sextuplet | a group of six notes to be performed in the time ordinarily given to four of the same value |
posato | settled |
alderman | Assistant to the mayor. |
practice pad | A practice pad is normally made of rubber and simulates the feel of a drum |
lamentando | lamenting, mournfully |
improvvisando | with improvisation |
down weight | The measured amount of weight it takes to start a key moving downward. |
volta | Time |
burletta | a little joke |
accent | emphasize. |
traurig | Sad. |
modulation | A process whereby music shifts from one key to another. |
polonaise | same as polacca. |
cadence | A musical term referring to a chord sequence that brings an end to a musical phrase |
cacophony | harsh, discordant, unpleasant, especially incorrect combinations of tones |
dodecaphonic music | See definition for ‘serial music' |
barbaro | barbarous (notably used in Allegro barbaro by Béla Bartók) |
carol | a hymn of joyful praise, usually sung in connection with Easter or Christmas festivities |
glissando | Sliding from one pitch to another, sounding all pitches in between. |
bolero | triple measure. |
coll'arco | with the bow |
poetico | poetic discourse |
key bushing | Cloth that lines the holes in the key that guide the key in its vertical motion while minimizing its horizontal motion. |
stompboxes | An effects unit that is controlled by a foot pedal. |
largo | broad |
run | a rapid series of ascending or descending musical notes which are closely spaced in pitch forming a scale |
teneramente | Tenderly |
piangevole | plaintive |
upstroke | 1 |
fine | the end, often in phrases like al fine (to the end) |
boost | An amplifier control that you can use to create a distorted or lead sound. |
society of merchant venturers | A Bristol-based organisation, which was formed in 1552 as an elite body of merchants involved in oversees trade |
interval | The distance between two notes |
discord/dissonance | A chord or interval that sounds inharmonious and requires resolution |
ruvido | roughly |
sforzando | strained |
il più | the most |
import | To bring foreign goods or services into a country. |
tremolo | a rapid repetition of the same note, or an alternation between two or more notes |
allegretto | "a little lively," or "moderately fast." |
contrapuntal | Two (or more) melodic voices combining harmoniously within a score. |
musical phrase | a melodic unit which a singer would take in one breath. |
gemendo | groaningly |
db | An abbreviation for "decibel", which is a unit of measure used to logarithmically express ratios of change in power or signal levels; a measure of sound pressure level. |
ritenuto | Hold back (the tempo) |
ben | well |
da | from |
a prima vista | Playing something at first sight of the sheet music |
lugubre | "lugubrious" |
molto | very |
tone regulating | Another phrase for Voicing where the technician attempts to achieve a consistent and pleasing sound from one hammer to the next across the entire keyboard. |
horn | See French horn. |
silencio | silence. |
a cappella | in the manner of singing in a chapel; i.e., without instrumental accompaniment |
crescendo al fortissimo | keep on gradually increasing in power until the fortissimo (or very loud) point has been reached. |
comodo | convenient |
simile | similarly; i.e., continue applying the preceding directive, whatever it was, to the following passage |
cambiare | "change" Any change, such as to a new instrument. |
doppio | Double |
irato | angrily |
ledger lines | Short lines above or below the stave to accommodate notes higher or lower than the stave |
crotchet beats | (Compound = duple) |
retenu | held back |
key | The relationship between pitches that establish the tonal centre of music |
subito | suddenly |
doppio moviment | Twice as fast |
fermata | stopped |
sehr | Very |
elite | A select group of people or class in society. |
score | Musical notation showing all parts arranged one underneath the other. |
tre | three |
cross-stick | Using a drumstick, this is played by laying the stick across the drumhead with the end of the stick extending past the rim |
folk music | 1 |
mezzo piano | half-gentle |
allegro agitato | a moderately rapid tempo, and in agitated style. |
enfatico | emphatically |
con amor | with love, tenderly |
center pins | The small hinge pins that join two moving parts like a hammer and its flange. |
inharmonicity | The acoustic property of an instrument that is its natural deviation from a theoretical state of perfection which gives the instrument its characteristic sound. |
leitmotiv | light motive”; A short thematic musical passage representing a character or situation in a musical drama |
largo un poco | slow, but not so slow as largo |
sul ponticello | on the bridge; i.e., in string playing, an indication to bow (or sometimes to pluck) very near to the bridge, producing a characteristic glassy sound, which emphasizes the higher harmonics at the expense of the fundamental; the opposite of sul tasto |
per | for |
aria | Lyric song for solo voice with orchestral accompaniment, generally expressing great emotion. |
bar | a musical rhythmic measure (shown by a vertical line). |
contralto | against high |
immer | always |
lib | This is short for 'libretto' and is the text or script of a musical. |
resistance | Refusal to comply (often secretively) with the established order or authority. |
afficonado | affectionate”; a Spanish term for a passionately knowledgeable individual. |
twelve-tone | See serialism. |
ballet | A theatrical dance form with a story, sets, and music. |
repetition spring | The metal spring that gives strength to the repetition lever for lifting the hammer. |
repetition | The process in which the piano action resets itself in order to play again. |
fugue | A highly complicated contrapuntal form in which two or more voices are built around a single theme |
gaudioso | with joy |
baby grand piano | A popularly used, non-technical term to describe any grand piano less than six feet long. |
lent | slow |
2x10" | ...with two ten-inch loudspeakers |
verismo | "Realism" in Italian |
moto | motion; usually seen as con moto, meaning with motion or quickly |
riitmico | Rhythmically. |
reinforced hammers | Hammers where the hammer felts have been stapled to the core as well as glued |
ad libitum/ad lib. | At pleasure – left to the performer |
lento di molto | very slowly. |
arioso | in the style of an air or song, i.e., a flowing, vocal style. |
affrettando | "hurrying," pressing onwards. |
leggiero | "lightly", "delicately" |
decay | The sound of the string as it diminishes or dies away. |
facile | "easily" |
tanto | So much |
un poco | A little |
peu | little |
rit. | an abbreviation for ritardando;[3] also an abbreviation for ritenuto[4] |
drama giocoso | Comic operatic style developed by Goldoni, in which serious and comic characters share the stage |
crew | People manning a ship. |
measure | Another name for a bar. |
travesti | Italian for "disguised" |
animé | animated, lively |
electronic tuner | A battery-powered device used to tune instruments. |
vittorioso | "victoriously" |
viola | viola |
très | very |
go-bar | A flexible piece of wood used to apply pressure for clamping while gluing one piece of wood to another within two solid points. |
y-cable | a cable with three ends, whereby one plug is joined to two plugs |
head voice | A vocal technique whereby the sung tone is raised from the chest (where it is normally produced) into the head, where the skull causes the tone to ring out |
con moto | with movement |
shackles | Metal hoops and chains put round the necks, wrists and necks of (usually male) slaves to restrain them. |
tone | The cumulative presence of a sound while experiencing its various attributes in order to make a determination of how pleasing the sound is the listener. |
tristamente | sadly. |
amoroso | "loving". |
niente | "nothing", barely audible, dying away |
a piacere | at pleasure; i.e., the performer need not follow the rhythm strictly |
zarzuela | A Spanish popular musical theatrical presentation blending dialogue and music in skits and dramas ranging from one to three acts that satirize aspects of daily life |
con amore | with love |
sonata | sounded |
major | One of 2 modes of the tonal system |
quadruplet | A group of four notes, played in the time of three |
conductor | One who directs a group of performers |
andante pastorale | moderately slow, and in simple and unaffected style; (lit |
concertino | little concert |
verismo | truth”; A theatrical style in the late 1800s that depicted ordinary, everyday characters in melodramatic situations |
ornaments | Decorations, embellishments |
philanthropy | Love of mankind |
viola d’amore | love viola |
gioioso | gaily |
l'istesso tempo | Same speed |
entr’acte | between the act” A musical composition played between the acts or between scenes; also a term used to mean Intermission. |
amabile | amiable or pleasant |
ralantir | slow down |
hammer felt | The wool cloth used as the striking surface of the hammer. |
restatement | See recapitulation. |
outer rim | The outside of a grand piano cabinet., |
form | Musical term referring to the structure of a piece of music |
tuning pin bushings | The small wood lining for the inside of the hole in the plate in which the tuning pin sits |
molded flanges | Flanges routered to fit the action rail on a Steinway grand piano. |
agitato | agitated |
poco | Little |
ballabile | danceable |
bel canto | the nineteenth-century Italian operatic style of singing. |
con forza | with force. |
mezzo forte | Moderately loud. |
innig | intimately, heartfelt |
bellicoso | "warlike," aggressive |
ritardando | to slow |
alto | Lowest female voice part in a choir group |
ecossaise | A Scottish dance in 3/4 |
letoff | The point during the hammer stroke at which the jack slips out from under the knuckle thereby preventing the hammer from blocking against the string. |
colossale | tremendously |
giusto | Exact, correct |
ridicolosamente | humorously, inaccurate, and loosely |
ternary form | A movement in three parts in which the first and third parts are very similar, with a contrasting middle section (A B A). |
appoggiatura | a note dissonant with the chord (made consonant by moving up or down one step) |
a cappella | One or more singers performing without instrumental accompaniment |
musical director | In complete control of the music in the production, under the overall control of the Director |
composer | the individual who writes the music and sets the text to music including the orchestrations, the vocal parts, and the chorus parts. |
nobilmente | nobly |
humoresque | a capricious, fantastic composition |
tosto | rapidly |
mobile | "flexible", "changeable" |
con celerita | with rapidity. |
homophony | A musical texture with one voice (or melody line) accompanied by chords; also used as an adjective (homophonic) |
allargando | broadening, becoming a little slower each time |
grave | Serious and slow |
come prima | like the first (tempo), as before |
accent | Emphasis on a note |
assignment | Legal transfer. |
bar | a measure of music in equal proportions |
l'istesso | see lo stesso, below |
prejudice | A preconceived opinion |
raw materials | Material from which manufactured goods are made. |
fuoco | "fire"; "con fuoco" means "with fire." |
virtuoso | A person with notable technical skill in the performance of music. |
cantabile | singable”; a term that asks the performer to sing or play in a gentle singing manner. |
tertian | A chord structure built of thirds. |
strum | Dragging a pick or the back of your fingernails across the strings in a single, quick motion. |
sotto | subdued |
camerata | A group of Florentine writers and one musician who regularly met in the late 1600s to discuss art and experiment with art form |
pastoral | A composition whose style is simple and idyllic; suggestive of rural scenes. |
mosso | moved |
primo | "first." |
classical | The period in music history that falls after the Baroque and before the Romantic: ca |
risoluto | Boldly. |
repeat sign | In musical notation, a combination of one thick and one thin vertical line with two dots that tells you that you repeat some portion of the song. |
allegro appassionata | a moderately rapid tempo, and in passionate style. |
style galant | a highly embellished 'courtly' style of eighteenth-century music. |
bis | twice |
d.s. | Dal Segno (see above) |
alberti bass | a stereotyped accompaniment taking its name from Domenico Alberti. |
divisi | getragen (Ger): sustained |
bass | Lowest male voice often associated with characters of authority or comedy. |
ternary form | a three-part form in which the third part repeats the first. |
sign | see segno |
simile | In the same way. |
libero | "(I) liberate" |
mg | see main gauche |
alzate sordini | lift or raise the mutes; i.e., remove mutes |
una corda | "one string" a directive in piano music for the musician to depress the soft pedal, reducing the volume of the sound |
sordino | Mute |
hygrometer | An inexpensive device that tells you the relative humidity of a room with a good degree of accuracy (close enough to maintain a healthy guitar, anyway). |
lento a capriccio | slowly but capriciously. |
fortississimo or fff | as loud as possible |
renaissance | A period in history dating from the 14th to 16th centuries |
a niente | to nothing; an indication to make a diminuendo to pppp |
hammer head | The portion of the hammer comprised of the felt and the wooden core that is attached to the hammer shank. |
legacy | Something handed down by a predecessor. |
b | German for B flat (also in Finnish, Icelandic and Danish); H in German is B natural |
lacrimoso | tearfully; i.e., sadly |
con forza | with force |
counter-tenor | The highest male voice (also known as alto). |
attacca | attach |
a cappella | in the manner of chapel music, without instrumental accompaniment. |
diminished 7th | a chromatic chord not belonging to a specific key (often used fo dramatic disorientating effect) |
migrant | A person who migrates, or moves from one place to settle in another, especially abroad. |
con grazia | with grace. |
con grand' espressione | with great expression. |
appoggiatura | leaning |
forzando or fz | see sforzando in this list |
ziemlich | fairly, quite, pretty, or rather |
12-bar blues | By far the most popular form for the blues, created by following a 12-bar blues pattern of three lines per verse, with the first line repeated. |
tempo comodo | At a comfortable speed |
pizzicato | pinched, plucked; i.e., in music for bowed strings, plucked with the fingers as opposed to played with the bow; compare arco (in this list), which is inserted to cancel a pizzicato instruction |
senza sordini | without mutes |
buzz roll | Another name for Multiple Bounce Roll, but often times played in a more closed fashion so that the sound is like ripping paper. |
contrapuntal | two or more melodic lines woven together |
nobile or nobilmente | in a noble fashion |
neck | The long wooden piece that connects the headstock to the body of a guitar. |
toccata | a brilliant composition for piano or organ, usually characterized by much rapid staccato playing. |
eroico | "heroically" |
pitch | The specific wavelength frequency of a musical sound indicated as a letter from A to G with or without a sharp (#) or flat (b). |
skin | The drum skin is a circular plastic film that is spread across the top and bottom of a drum |
allargando | "broadening," "getting a little slower." |
sempre marcatissimo | always well marked, i.e., strongly accented. |
espressione | Expression. |
col arco | with the bow |
enfatico | "emphatically" |
strascinando or strascicante | indicating a passage should be played in a heavily slurred manner |
shoe | An hardwood insert at the bottom of the key at the balance rail hole used to reinforce the soft pine wood of the key. |
delicato | delicately. |
bourrée | A 17th-century French up-tempo dance. |
tempo giusto | in strict time |
omaggio | homage, celebration |
crescendo poi diminuendo | first increase, then diminish the tone. |
ein wenig | A little |
alla zingara | in gypsy style. |
maestro sostituto | Deputy master |
domestic servant | Household servant. |
fantasia | An instrumental composition not based on any regular form. |
note. | Correct notation must be made a habit rather than a theory, and in order to form the habit of writing correctly, drill is necessary |
moins | less |
legato | Word to indicate that the movement or entire composition is to be played smoothly. |
légèrement | lightly |
vivo | lively |
intimo | intimately |
sfz | made loud; i.e., a sudden strong accent |
brightness | The clarity of sound produced. |
bruscamente | "brusquely". |
g.p. | Grand Pause, General Pause; indicates to the performers that the entire ensemble has a rest of indeterminate length, often as a dramatic effect during a loud section |
maestro collaboratore | Collaborating master |
expression | 'expressive' playing (Italian = espressivd) usually means adopting a certain amount of flexibility in relation to dynamics and rhythm; the tension created by the resulting unpredictability is felt to convey the player's personal emotion. |
flamenco | A musical style that originated in Spain and was designed to accompany flamenco dancing. |
corda | A string |
non | not |
silenzio | silence; i.e., without reverberations |
agile | "swiftly" |
contrary motion | Moving in opposite directions |
encore | Additional song(s) or item(s) performed due to audience request, as indicated by resounding applause or noise, after the last song of a concert or performance |
affrettando | Hurrying. |
bagatelle | A fairly short, simple composition. |
volta subito | Turn the page quickly. |
house right | The right side of the area of the theatre where the audience sits from the point of view of a person sitting in a seat facing the stage. |
en dehors | prominent (emphasised melody) |
diva | ‘goddess’; A female opera star of rank or pretension. |
soft pedal | The popular name for the una corda pedal which shifts the action to the side causing the hammers to hit two strings instead of three |
bridge | Made of hardwood (maple), the bridge is the link between the strings and the soundboard |
giocoso or gioioso | gaily |
fantasy | Type of composition unlike formal music, but where form is unimportant and suggests extemporisation. |
port | Town or city posessing a harbour. |
immediate bend | A bending effect that is caused by playing a note and then immediately bending it up. |
tambour | a drum |
zart | Delicate |
comprimario/a | con primario, with the first |
mais | but |
bluing of tuning pins | A coating formed from oxidation on steel tuning pins that helps prevent rust and helps keep pins secure in the pinblock. |
piano | gentle |
muster roll | A list of all the crew on ships giving details of the position, age, and home town of each crew-member. |
counterpoint | 2 or more melodic lines playing simultaneously |
contralto | “against high” (contra alto); The lowest female voice |
campana | bell |
segue | The next section follows without a break or continue without stopping. |
con anima | With deep emotion. |
chromaticism | The use of chromatic intervals |
serioso | "seriously" |
larghetto | Faster than Largo |
con larghezza | with broadness; broadly |
stage right | This is right from the point of view of the person on stage facing the audience. |
breve | Note equal to two semibreves |
volante | flying |
parlando | well accented or enunciated; applied to melody playing |
troppo | too much; usually seen as non troppo, meaning moderately or, when combined with other terms, not too much, such as allegro [ma] non troppo (fast but not too fast) |
siciliana | a Sicilian dance in 12/8 or 6/8 meter[6] |
feroce | "ferociously" |
harmonic progression | The succession of chords in a piece of music |
empfindung | feeling |
fret | 1 |
harmonics | The sounds produced by a single string that are consonant to the fundamental sound which have structure and can be used in aural tuning. |
lo-tom | The lo-tom is a drum with skins on both sides of the drum |
sprechgesang | Literally "speechsong", a singing style midway between song and speech |
volume pedal | A pedal inserted between the electric guitar and the amp that lets you control how loud your electric guitar sounds. |
ben | "well" (as in ben marcato = well marked). |
arioso | airy, or like an air (a melody); i.e., in the manner of an aria; melodious |
lacrimoso | "sadly" (literally "tearfully") |
capriccio | A caprice (in a free, light-hearted style) |
encore | A piece of music played at the end of a recital responding to the audiences enthusiastic reaction to the performance, shown by continuous applause. |
messa di voce | in singing, a controlled swell, i.e |
meno | "less"; see meno mosso, for example, under mosso. |
interlude | Piece of music played between other pieces. |
note-row/tone-row | A row of 12 notes arranged in any order to form a composition |
grave | slowly and seriously |
embouchure | The positioning of the lips in relation to the mouthpiece for woodwind and brass players |
minimalism | First used in connection with American composers such as Philip Glass, John Adams and Steve Reich, who rejected the complexities of the European avant-garde in favour of music which was constructed from repeating cycles or additions of small phrases |
lentando | with increasing slowness. |
afficonado | “affectionate”; a Spanish term for a passionately knowledgeable individual. |
sound hole | The opening on the top of an acoustic guitar that amplifies the guitar's sound. |
entr’acte | “between the act” A musical composition played between the acts or between scenes; also a term used to mean Intermission. |
decresc. | same as diminuendo or dim. (see below) |
racism | Belief in the superiority of a particular race |
spinto | Italian for "pushed" |
delicato | Delicately |
con alcuna licenza | with some degree of license. |
lamentando | "complaining" |
hymn | A song of praise and glorification |
naturals | as opposed to sharps, naturals are signified by the white keys on the piano keyboard (sharps are usually signified by black keys). |
avec | with |
alla | to the, in the manner of (al before masculine nouns, alla before feminine) |
strophic | A term used to describe a song or aria in which the same music is used for each verse, eg "Nessun Dorma". |
con fuoco | with fire |
melos | melody |
voll | Full. |
hammer molding | The wooden core of the hammer head. |
major and minor | see key |
lentando | slowing |
fresco | freshly |
bitonal | Music that uses two keys at the same time |
music video | Video tape or film that accompanies a recording, usually of a popular or rock song. |
malinconico | melancholy |
fortepiano | Loud then immediately soft |
third inversion | A seventh chord with the 7th as the lowest tone. |
idyl | a short, romantic piece of music in simple and unaffected style. |
col. con | With. |
basso | low |
crown of the soundboard | The crown is how much the center of the soundboard rises above being perfectly flat |
repetition | A phrase, or melodic module, is repeated verbatim. |
brioso or con brio | "vigorously." |
music theory | A way to explain and describe the music we hear. |
fertility | having many children |
marcato | Marked, accented. |
legato slide | Playing a note at one fret and then, withoug repicking the string, sliding your finger to a different fret while maintaining pressure on the string. |
gesamtkunstwerk | Literally "total work of art" |
con amor | "with love" Tenderly. |
a capella | Unaccompanied vocal music |
pentatonic | music based on a scale of five notes (such as found in many traditional musical cultures). |
cédez | yield, give way |
verismo | “truth”; A theatrical style in the late 1800s that depicted ordinary, everyday characters in melodramatic situations |
desiccant | A powder or crystal substance that draws humidity out of the air, lowering the local relative humidity level. |
secco | "(I) dry" |
circle of fifths | A tool used by musicians to determine the relationship between major and minor keys. |
con melinconia | with melancholy. |
lunga | long (often applied to fermatas) |
mazurka | Polish dance in triple measure. |
pastorale | in simple and unaffected style, (lit.—pastoral, rural). |
voicing | Also called tone regulation, a process where the technician attempts to achieve a consistent and pleasing sound from one hammer to the next across the entire keyboard. |
triple counterpoint | Three melodic parts interwoven |
entr’acte | This is the name given for another performance, as of music or dance, provided between two acts of a theatrical performance. |
legato | smoothly. |
aria | air |